As Pearl faces the same shame as her parents, such as being called “an imp of evil, emblem and product of sin" (Hawthorne, 129), her need for care and attention grows larger. The final aspect of love in the novel is one of the importance and connection to family. The humiliation and contempt they all felt brought them closer together as they did not want to witness any of their suffering. Pearl’s reaction to her father’s death exemplifies the depth and strength of their connection. The narrator describes their final moments by saying “Pearl kissed his lips.
It’s a way for them to deal with their suffering, See, they write their prayers on scraps of paper and tuck them in the wall’” (97). To explain, the comparison of May’s wall to the Wailing Wall displays her magnified sensitivity to pain unconnected to her personal life. After the death of her twin, May experienced the sorrows of others more intensely, as if they were her own. At the Wailing Wall in Jerusalem, it is a tradition to place a note containing prayers in the wall. Replicating the tradition, May adopted this method of coping with her suffering.
James McAuley and Gwen Harwood’s poems employ metaphor, symbolism and imagery to express the isolation felt by those who suffer loss. In “Pietà” a father is experiencing the physical loss of a loved one, whilst in “In the Park” a mother is suffering from the loss of self-identity as a result of motherhood. Both poets employ poetic techniques to convey the unique experience of loss catered to each individual. McAuley’s intent is to highlight that although mothers grieve, so too do fathers, whereas, Harwood’s intent is to address the role of motherhood in a realistic
When Sethe tells Paul D the story of her being beaten by the schoolteacher, he focuses on the beating itself, but she instead repeats the phrase “they took my milk” (Morrison 20). While slavery is a horror, it is a dead horror that people today cannot relate to. However, by having Sethe focusing on her milk, Morrison laments the pain of a mother’s sacrifices to support her children even when she is unable to support herself. Even during her assault, Sethe focuses on her breast milk, meant for her child, being taken from her. The portrayal of the hardship of motherhood allows Sethe’s experience as a slave to transcend beyond the time period and become a universal suffering that people can relate to, therefore achieving mimesis.
The epigraph of Chapter Three highlights the ways both Mother and Mattie feel and relates to the novel’s theme of loss. Laurie Halse Anderson, author of Fever 1793, quotes from a letter from Margaret Morris, which states “Oh, then the hands of the pitiful mother prepared her child’s body for the grave.”, the “pitiful mother” representing Mother, and the child spoken about is Matilda. Mother has just experienced yet another death, the last one being Mattie’s father. Polly was their helper girl, and now they don’t have anyone to help around the shop. This will cause Mother to get more stressed as she and Mattie have more work to do.
The poem "Fear" by G. Mcstrawl uses many different types of figurative language. This poem talks about the feelings of a mother and misery in losing her daughter. She is fearful of her daughter leaving her. The poem uses repeated metaphors, imagery, and symbols to show the emotion and feelings of the mother. The author uses the metaphor, " I don't want them to turn her into a swallow" multiple times.
In Sophocles’ play Antigone, Antigone is punished for burying her dead brother’s body by being buried alive. Antigone gives an emotional speech in which she laments the loss of her youth and her future of marriage and motherhood. In this speech, she employs rhetorical devices like pathos, foreshadowing and extended metaphor. In an attempt to coerce Creon to refrain from burying herself alive, Antigone utilizes the rhetorical device, pathos. She says, “For never had I, even had I been mother of children,” and, “ Cut off from marriage feast, unlasting wife’s true joy, or mother’s bliss, with infant at her breast…” (Sophocles 34).
The piece revolves around the subject of motherhood, portraying a women who feels smothered and consumed by her children. Poetic devices were used by Harwood to emphasise the affect that change had on the woman and her life progression, whilst illustrating the negative response which became evident as a result. In the poem, whilst taking her children to the park, the woman encounters an ex-lover, briefly discussing their life progression and stating to herself after his departure, that her children 'have eaten [her] alive’. Harwood’s use of this metaphor and hyperbole, shows the affect of the change her choices created, and its impact. The use of symbolism, to a large extent, also portrays the woman’s feelings derived from her sense of imprisonment.
Despite the minor setback, I could not contain my excitement and muffled my squeals with a pillow. When I had reached the heart wrenching moment, I could not help but cry for Avery’s loss. Closing in on the last few chapters, I could feel fresh tears streaming down my face. Avery Roe suffered the loss of her first love, the rejection and death of her grandmother, and finally realized why her mother had locked her away in their grand mansion. For her mother, instead of getting heartbroken, she felt failure every time she made spells, and it was her own daughter that broke her heart.
This essay endeavors to analyse the situation of two different women. “The Story of an Hour” and “A Rose for Emily.” The first story by Kale Chopin’s in the 19th Century penned by Mrs. Mallard who confirm her about her husband death which made her heart broken. But at the same time she thought she could be free and enjoy her life because in the old time Women was under the mercy of her husband and must obey him which affect their life. “A Rose for Emily” by William Faulker with the breaking news of her father death feeling depressed and unable to do anything. Women have no rights and were under the mercy of her family.