Cinematography, is the art of making motion pictures, and mise-en-scene, the settings or surroundings of an event or an action, go hand in hand in the film Fruitvale Station. Since this film is based on an actual incident that took place at the Fruitvale Station, where an officer shot and killed Oscar Grant, you know how the situation is going to end, but the cinematography is extraordinary and keeps you engaged the entire time while addressing issues of race, class, and identity in one film.
Spike Lee’s film Do the Right Thing portrayed the struggle between young Blacks and the problems that they face. They are put in situations where whatever they choose to do could be considered wrong by people that aren’t Black, hence the title Do the Right Thing. How do they know what the right thing to do is? Has the violent culture in their neighborhoods and their relationship with police officers given them limited choices? Do the Right Thing brings about many questions, while also leaving it up to the diverse audience to decide what they feel the right thing is. The movie also brings about the animosity that is forced between different ethnicities and races because of the way the culture in America has been
Fruitvale Station is based on a true story that occurred in Oakland, California in 2009. Oscar Grant III was unarmed and lying face down on a subway platform. He was shot by a white Bay Area Rapid Transit Police Officer. This movie is about what we can imagine when we cast our gaze across the longstanding divides in this segregated American society. Oscar Grant was a real 22 - year old man. The first thing we see in “Fruitvale” is the fatal moment that led to Oscar’s death. Camera phone footage of the Bay Area Rapid Transit cops beating Oscar and his friends on a subway platform that ends with a gunshot.
Stereotypes in media have been around since the earliest cartoons were drawn. The media gives supposedly identifying traits with images of the stingy Jewish man, the single Hispanic woman cleaning homes to raise her three children, and the “butch” lesbian falling for the beautiful blonde who just happens to glance at her every day in the hallway. These portrayals make up general knowledge about minorities for a lot of people, but their accuracy is questionable at best. While production companies have been making strides towards the better, insufficient representation in the media tends to portray minorities as their negative stereotypes rather than as people.
He does this by using lines such as “When you have seen vicious mobs lynch your mothers and fathers at will and drown your sisters and brothers at whim”. By using this kind of incendiary language and sentence structure he lets the audience envision how horrible it would be to see this happening to you or your own friends. Through the emotions he provokes, King is able to pursue the reader to hear what he has to say about these outrage of acts. King asserts negotiation is the best way to resolve problems, but when it was not an option on the table, he obliges to confront injustices using nonviolent direct action. He emphasized “the purpose of the direct action is to create a situation so crisis-packed that it will inevitably open the door to negotiation. We, therefore, concur with you in your call for negotiation” (11). In addition, he explains that current attempts to confront the issue of prejudice in Birmingham remain unsuccessful and that it is “...necessary to create a tension in the mind so that individuals could rise from the bondage of myths and half-truths to the unfettered realm of creative analysis…” (11). This leads the way to King gaining the audience’s undivided attention and paving the way for him to in more detail explain the logic behind why prejudice is unjust and
The documentary film, Crisis in Levittown, reveals racism in all-white Levittown, PA during the onset of the Civil Rights era. The Myers’ integration to all-white Levittown aided in the Civil Rights Movement, because it publically displayed that African Americans are equal. It portrayed the similar lifestyles between the stereotypical Levittown resident with the Myer family. The film captures the underlying reasoning for racism, which is fear. it reveals some residents of Levittown that are antagonistic towards an African American family living in their all-white community. However, the residents against the African American family all share a corresponding rationalization of fear. They fear (a) becoming outcast among their own race, (b) sharing
‘A Time to Kill’ is a movie that depicts the racial tensions between the white and black Americans in the past. The movie revolves around the life of Jake Brigance, a lawyer, and Carl Lee Hailey, as he struggles with the law and racism after seeking justice for his raped 10-year old daughter. As Carl Lee approaches Brigance for help with his case, they both face the challenge of blurring the lines between the white and black Americans and helping Carl Lee escape the long arms of the law.
