Analysis Of Barbara Welter's The Cult Of True Womanhood
A nineteenth century man observing women today would be baffled by the freedoms women have. He is probably wondering, “where did we go wrong?” or “how did we let women’s rights get this far?” During the Antebellum period, white, middle class women lived to serve four purposes. Barbara Welter’s The Cult of True Womanhood, identifies these four purposes as piety, purity, submission, and domesticity. Fulfilling these virtues meant living as a true woman in the 1800’s. Restricted in every aspect of their lives, women were only allowed to participate in religious work outside the home, since “church work would not make her less domestic or submissive” (Welter 2). If women responded so dutifully to their place in society, what changed in terms of
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The Cult Of True Womanhood Analysis
2199 Words | 9 PagesThe Cult of True Womanhood in “The Yellow Wallpaper” In her essay “The Cult of True Womanhood: 1820-1860”, Barbara Welter discusses the expected roles and characteristics that women were supposed to exhibit in accordance with the extreme patriarchy of the nineteenth-century America. The unnamed narrator in “The Yellow Wallpaper” is seen to conform and ultimately suffer from this patriarchal construct that Welter labels the Cult of True Womanhood. The narrator falls victim to this life of captivity by exhibiting several of the fundamental characteristics that Welter claims define what a woman was told she ought to be.
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