In “Equus”, written by Peter Shaffer, each horse sports a bit that restrains him and hands total control over to his master. At night, chains encircle and bind the stables horses from wandering off into the wilderness. Day in and day out, they’re held back from the freedom that they so desperately desire; however, these metal shackles represent more than physical confinement; they amplify the literal meaning of the piece by being an ominous reflection of Dr. Dysart’s work as a therapist, they symbolize Alan’s powerlessness against his parents contrasting personal beliefs, and ultimately, they represent his own pent up credence. In one of the initial scenes of the play, Frank replaces a picture of Jesus, crucified on the cross, with a less …show more content…
Dysart, under the ‘truth pill’, Alan divulges information regarding his obsession and worship of Equus. Not only does his God clearly “seest” what he does at any given moment, but the 17-year-old boy understands the pain behind the horse’s glossy gaze; he understands what it feels like to be incarcerated within the dimensions of his body. At night, Alan goes out riding the horses, allowing them to roam free without their bit. The darkness and sense of sweet solitary cloaks him with a feeling of ease, and Alan’s metaphorical bit temporarily disappears.
With Equus, in addition to a physical relationship, there’s a spiritual link that connects the two and allows Alan to break free and unite along with the horse.
After Alan describes his fascination with the horse’s constraint, the doctor has a dream that challenges and summons a reevaluation of the remainder of the literary piece as a whole, and at the very core of it lies the bit. The horrors in his nightmare cause him to question his ‘normal’ life in comparison to Alan’s acute obsession. With Alan as his patient, he is faced with reality and the lack of substance in his life, which is augmented by Alan’s confessions. Unlike Alan, Dr. Dysart holds no passion for anything, and this forces him to reflect upon the entirety of the career he has built up for himself. Children are born unique, but societal prejudice limits their individuality. Dysart’s dream exposes his line of work, making him a
Seabiscuit, An American Legend, is a book about the racehorse, Seabiscuit, who stole several American’s hearts as he made his journey through the horse racing world. Throughout the book, the bond of trust between the horse, trainer, and jockey grows into a greater appreciation and respect for one another. Red, Seabiscuit’s primary jockey, faced several vigorous trials that take place in the racing-world. Nevertheless he never gave up his dream, which was to ride race horses. Seabiscuit traveled all over the country to compete in races, which can be a ridiculously huge strain especially on animals.
Often times, when a person experiences something unusual, that experience stays with them forever. The poem “Driving with Animals” by Billy Collins is about the lasting impression that an experience with deer can create. The imagery, sound devices, and figurative language that Collins uses in the poem draw the reader into the poem and makes them feel as if they are the driver in the car. The element of imagery is important in drawing the reader into the poem.
The author uses vivid imagery, allegorical symbolism, and thought provoking biblical allusions to change a recreation of something one-dimensional, such as stealing a pie, into a six-year-old undergoing an ethical dilemma. Soto’s vocabulary illustrates himself
Chuck Palahniuk once said, “We’ve spent so much time judging what other people created, that we’ve created very, very little of our own.” Bruton, the protagonist in the short story “Welding with Children” is a very subjective character that judges all around him, yet fails to realize that he has a relatively colossal problem in his life. There is discord within his family and specifically with his grandchildren and Bruton becomes conscious that the past has caught up with him. Tim Gautreaux’s characterization of Bruton portrays a comical, yet compassionate image of how judgement and lack thereof can cause a character’s perspective to change and establish a theme. Gautreaux uses the protagonist’s judgement of his own family and others to give a vision into his present and past life, but when he is judged, he is revolutionized and makes an effort to redeem and restore his character.
In the novel Akhenaten: Dweller in Truth, the main character, Akhenaten, is strongly connected to religion and the main theme of the novel is religion. In the play, Equus, the main character, Alan, is also very connected to his religion. Alan and Akhenaten both let their religious views play such huge roles in their lives, which ultimately leads to their downfalls. While on the surface, the religion of both Akhenaten and Alan have stark contrasts, once digging deeper similarities begin to appear. The religions of the two characters aren’t similar in practice, but in the formulation of the religions, the two characters both project their issues into the foundation of the religion.
