Amitav Ghosh is prominent Indian writer who has worked both on fiction and non-fiction.His works includesnovels such asThe Circle of Reason (1986),The Glass Palace (2000), and The Hungry Tide (2004).Ghosh’s second novel The Shadow Lines (1988) is beautifully written. It reminds of Rushdie in terms of its formal experimentations with geography and chronology. However, unlike Rushdie, it is written in an understated, condensed prose that comes close to poetry. The themes of this novel revolve around arbitrariness of partition and the invention of the past. It moves between between India and the UK, Calcutta and London, the Second World War and present.
KEYWORDS:PARTITION,NATIONALISN,PUBLICHISTORY,PRIVATE HISTORY,NOSTALGIA
INTRODUCTION:
Exploring history in context of literature is an interesting psycho social exercise. History is not only about ‘great’ events and personalities but entails a lot more of a web. History sometimes tends to take elite routes. The powerful sections of the society may tend to dominate the way history gets represented, circulated and accentuated. However, Ghosh in his works highlights the voices that may be unheard of. Voices of the marginalized sections of the society particularly find their expressions in his work. Forinstance, his novel Shadow lines, entails the tale ofThamma about partition seen from her perspective. Similarly, in Hungary tides, Kusum also a victim of partition, has her own tale of saving lives of other people. Individual lives,
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For this final reading response, I have decided to look in depth at Thomas Nelson’s piece of writing called Darkness in the Look and to also interpret and analyze specific aspects of this particular reading. In the reading, Nelson does quite a wonderful job analyzing Disney’s representations of evil over the decades between 1938 and 1974. His view is that darkness in Disney was used in the first few films to convey a more haunting, and dramatic form of evil and that as the years progressed, Disney moved away from imagination being directly linked to lightness and darkness within the icon world of Disney. Throughout this response, I will be contrasting, in particular the idea of evil being prevalent in nature and in one’s self to evil being within one entity, or
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Everyone's a Sinner! “Beloved and respected as you are, there may be whispers, that you hide your face under the consciousness of secret sin. For the sake of your holy office, do away this scandal!” This quote is very important as it mentions Reverend Hooper’s problem with sins and sinners. The short story, “The Minister’s Black Veil” was written by Nathaniel Hawthorne.
The checkered past and symbolism of the Overlook Hotel in Stephen King’s novel ,The Shining, reflects the characters’ pasts and influences their actions in order to show the building as more of an antagonist (of sorts) than a setting. One example of support for the claim is when Jack Torrence is having a dream after discovering the blood and bits in the Presidential suite from a gang fight years prior, where he believes that he is killing an intruder of the hotel with a mallet, but as he threw the mallet down, “the face below him was not of the intruder but of Danny’s. It was the face of his son. Then the mallet crashed home, closing his eyes forever. Suddenly Jack awoke standing over Danny’s bed, his fists clenched tightly.”
One would expect the President of the United States to be a model citizen and hold himself to high standards, but in the short story “Diverging Paths and All That” by Maryanne O’Hara, President Nixon does not exhibit these traits. The author uses foils to help impress central idea that the narrator is heading in the right direction in life and Billy is not on the reader. The author does this by contrasting Billy’s readiness and lack of remorse with the authors hesitation, feelings of sickness, remorse, and eventual bailing out, when stealing. There are many examples of foils being used to impress the central idea that the narrator is heading in the right direction in life and Billy is not on the reader. One example of foils being used is when Billy nonchalantly steals with ease, while the narrator is
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Society is structured so that the association of normality goes to the diffuse status characteristics of: white, man, heterosexual, and masculine. From a Symbolic Interactionist perspective, the expectations of people based on the stereotypes constructed by people of that particular society create a process of socialization where individuals are categorized and analyzed based on the norms of that society. The classifications of what is and is not normal for a category has created norms of how people should look, behave, think, feel, and even influences how they identify themselves. This process of classification negatively impacts the psychological aspect of many people’s health. Two of the largest aspects of psychology altered by categorization
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“ We magnify the flaws in others that we secretly see in ourselves” -Baylor Barbee. In “ The Minister’s Black Veil” by Nathaniel Hawthorne, the main character Reverend Hooper is alienated by his community because he is the wearer of a mysterious black veil. Reverend Hooper is the reverend of his community’s church and has always been well respected by his surrounding peers. One day, Hooper shows up to his church and preaches the sermon wearing a mysterious black veil causing his peers to alienate him. Throughout the story, Hooper’s actions portray just how judgmental our society really is.
For example, in her analysis of Isak Dinesen’s “The Blank Page” Susan Gubar adopts the metaphor of “the blank page” to stress how women’s history silenced by the patriarchy can be subversive. “The Blank Page” is narrated on a wedding night where the stained sheets of princesses are displayed with their names to prove their virginity. Among these stained sheets is a plain white sheet with a nameless plate. “Dinesen’s blank page,” writes Gubar, “becomes radically subversive, the result of one woman’s deficiency which must have cost either her life or her honor [is] Not a sign of innocence or purity or passivity, this blank page is a mysterious but potent act of resistance” (89). The blank page shows the silence of women but it proves female resistance
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