Analysis Of Equus By Peter Shaffer

For a novel that so often reflects on the power of the Catholic Church, Eilis, who is also amplified as a beacon of morality, has pre-marital sex with Tony, whom she apparently falls in love with. This Is shown when the semi omniscient narrator states “he kissed her gently and responded with his tongue only when she opened her mouth for him…opened his trousers enough…pulled his trousers down”. Detailed sexual imagery is employed here to make the passage more dramatically effective and this event is described in formal language reflecting the significance for the both of them. The narrative is handled sensitively by Toibin so that the topic is more symbolic as a consummation of their love, rather than just a sexual encounter. However, pre-marital sex throughout history has been condemned by religious authorities, and in particular the Catholic Church, and the modernisation and secularisation of the western world had not come to fruition at this point.

In Ursula K. Le Guin’s short story The Ones Who Walked Away from Omelas, Le Guin gives a story about a utopian society based on a distinction of the idea of scapegoatism as well as thoughts educed from utilitarian philosophical thought as she lays suffering upon the child in lieu of that equal pain being put on the rest of the city. Through symbolism, setting, and imagery, the author portrays that there must be some evil present in order to truly understand that which is good. Le Guin begins the story by describing the Festival of Summer taking place in Omelas as she introduces the people and the horse as “being the only animal who has adopted our ceremonies as his own.” Even though there isn’t much said about it, it can be assumed that it

The worst bearing of both Rowlandson and Equiano has to face was being separated from their own love ones. Rowlandson was separated from her family and relations when her village was attacked then eventually lost her only child that was with her. Nevertheless, Equiano also endured tormented pain when he was parted from his sister while she was the only comfort to him at once. He was a young boy in a fearful atmosphere with nothing to convey a positive perspective. “It was vain that [they] besought than not to part us; she was torn from [him], and immediately carried away, while [he] was left in a state of distraction not to be describe”.

This entailed that one needed to leave their pride at the door and recognize reality and limitations on ones self and not be overtaken by the temptations in life. If one hadn't left their pride at the curb, they were going to experience a rude awakening in Mrs. O’Conner’s short stories. The “Good Country People” had given us the extravagant and elegant Hulga, a girl who was just bursting with pride and self regard. Daughter of Mrs. Freeman, Hulga had thought she was better than everyone. But Hulga hadn't been so perfect, she not only had a heart condition that would slow her down on the farm she had been working on, but she had a wooden leg to delay her even more.

Figuratively, Damis and Mariane are prisoners of dichotomous; emotionally and intellectually because they are powerless when it comes to deciding on their life partners. As a result, the author of the article presents the power of reasoning as it is displayed in the play by Moliere. More so, Orgon’s fuddle judgment is in question because of his religious beliefs. “Ah, brother, the man’s a strangely fashioned creature… who seldom is content to follow nature…” However, Cleante analyzes Orgon 's religious because of its surplus. "

Dreams have a very specific function in Himes’ stories as fantasies to keep the prisoner’s minds occupied. The dreams give the readers an insight into the minds of the characters that allows the readers to connect with characters they would otherwise

In the novel Akhenaten: Dweller in Truth, the main character, Akhenaten, is strongly connected to religion and the main theme of the novel is religion. In the play, Equus, the main character, Alan, is also very connected to his religion. Alan and Akhenaten both let their religious views play such huge roles in their lives, which ultimately leads to their downfalls. While on the surface, the religion of both Akhenaten and Alan have stark contrasts, once digging deeper similarities begin to appear. The religions of the two characters aren’t similar in practice, but in the formulation of the religions, the two characters both project their issues into the foundation of the religion.

Through her use of a changing narrative perspective, Margaret Laurence creates a contrast in character development. Laurence shows the reader the male protagonist of the story, Chris, through the eyes of a child first, then of an adolescent, and finally through an adult’s eyes. At the beginning of “Horses of the Night,” the narrator, Vanessa notices that Chris looks completely oblivious towards Vanessa’s Grandfather’s belligerence, as he is displaying “no sign of feeling anything.” This is the first sign Laurence provides about Chris escaping in order to cope with reality. Next, when Vanessa visits Shallow Creek she comes to a realization that most of the stories Chris has shared with her about the farm, only exists “in some other dimension.”

Lizabeth wakes in the middle of the night to the sound of her parent's voices. When she hears her father's depressed and disheartened voice she listens closer. She hears their talk about the struggles of providing for their family and then listens as her father finally cracks under the pressure, breaking down into sobs. “And suddenly he sobbed, loudly and painfully, and cried helplessly and hopelessly into the dark night. I had never heard a man cry before.

In this essay, I will be talking about all the hardships that Lyddie had to push through and how bad their lives were back then. Many young girls, working as young as ten, had many harsh conditions already. Starting in chapter 3, which was the cutler's tavern, Lyddie got her first job. Even in the beginning, you could tell it was going to be a harsh time for the rude comments given by the owner. For example, “ “Go along” the woman was saying.

Chuck Palahniuk once said, “We’ve spent so much time judging what other people created, that we’ve created very, very little of our own.” Bruton, the protagonist in the short story “Welding with Children” is a very subjective character that judges all around him, yet fails to realize that he has a relatively colossal problem in his life. There is discord within his family and specifically with his grandchildren and Bruton becomes conscious that the past has caught up with him. Tim Gautreaux’s characterization of Bruton portrays a comical, yet compassionate image of how judgement and lack thereof can cause a character’s perspective to change and establish a theme. Gautreaux uses the protagonist’s judgement of his own family and others to give a vision into his present and past life, but when he is judged, he is revolutionized and makes an effort to redeem and restore his character.

The author uses vivid imagery, allegorical symbolism, and thought provoking biblical allusions to change a recreation of something one-dimensional, such as stealing a pie, into a six-year-old undergoing an ethical dilemma. Soto’s vocabulary illustrates himself

Another example of Opie’s radical ideas can be found in her representation of the intellectual and, more controversially, sexual rivalry between Mrs Mowbray and Adeline, stimulated by Sir Patrick’s interest in both women albeit for different reasons, is a radical idea on multiple levels. This depiction destroys the myth of the house as a haven sanctified by a loving marriage which complicates the glowing recommendation of marriage that Opie puts forward. Opie seems to suggest that just like in education, so in marriage, to be carried away by affection and lack of practicality and perception of the truth can only lead to disaster. Another radical idea that relates to the central theme of the novel as put forward by Eleanor Ty who in Empowering the Feminine finds in this novel “the love story not between Adeline and her lover Frederic Glenmurray, but between Adeline and her mother” (148). Such a reading thoroughly marginalises the male presence in the novel and points towards the importance of the mother daughter theme.

Also included, in this section is the story called “A Cupid’s Disease”. This story tells of a 90-year old woman who had syphilis but rather than choosing to get treated, she chose to stay energetic and live her life without having to take medication. In the transports section, all six chapters deal with patients who have vivid dreams, or unconscious experiences. In “Reminiscence”, Mrs. O’C dreamed of her days as a child in Ireland. This caused her to feel as if she was actually living her childhood over again.

D.H. Lawrence’s short story “A Rocking-Horse Winner” goes beyond just telling a story about a young boy and his rocking-horse. What begins as a young boy’s hope of finally obtaining his mother’s love leads to an unexpected ending which leaves the mother feeling shocked. Throughout the short story, Lawrence uses a child named Paul in order to portray how people will often push themselves beyond their limits to fulfill a loved one’s desires. Lawrence reveals the character of Paul and his longing for his mother’s love through his determination and obsession, his secretive and trusting nature, and his mother’s inability to love.