Exploring Trauma and Reconciliation in ‘Traplines’ and ‘Indian Horse’: A comparative Analysis of Literary Elements and Themes Have you ever wondered how two seemingly different pieces of literature can share similar themes? Well, in my analysis of “Traplines” and “Indian Horse,” we will explore just that. Concerning the short story, “Traplines” and the novel, “Indian Horse,” both have many literary elements that can be interpreted by readers, such as myself, differently, leading to several similarities of themes to be formed between the two. Regarding the short story, “Traplines” by Thomas King, it illustrates the relationship between a father and son, which is seen as distant and disconnected as a result of change, childhood experiences, and
The novel depicts the evolution of a simple, lower middle class orphaned young woman into a mature wife capable of living comfortably in an upper class environment. Her development occurs in stages as she reacts to new and challenging experiences brought on by her marriage to Maxim De Winter and the narrator’s encounters with the ghostly presence of his dead wife. Her development actually moves backwards initially as she becomes more and more uncertain about her ability to function in her new marriage and then rapidly moves forward in the second half of the novel as her reaction to various disclosures precipitate her final maturing process. In the following essay how the events caused her initial backwards slide and then jump forward into a
Though it is difficult for him to do so, Dr. Manette sacrifices his shoemaking tools to prevent him from relapsing for Lucie’s sake. After nine days of delirious shoemaking, Doctor Manette recovers and asks Mr. Lorry, “You spoke of his daughter. Does his daughter know of the relapse?” (154).
Through her use of a changing narrative perspective, Margaret Laurence creates a contrast in character development. Laurence shows the reader the male protagonist of the story, Chris, through the eyes of a child first, then of an adolescent, and finally through an adult’s eyes. At the beginning of “Horses of the Night,” the narrator, Vanessa notices that Chris looks completely oblivious towards Vanessa’s Grandfather’s belligerence, as he is displaying “no sign of feeling anything.” This is the first sign Laurence provides about Chris escaping in order to cope with reality. Next, when Vanessa visits Shallow Creek she comes to a realization that most of the stories Chris has shared with her about the farm, only exists “in some other dimension.”
This entailed that one needed to leave their pride at the door and recognize reality and limitations on ones self and not be overtaken by the temptations in life. If one hadn't left their pride at the curb, they were going to experience a rude awakening in Mrs. O’Conner’s short stories. The “Good Country People” had given us the extravagant and elegant Hulga, a girl who was just bursting with pride and self regard. Daughter of Mrs. Freeman, Hulga had thought she was better than everyone. But Hulga hadn't been so perfect, she not only had a heart condition that would slow her down on the farm she had been working on, but she had a wooden leg to delay her even more.
Dreams have a very specific function in Himes’ stories as fantasies to keep the prisoner’s minds occupied. The dreams give the readers an insight into the minds of the characters that allows the readers to connect with characters they would otherwise
It becomes strikingly obvious that James, whom has now reached eighteen years of age, is in the midst of a critical point concerning his maturity. With this realization, he considers the new situations and decisions that will ultimately transform him in several ways. The reader accompanies this character on his trail of monologues in which the theme of striving for individuality becomes evident. What is also presented to the reader through James’ mental processing, is his apparent resentment towards conventional religion – one of the aforesaid dimensions expertly employed by MacLeod. As James contemplates the ringing church bells that are situated in the centre of his small town, the theme of religion clearly begins to surface (26).
Of course, I redouble my efforts to look professional - cutting and snipping for all I’m worth.” Shaffer uses juxtaposition to show the shift in Dysart’s emotions from earlier in the dream. Dysart has moved from being completely cynical and emotionless to being nauseous and uneasy. He is just trying to hold it together since he is the chief priest and knows that his colleagues look at him for guidance. Dysart has becomes much less confident in his job which is a complete shift from how he felt earlier in the
She’ll need every ounce of that perfection to restore her father back to health. Of course, she does manage to bring Dr. Manette back into the everyday world within the space of five years Dr. Manette is a new man. He’s a practicing doctor again; he and Lucie live in a small house in Soho. They don’t have much money because Dr. Manette’s cash was all seized in France. It’s 1780 Dr. Manette and Lucie have been called as