Analysis Of Dattani's 'On A Muggy Night In Mumbai'
Dattani strives to portray the identity crisis of the gays who are rejected and not accepted in society. According to the tradionalists in a conservative and old fashioned society such a relationship is something repulsive and detestable. Living in such a society, in such situations is difficult. Many times homosexuals are forced to conceal their actual identity since they fear that they may be rejected and expelled from the society. “The socio-psychological identity crisis of the gays, who are torn between the social taboos and their personal desires, their conscience and social consciences are discussed in the play On a Muggy Night in Mumbai”. (Velmani 252)
Dattani examines the psychology of people who are by nature or by choice ‘gays’ or bi-sexuals’ and the desire on the part of some of them to turn heterosexual, by hiding their identity. The play moves through the figures of Kamlesh, Ed, Bunny, Prakash, Sharad, Deepali the homosexual variations of
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Even animals do it. Blend with the surroundings.They can’t find you. You politically correct gays deny yourself the basic animal instinct of camouflage” (CP 70). Though he is a Sardar he has cut his hair to hide his outer religious identity and has married to hide his inner gay identity. In the TV program ‘Yeh Hai Hamara Parivaar’ (CP 76) he is a success. Everyone looks up to him as the ‘ideal husband and father’. “Ed is also trying to ‘camouflage’ in the same manner as Bunny Singh is doing. He is under immense psychological pressure and is on the verge of a nervous breakdown” (Singh 3). On the one hand Ed is “in conflict with Kamlesh whom he leaves because he is ashamed of his relationship with him and he does not want to be branded as a gay in the society” (Singh 3) and on the other hand Ed is “in conflict with Kiran from whom he hides his true identity but tries to use her to remain in touch with Kamlesh” (Singh
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