Martin Luther King and Malcolm X, two authors, two activists who advocated different strategies to achieve a shared end, have since their deaths, transcended the local, pragmatic potency of their respective narratives of African-American resistance (Garrow, 1991). The film 's use of the metonymic figures “King” and “X” as well as the ethically divergent meta-narratives of which they are the cultural signifiers suffuses its dramatic structure with the ideological tension generated by the trope of “double-consciousness” (Garrow, 1991). The vehicle by which Do the Right Thing represents the black community reminding itself, so to speak, of the presence of these figures is the ubiquitous Smiley, a young man with cerebral palsy who earns money selling photographs of African-American heroes to his Bedford-Stuyvesant neighbors. The film calls attention to one image in particular: the famous photograph of King and Malcolm X shaking hands and smiling during their first and only meeting.
Violent protest can "...go to the point of murdering the hater, but it doesn't murder hate." The result of the Nonviolent protests under king both saved the hater and lessened thee hate."... in purely practical as well as moral terms, the American Negro has no alternative to non-violence." (Doc L) This was true, and the non-violent approach was much more well accepted by the white majority at the time. " This is non-violence at the peak of its power, when it cuts into the profit margin of a business..." (Doc. F) The non-violent protesters knew exactly what to do, exactly what would work, and exactly what would come out of it. This was a luxury that their violent counterparts did not have and is another reason as to why non-violence made more sense for the time
In document E it says “Basic to the philosophy of nonviolence is the refusal to cooperate with evil…simply by refusing to purchase products from companies which do not hire Negroes and meaningful numbers and in all job categories, the Ministers of Chicago under SCLC operation Breadbasket have increase the income of the Negro Community by more than 2 million dollars annually…. This is non-violence at its peak of power,” this quote is stating that the Negroes boycotted all the companies who refused them their rights as humans. Instead of blowing up the bus they decided to just stop riding the bus entirely. They walked to school and they walk to work, they had carpals and some even lost their job just to prove a point. In the end King's philosophy proved to be correct because many Negroes got the rights that they so wholeheartedly deserved without using the fist or taking out their anger on the white Americans or any Americans who disrespected them for that matter. They knew that they were not the total Elite race of the world Martin felt as if everybody was equal because of his strongly christian-based background. I also have another quote from that document E “there is nothing quite so effective as a refusal to cooperate economically with the forces and institutions which perpetuate evil in our communities.” This quote is simply reinstating the quote shown
While we are created differently to embrace the beauty of diversity, our egocentrism takes us outside the path to embracing racism. Racism in my definition is a negative feeling that an individual from another race is inferior due to the abilities, characteristics and the natural outlook that they project. Such feeling then brings about the external manifestation of discrimination, prejudice, and antagonism which comes out as hate, something we call racism. Racism has been fought for a long time more in the United States of America though there are remaining challenges therein. The main issue here is because the United States of America integrates
The movie that I have chosen to analyze is the 2004 film Crash. This film emphasizes the intertwining cultures of today 's society and the conflicts faced from class, culture, stereotypes and racism. The explicit content of this film is to teach the audience that one person 's choices has an impact on another person or multiple people and to persuade the audience that we as a society need to change how we treat each other. The films overt message does generate social dialogue, however, this film can be interpreted by the audience through their own beliefs and behaviors causing some misinterpretation. In Crash, ideology is screaming that the audience needs to open their eyes to the harsh reality of today 's challenges and make a change.
The film Boyz N the Hood is a story about life in South Central Los Angeles. The film was wrote and directed by John Singleton in 1991. I chose this movie because of its relevance to the course and how it reflects pop culture in that time period. The opening line in the movie “one out of every twenty-one Black American males will be murdered in their lifetime” really catches the audience attention. This movie goes into detail and shows the life of three young males living in the hood of Los Angeles battling a life surrounded by drugs, violence, and questions of race. This film is a great image of how American pop culture was consumed in the early 90s.
In the Heat of the Night is mystery drama film directed by Norman Jewson in 1967 which based on John Ball’s 1965 novel of the same name. It tells the story of Virgil Tibbs, a black police detective from Philadelphia, who becomes involved in a murder investigation in a racist small town in Mississippi.
Racism and Discrimination is an ugly concept. It’s an absolute disgrace to the humankind. It is in fact difficult to think about, nevermind write into words about how disgusted I am to watch history unfold. It is challenging to believe another human being could be this ferocious.