Analysis Of Summer Annie Hall And High Fidelity

Lost in Translation is a romantic comedy-drama film directed by Sofia Coppola. The main actor in the film is Bill Murray portrayed as Bob Harris who makes friendship with Charlotte in a hotel in Tokyo. The story revolves around a love circle of two strangers that met in a hotel. This paper will be discussing the themes and styles in relation to moods, attitudes and conditions that existed during the recording of the film.

Terence Davies film, “The Long Day Closes” portrays the life of a young homosexual boy living in a postwar society. The main protagonist Bud, represents Davies experience of the good and troubled times that childhood and his sexuality brought him. The Tammy’s in Love scene flawlessly applies mise-en-scene, cinematography, editing and sound to depict the underlying message of finding yourself, a theme that is emphasized throughout the film.

“For never was a story of more woe than this of Juliet and her Romeo.”, is a line that was very important to the history of literature. It tells of the inevitable fate of two star-crossed lovers that were bound to death because of each other. There have been many movies and plays preformed with this story line, but two in particular are the Baz Luhrmann film and the original play’s text. Both the Baz Luhrmann film and William Shakespeare’s play of Romeo and Juliet may be compared by focusing on the following scenes: the party scene, balcony scene, fight and death scene of Tybalt and Mercutio, and the suicide scene.

Blue is essentially a story of searching for identity and creating your own family. Written by Patricia Leavy the story follows three college roommates, as they each piece together who they are in their life after college. Following each characters involvement in relationships and inner dialogue, the book addresses the challenge young adults face coming out of college with finding their identity. Through her story life, Leavy has weaved together sociological themes that relate to identity seeking. Leavy’s book is a story that demonstrates how individuals form identity because it highlights themes of sociological theories, dramaturgy, and socialization.

“The screen is a magic medium. It has such power that it can convey emotions and moods that no other art form can hope to tackle.”

In 1973, the beloved children’s classic, Charlotte’s Web, made its first appearance onto the screen. Over 30 years later, a newer version of the classic hit the big screen. Since both were closely based on the original book written by E. B. White, the movies still hold true to the core values and overall plot. Between the two films, there arose many similarities, but there were still a few variations in the two films. This essay will compare and contrast the ways in which the original animated version of Charlotte’s Web in 1973 and the live-action version of Charlotte’s Web in 2006 on terms of character’s setting, personalities, and plot.

Cinematography and filmmaking are art forms completely open to interpretation in many ways such lighting, the camera as angles, tone, expressions, etc. By using cinematic techniques a filmmaker can make a film communicate to the viewer on different levels including emotional and social. Play writes include some stage direction and instruction regarding the visual aspect of the story. In this sense, the filmmaker has the strong basis for adapting a play to the big screen. “A Raisin in the Sun” is a play by Lorraine Hansberry that debuted on Broadway in 1959. In the play, “A Raisin in the Sun” we see a lot of arguments and disagreements among the members of the family. After viewing two versions of Act 1, Scene 1 of “A Raisin in the Sun” the 1961 version film most effectively uses cinematic techniques to portray the tension among the members of the Younger family that are evident in the

According to Shakespeare, blindness in this play reaches a meaning beyond the physical inability of the eye to see, but also is a mental flaw that affects multiple characters in the play. Gloucester suffered terrible consequences from this mental flaw. Ironically, Gloucester “stumbled” when he could physically see because although he could use his eyes, he couldn’t see the truth. When Gloucester loses his bodily capability to see, he comes to the realization that often times having something makes us spoiled and that our “defects prove our commodities.” Not having eyesight turned out to be advantageous for Gloucester and his relationship with Edgar. Gloucester uses this realization as a chance to apologize to Edgar for “thy abused father's

Many people enjoyed watching Annie, the 1982 film featuring an eleven year old orphan. Annie, the name of the orphan, got invited to spend two weeks away from the orphanage with the millionaire Oliver Warbucks. Although many people enjoyed watching the antics of Annie, few viewers stop to wonder about the historical accuracy of this film. Orphans, wealthy people, and thieves are three groups of people during the Great Depression that the movie Annie accurately portrayed.

As the book, Speak by Laurie Halse Anderson, progresses from start to finish, the actions of the characters really help the reader to understand how each character acts in certain uncomfortable situations that are experienced during the book. In these situations, the characters start to show how they feel around others. It shows how they feel comfortable or completely uncomfortable around other people. Each character has their own little twist to how they feel about things that are happening in school and in their own personal lives. The development of these characters help us realize the fears they face on a daily basis.

In the works of Literature an epiphany is “a moment of profound insight or revelation by which a character’s life is greatly altered” (24). In the short story “Cathedral” Raymond Carver uses epiphany to draw on the theme, blinded views can alter someone’s behavior. On the realistic level, epiphany advances the plot and character development because they are the basis for the story’s central action. They also help define the narrator and play a vital part in revealing the story’s theme. The following changes in the character’s views have shown an evident development.

The best thing I know is to do exactly what you wish for a while (Roman Holiday):

Oedipus the King is a tragedy that was written by Sophocles that emphasizes the irony of an irony of a man who was determined to trace down, expose and punish an assassin who in turn became him. Oedipus the King is also known as Oedipus Rex or Oedipus Tyrannus. The art is an Athenian play that was performed in ages approximated to be 429 BC. Oedipus the King would later in the play fulfill the prophecy that he would kill his father and later on marry his mother. There is a twist of an event in the play where Oedipus is looking for the murderer of his father to bring to a halt the series of plagues that are befalling Thebes but only to find he is in search of himself (Rado, 1956). After thing coming to light, Oedipus feel horrified about the

Over the past century, film has served as a powerful means of communication to a global audience and has become a vital part of the contemporary culture in a world that is increasingly saturated by visual content. Due to the immediacy and the all-encompassing nature of film, the process of watching a film, is widely perceived to be a passive activity by the general masses. However, quoting Smith in his article about the study of film, “nothing could be further from the truth.” The study and understanding of film as an art form enhances the way we watch and appreciate films. It requires the audience's active participation and interaction with the film in order to fully comprehend the directors' intention behind every creative decision. With

Baz Luhrmann is widely acknowledged for his Red Curtain Trilogy which are films aimed at heightening an artificial nature and for engaging the audience. Through an examination of the films Romeo + Juliet, Moulin Rouge and The Great Gatsby, the evolution and adaptation of his techniques become evident. Luhrmann’s belief in a ‘theatrical cinema’ can be observed to varying degrees through the three films and his choice to employ cinematic techniques such as self-reflexivity, pastiche and hyperbolic hyperbole.