Mrs.Dubose is stuck-up and can never control her self for example “”Where are you two going at this time of the day?” she shouted. “Playing hooky, I suppose. I'll just call the principal and tell him!””(Lee 134) this text is an example of her being stuck up and nosy. Mrs.Dubose is always in other people's business from family problems, to locations, and destinations she can never seem to keep to herself. Mrs. Dubose is alone, all she has is her caretaker and her flowers it doesn't help that she is struggling with addiction.
The narrator is currently unable to take care of her own child, one of her main responsibilities in life, because of her postpartum depression. Motherhood has been the cause of her mental trauma, and said trauma makes it difficult to fulfill her maternal duties. With her inability to take care of her child, she has even less of a role in the family than she previously held. In “Woman,” Kate Austin discusses how men gained their higher standing because of maternity. She states, “ A woman will bear anything for the sake of her children.
In “Everything That Rises Must Converge” written by Flannery O’Connor, the characters Julian and his mother, referred to only as “Julian’s Mother”, maintain an intricate and rather deleterious relationship. Their conflicting views regarding race issues are the ultimate dividers in their relationship. This dissension places a large strain on nearly all of their interactions. Julian is irritated by his mother and treats her with enmity, while his mother is tolerant of his temper. Their relationship heavily affects both characters and carries a strong significance in each others lives.
In the second paragraph of the story the author states that she is suffering because she doesn't have the things she wants by saying, “She suffered endlessly, feeling herself born for every delicacy and luxury. She suffered from the poorness of her house, from its mean walls, worn chairs, and ugly curtains.” (Guy de Maupassant 2) “She had no clothes, no jewels, nothing. And these were the only things she loved;” (Guy de Maupassant 2) The author included this to let the readers know what kind of “Poverty” Matilde was living in. Mathilde doesn't seem to love her husband as much. He thinks different about her.
But even with all her power, Jason bends her like a young pine in a hard wind; he makes her double in two. I know her” (Ward 38). Defeated by her feelings for Manny and powerlessness as a woman surrounded by men, Esch idolizes Medea; she covets Medea’s ability to manipulate and destroy. She also sympathizes with her betrayal because no matter how hard she tries, even before he knows about her pregnancy, Manny refuses to have any real relationship with her. Esch’s misery slowly develops into anger that climaxes when she tells Manny he is the father of her child.
To begin, Nathaniel Hawthorne utilizes pathos throughout his writing to imprint the importance of individual conscience into the reader 's mind. Hawthorne begins the book by having the reader pity the main character, Hester Prynne, as she is a young, husbandless, mother in a society that shames her for her unfortunate circumstances: “haughty as her demeanor was, she perchance underwent an agony from every footstep of those that thronged to see her, as if her heart had been flung in the street for them all to spurn and trample upon” (Hawthorne, 53). The consistent misfortune of Prynne evokes emotion in the reader and stresses the weight of her decisions. Prynne manages her way through such a hostile society -“Happy are you, Hester, that wear the scarlet letter openly on your bosom” (Hawthorne, 188)- in a way that is metaphorically applicable to the real world, allowing the reader to truly connect and understand the character for who they are. This connection adheres with the reader, whether it be conscious or not, and affects their day to day life, changing how readers view situations given to them ranging in
This story connects to the “Short & Happy life of Francis Macomber” because both wives are dissatisfied with their husband’s behaviors and cognitive abilities which results in their desire to slay them. Generally, despite any attempt their husband makes in order to mature or perfect life, the wives always seem to find some reason to not appreciate them. Furthermore, each wife had this feeling of indifference for life that always left them feeling undesired, trapped, and unfulfilled. For example, this indifference is shown by Margot Macomber when she kisses Mr. Wilson for being more masculine and brave than her husband. However, she begins to feel bad about her decisions once her husband begins to become brave when hunting the Buffalo.
She is the one female character that challenges the standard of a southern, rural woman. Unlike Cora she isn’t obedient to her husband nor God. She cheated on her husband, Anse, with a minister and isn’t sexually satisfied by Anse. Addie isn’t happy with the traditional way of life of having a husband and kids, “So I took Anse. And when I knew that I had Cash, I knew that living was terrible…” (Faulkner 171).
In Edgar Allan Poe’s short story “The Cask of Amontillado” and Zora Neale Hurston’s short story “Sweat” the two characters are consistently belittled by the antagonist in the stories. In “Sweat” Delia is an average housewife, but unfortunately she is in an abusive relationship with her husband named Sykes, who has a tendency to degrade Delia. Throughout the story, Sykes treats Delia horribly and towards the end of the story, Delia finally realizes that she has had enough of her abusive husband because he makes her feel as if she is not worth anything. Due to Sykes’ tendency to degrade her, Delia is considered to be a sympathetic character. The same kind of conflict affects the narrator in Edgar Allan Poe’s story “The Cask of Amontillado.” During the story, the narrator, Montresor, consistently gets put down by his friend Fortunato, who mocked the narrator’s family name.
Hedda’s jealousy of her former life pushes her to become bored and manipulative. When Hedda married George Tesman, she was lowered to a different social and economic class. She acknowledges the role this plays in her boredom saying, “this shabby little world I’ve ended up in. That’s what makes life so contemptible, so completely ridiculous” (Ibsen 1506). This unhappiness and lack of excitement spur her to find