Year 12 Term 1: Gaps and Silences: Macbeth
Overcast skies forewarned of the storm to come. The ominous and looming clouds rumbled treason, wolves howled their distress and rough winds wreaked havoc on the brittle branches of the oak trees in Birnam Wood, but not even this could compare to the turmoil in the Queen’s mind.
In her chambers, Lady Macbeth’s frantic, bloodshot eyes darted across the room, searching for the ghost that had haunted her for an eternity. Lady Macbeth had borne many sleepless nights after the appearance of the ghost of King Duncan, his happy and nonchalant demeanour being the root of her suffering. She would have been able to endure an angry or hateful spirit, but the honourable manner and grace in which he held himself
…show more content…
Or are you a spirit who gives rise to nothing but emptiness itself. Was your death unjustifiable by satisfying the ambition of the crowning of my lord?”
She was speaking only to King Duncan. Yet, as if in answer, a phantasm of figures began gushing through the door. The line began with Banquo, followed by Lady Macduff and her children, and then a long series of men, women and children covered with deep and deadly wounds. She did not recognise them, but deep in her mind, she knew who they were - people slain by the newly crowned king. Her voice trembling, she questioned the deceased
…show more content…
Lady Macbeth recoiled in fear, fear which knotted her stomach and caught her voice in her throat. Her gaunt face was a mask of pure dismay.
“Oh cruel death, are you finally here to claim me? Has my time on this cursed throne ended already? I see now, deceiving death that you are neither an angel, nor a spirit. You are the devil himself, one who taunts and dangles bait in front of greedy men and grant them treasures which cannot be treasured. Begone, foul delusion; you cannot say that I have done and what I have not, for you do not know and no-one can know.”
Lady Macbeth pushed through the horde of ghouls and bolted from her room, each person staining her clothes with blood. The resounding bang of the heavy wooden door against the solid walls of the castle sent the guard outside her bedroom jumping from shock. She sprinted through the long hallway, but there was something about her pace which shocked the men she passed by. An irregular pattern of footsteps – like that of a wounded animal. All but Lady Macbeth were oblivious to the loud pattering of footsteps which followed
Shakespeare’s tragedy, Macbeth, focuses on the tumultuous events that surround a regicide. Despite being the shortest of Shakespeare’s plays, in his critical study of the play A. C. Bradley concludes that due to its vehement nature the audience is left with an impression “not of brevity but of speed” . The principal female character of Lady Macbeth is arguably one of his most contentious. Consumed with intense passion, ambition and greed she challenges the subservient role of the traditional Elizabethan woman. She has disturbed, horrified and intrigued both contemporary and modern audiences alike through her powerful diction.
Macbeth come across the three witches, there they state, “All hail, Macbeth! Hail to thee, Thane of Cawdor” (Act 1, Scene 3). In reply to the three witches, Macbeth demanded “stay you imperfect speakers! Tell me more”. With just these few statements announced, Macbeth’s thirst for power and glory arises and is clearly seen.
“Creeps in this petty pace from day to day.” (Act 5. Scene 5. Line 20.) Macbeth comprehends that life is in multiple forms in ways that humans never expect.
Although introduced as a thoroughly hardened, ambitious woman, Lady Macbeth’s seemingly unbreakable character shatters when she is consumed by the demon of guilt. The guilt of Lady Macbeth seems nonexistent when she persuades Macbeth to kill King Duncan, but the heinous acts she and her husband commit throughout the play strain her slowly. Eventually, the guilt Lady Macbeth harbors emerges from her subconscious and crumbles her. The downfall of Lady Macbeth reveals that even the toughest, strongest, and most powerful people can succumb to guilt. At the commencement of William Shakespeare’s
As Lady Macbeth continues to hide her “weak” attributes by displaying a stronger shell, she also reveals her sense of ambition. Although Macbeth and Lady Macbeth both seek power, it is obvious that power is what drives Lady Macbeth. From the second she knew about the witches’ prophecies, she made it her goal to become King and Queen. When she creates a plan to murder King Duncan, Macbeth shows he is nervous, Lady Macbeth finds this problematic and asks him to “project a peaceful mood, because if you look troubled, you will arouse suspicion.” (1.5.63-65).
Lady Macbeth criticizes, “Glamis thou art, and Cawdor, and shalt be/ What thou art promised. Yet I do fear thy nature;/
Prevention from a peaceful slumber develops as a result of the immorality of her crimes being suppressed until it breaks her sanity and seeps into her dreams. Finally, guilt induces feelings of despair in Lady Macbeth so potent it causes her to take her own life. “The queen...is dead” (5.5.16) because she was not able to “minister to [herself]” (5.4.47). Depression bubbling inside of the queen becomes too much for her to bear alone. Regardless of this, she continues to harbour these emotions until she could endure no more and commits suicide.
The overcast skies forewarned of the storm to come. The grey clouds rumbled treason and the wild wolves howled their distress. Rough winds wreaked havoc on the brittle branches of the oak trees in Birnam Wood, but not even this could compare to the turmoil in the new queen’s mind. In her chambers, Lady Macbeth’s frantic, bloodshot eyes darted across the shadowed room like a wild animal.
Murder. The word itself evokes a feeling of uneasiness, a feeling that is undeniably abnormal. And what causes a person to murder? What attributes must a person possess to drive them to such an unnatural act? Through her soliloquy, Lady Macbeth uses extensive imagery and diction to convey exactly what characteristics make her capable of murder.
Shakespeare Selected Plays Imtiaz Jbareen 204495170 A Close Reading of Macbeth Shakespeare’s brilliance lies within subtle details. Therefore, a close reading of his plays, including Macbeth, presents an insight into the structure of the play. Once this is accomplished, one reaches an understanding of the play and characters through their speeches. This paper discusses Act 2 Scene 1, Macbeth’s soliloquy.
Like men, she has the trait to be gruesome and diabolical in nature. She has determined for herself the course to be pursued and nothing can hinder her. She does not need the prophecy of the witches to urge her. She is aware of her strength and she is resolute in her aim. Knowing Macbeth’s weakness,
Here she reveals her guilt about the murder of King Duncan and how he resembled her father. If she was truly evil, she would not be over thinking her actions and having her guilty conscious speaking for her in her
Blood is something most people see as gruesome and disturbing, and not something ordinary people enjoy to be in the presence of. In the play Macbeth, the playwright William Shakespeare uses the motif of blood to expose a character's thoughts and personality. Blood is an important motif constantly shown throughout the play. Macbeth, the main character, thinks he can advance to the throne without any consequences. Blood exemplifies the guilt he is now stuck with, and due to Macbeth's excessive ambition, and overwhelming guilt, he is now faced with the consequences.
Lady Macbeth plays a key part in driving Macbeth’s motivations and encourages Macbeth to overcome his strong sense of guilt and take action on the prophecies. Lady Macbeth tells Macbeth that he is “green” (I.VII.40) and “a coward” (I.VII.46) and that he resembles the proverbial “poor cat”. (I.VII.48) The willingness of Lady Macbeth to reach the epitome of betrayal is displaced that heightens the understanding of the overpowering and strong nature of Lady Macbeth as well as the deep and murderous motivations she wishes to impose on her husband. Shakespeare exposes to the audience to the persuasive and emotive techniques Lady Macbeth uses to manipulate and drive Macbeth's motivations. This
One might think that sorcery was at hand here. I enter Macbeth’s abode and take in the room. Rich purple and royal blues hang from the tresses and decorate the tables, windows and door ways. The regality of it all amazed me. My attention is taken away from the décor as the man of the hour arrives.