Dance might be just a movement of a person’s feet and body for others. But to me, it means more than that. Dance is an art, a way of expressing your thoughts through your body involving perfect posture, unstoppable practice, and confidence. Gerald Graff’s, “Hidden Intellectualism” mentions that intellect does not only exist in academic form of thinking. Non-academic subjects should be apart of intellect because knowledge can also take the form of street smarts. It was during summer vacation of junior high school when I started to dance.
My cousin’s wedding was in about a month and I had to think of dance steps, songs, choosing dance partners. It was not easy as it seemed like it was. Making dance steps out of a song and following the
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Dance is so much more than how many times you can twirl or high you can jump. Dance allows us to tell our stories in the most basic and truthful way. I agree with Graff’s, “Hidden Intellectualism” because Graff argues that school related subjects are less known knowledgeable than subjects that are in interest. He uses the term street smarts over power book smarts because students who have a more understanding on a topic they have interest in than academic subjects intend to do good. The less the students know about a subject they are not interested in bore them which attempts them to do poorly. Dance is my interest of topic that I have a good understanding of, like the types of dances, the benefits of dance and what it can do. Graff’s “Hidden Intellectualism” relates to my interest in dance because I know the structures of dance, I know how hard it is at first but with a little bit of effort everything gets better, I know what dance requires. I have more knowledge about dance than maybe any other subject. Just like how Graff mentions that school related subjects aren’t the only thing that exists in intellectual world. Outside of school based subjects can attract students to do the work and that can stop students from doing
Over the years, there has been an ongoing debate about “street smarts” and “book smarts” throughout the world. Many people side with either or for their own personal reasons. Although “street smarts” has developed a poor reputation which pushes people to neglect the positive aspects of this particular way of learning. In the article, “Hidden Intellectualism”, Gerald Graff evaluates the structure schools use to teach literature. He explains that intellect is not only found in the academic form of thinking.
In “Hidden Intellectualism”, by Gerald Graff he makes a stunning point that compares street smarts to book smarts. He brought up the idea that if teachers incorporated things that students are passionate about, and topics that they can relate to they would get more passion and effort in their work, rather than assigning topics that the students have nothing in common with. I agree with this author's opinion one hundred percent. Just recently my high school teacher let us write an essay on our favorite band so she could evaluate our writing, and I felt like writing the essay was a piece of cake. In another class we had to write about the Bill of Rights and court cases from hundreds of years ago.
In Gerald Graff 's essay “Hidden Intellectualism” starts of by talking about the stereotype of being so called “street smart” and and being “book smart” and how in school when you see someone who is street smart but doesn’t do go in school get a bad wrap. People look at them as a waste because they can’t apply there intelligences that they have and use it towards school, so people view them as not the right kind of smart because they are not a A student in school. Graff then goes on to say that maybe it is not the students that are the problem with how they do in school but maybe it is the school that have missed or overlooked the intellectual potential that kids with street smarts have. Graff also says that we only view the educated minds through schooling as the right way and schools and colleges look at kids who do not like school and don’t do well as anti-intellectual people.
Gerald Graff’s essay “Hidden Intellectualism” contemplates the age-old idea that street smarts are anti-intellectual. However, as Graff points out, “schools and colleges are at fault for missing the opportunity to tap into such street smarts and channel them into academic smarts.” (244). What Graff means by this is that being street smart does not mean a person lacks intelligence. Rather, educational institutions need to find a way to effectively ‘tap into’ this different format of intellectualism to produce academic intelligence.
“[My dance instructor] Cindy believed that ballet was richer when it embraced diverse shapes and cultures. There would be times in my career when I would struggle to remember that, but I would eventually come back to that conviction, that the stage on which I performed was brighter for having me, even if some in the audience or dancing beside didn 't always agree” (“Misty Copeland
“Hidden Intellectualism,” by Gerald Graff starts off with an older argument between being book smart and street smart. Throughout the reading, Graff uses his own life experiences to critique the education system today. Points made focus on the idea of overlooking the intellectual potential of those who come across as being, “street smart”. Different authors cited in the reading to show how to accept another’s different intellectual. However, we realize that people who come across as being intellectual weren’t always labeled as that.
In her article, Embodying Difference, Jane Desmond argues that dance offers important insights into the ways moving bodies articulate cultural meanings and social identities. In other words, she explains the importance of studying the body’s movement as a way of understanding culture and society. She has two main arguments. First, she argues for the importance of the continually changing relational constitutions of cultural forms. Desmond further explains that the key to shedding light on the unequal distribution of power and goods that shape social relations are the concepts of cultural resistance, appropriation, and cultural imperialism (49).
The reading "Hidden Intellectualism" by Gerald Graff reflects views on being "street smart" and "book smart." He explains that society tends to associate people who are intelligent on solely being "book smart" and performing well in academics, rather than being street smart. He goes on to further explain that students perhaps can be intelligent on topics that interest them. Graff opens up the reading by giving his own personal experience on feeling torn between trying to prove that he was smart yet fearing that he was overdoing it. He was trying to prove that he learned just as much about the real world by reading his sports books and magazines as he would have if he had read the classic works of literature like most students in school.
To dance is to be knowledgeable about the stories of the ancestral heroes. Dancing, unlike painting and singing, is learnt at an early age. This allows large groups of people to demonstrate their clan rights in front of an audience. Dance is also seen as an occasion to entertain and to be entertained and through the work of dance to show their love for families and kin. It is for this reason that dance may be performed at the end of every day in some communities.
A dance film, on the other hand, employs dance as a main character with a more pivotal role in the transformation of the protagonist. Thus, in Shall We Dansu?, because it is an active force in the narrative with human-like characteristics, such as being shrouded in shame, ballroom dance becomes an initiator of intimacy. In Salsa and DanceSport, McMains explains Mexican-American Giselle Fernandez’s need for a creation of an alter ego despite already being
Is Dance a Sport or an Art? Some people think dance is not a sport. They think it’s an art because it is nothing but remembering dance moves. However, I believe dance is a sport.
There are many other aspects of dance then just learning the “moves”. A dancer must have well trained technique, flexibility, muscular body, know terminology, memorize steps and so much more. There are so many important aspects of dance most people do not realize. If dance was given more publicity, more people would view it as a
Graff explains that in the educated lifestyle our minds stay inside this neat little box, which some may consider to be extremely important. This also supports the idea of how being a well-rounded person can get you a wide variety of opportunities and advances in things such as your: extracurriculars, schooling, and careers. The future of our kids relies in
“Artworks have ‘aboutness’ and demand interpretation” (Barrett 71). This statement creates a foundation for writing, specifically about dance, as each dance piece is always about something, no matter how simple it appears to be. As I began to write about dance I knew not only to provide a description of the piece, but utilize the description as evidence as I develop a possible meaning. Additionally he explains, “There can be different, competing, and contradictory interpretations of the same artwork” (Barrett 73). When I would begin to develop an explanation from the description I provided, I had to remind myself that my interpretation was only one view of the dance and I should not try to provide one comprehensive interpretation for the
Graff says street smarts offer more life skills than the education provided in school. In other words, you can be smart without being highly educated because knowledge goes beyond academics. He grew up thinking he was anti-intellectual because his writing skills were not great about the topics he’s expected to write in school. Graff describes how sports helped him excel in academics and discover his hidden intellectualism. He believes ‘’Making students’ nonacademic interests of an object study is useful, the, for getting students’ attention and overcoming their boredom and alienation, but this tactic won’t in itself necessarily move them close to an rigorous treatment of those interests.’’