Through indirect characterization, Sandra Cisneros’ vignette “Geraldo No Last Name” demonstrates that your social status is a big contributor to how you are treated in society. For instance, when the narrator describes Geraldo, they acknowledge the fact that “They never saw the kitchenettes. They never knew about the two-room flats and sleeping rooms he rented”. Cisneros gives readers enough details to conclude that because Geraldo is recognized as just another brazer and wetback, he is forced to live in these poor conditions because society views him as irrelevant. People with low social status are often ignored by society because they are seen as insignificant. As a result, they are poorly treated by those with high social status because
When examining “Crash” and “7 Seconds in the Bronx” we observe the injustice the injustice individuals face resulting in unforgivable offenses. When examining both stories it becomes apparent that between stereotypes, authoritative discrimination, and economic hierarchy, it is tough to be of a minority background. Stereotypes are an unfair representation that has been developed about a person or a race. In “Crash” we see the struggle of being a minority. We see this in the beginning of the story when Anthony and Peter, both young adults of colour, could see Jean clenched onto her husband and purse when passing them in the streets as she pre disclosed the assumption they
Love and respect are a couple of the few things that will last forever, but they are not always shown. In the Russian folk tale retold by Leo Tolstoy, “The Old Grandfather and His Little Grandson” and “Abuelito Who”, an informal yet intimate poem by Sandra Cisnero, the universal theme is “love and respect your elders”. A universal theme is “a message about life or human nature that is so fundamental to human existence that is true for all people of all time periods and cultures.” (Sato, 76) These themes aren’t restricted to just one particular place or time, but reappear over and over again, all over the place.
Dr. Fernando Garson’s interview with Mike Anderson and Mark Myers points out several similarities as well as differences. Similarly, Mike and Mark both shared an awareness of socioeconomically and environmental conditions. Mike was raised in an integrated neighborhood where he had Caucasian friends, and Mark was raised by a single parent. Mark’s family was poor unlike Mike’s family who was a middle-class family with strong family bonds. Nevertheless, Mike’s family was considered middle-class; he was not exempt from the black man’s experience.
James Weldon Johnson’s Autobiography of an Ex-Colored Man (Autobiography) and Nathanael West’s The Day of the Locust (Locust) are two fictional novels which portray America’s overwhelming social influence on the individual. Both protagonists, while astutely observing the superficiality of society, unknowingly become a part of the society’s duplicitousness. Just as Tod Hackett in Locust does not see himself as a part of the collective Hollywood-types, the mulatto unnamed narrator in Autobiography does not identify himself in either black or white community. The extent of individuals being unaware of their own participation in the flaws of society they note is highlighted with Tod unwittingly falling into the scripted lifestyle of Hollywood
The Power Behind “Just Walk on By” In Brent Staples article “Just Walk on By”, Staples shares his thoughts on the way marginalized groups interact. He uses his own experiences as a young African American man to shed light on how people can have implied biases that affect the way they treat other people. Staples does this to demonstrate how society develops preconceived notions in the minds of individuals about marginalized groups, primarily African American men, which are often a flawed representation of the people within these groups. The rhetoric he uses is key to developing an understanding persona and an emotional appeal that exposes the implied biases of people without alienating or offending the audience, to whom-- among others-- he attributes these biases.
I live a life of considerable privilege. I am a white, upper middle class, straight, young adult, living a comfortable life. I have learned to recognize these facts, and thought I understood the meaning of my privilege; until I read this novel. The Other Wes Moore gave me a new perspective on the meaning of ‘privilege,’ and how it affects the workings of our society. This novel really opened my eyes to some of the troubles in this world, and how everyone has a story that isn’t seen on the surface.
From this, they have become part of society as different qualities of society like the economy or politics have fluctuated. Also, children get these prejudices from their
However, the outcome of Vance’s life was different as he was graduated from Yale Law School, able to get a well-paying job and currently living the American Dream with his wife Usha. The purpose of the author in this memoir was to understand the reader of how social mobility feels and more importantly, what happens to the lives of the white working-class Americans, in particular the psychological impact that spiritual and material poverty has on their children. J.D Vance provides an explanation for the loss of the American dream to poor white Americans living in a toxic culture in this Ohio steel town.
Throughout his passage, “Just Walk on By”, Brent Staples sends the message that discrimination has affected the lives of many in several negative ways. He particularly uses irony and satire as tools to prove his point, using them almost like a verbal blade to cut through public image and stereotypes, as well as his proficient use of powerful diction and syntax to strike rememberable points into the reader’s mind. Staple’s use of irony is very simple yet effective. His message is that he is not a stereotypical black criminal, so he portrays himself as one to show how ridiculous that it really is. When he says “My first victim was a woman”, he tries to conjure up images of a stalker or a murderer or even just a plain old mugger, which is what the stereotype of a large, black man, like he explains that he is immediately following this statement.
Many people are undermined by the drawbacks of belonging to a low socioeconomic status. In The House on Mango Street, Esperanza is raised in a poor, Latino community, causing her to be introduced to poverty at an early age. This introduction of poverty affects Esperanza in many ways, one including that she is unable to find success. Esperanza struggles to achieve success in life because the cycle of poverty restricts her in a position in which she cannot break free from her socioeconomic status.
Author and editorial writer, Brent Staples acknowledges this issue as well as experience many situations in which people distinguish him from others. Brent Staples message in his essay titled “Just Walk On By” is conveyed to the audience through many rhetorical devices in which he suggests that stereotypes of race and gender can impact someone 's life in the easiest ways. Brent Staples use of pathos creates an emotional connection and pulls the reader into his essay, through his anecdotes and diction. His intro paragraph tells an interesting story, in a way that readers often forget what type of passage they are reading. Staples uses of phrases such as “my first victim”, “seemed menacingly close” “picked up her pace” and notably “running in earnest” (1-2).
“No, this isn’t my house I say and shake my head as if shaking could undo the year I’ve lived here (Cisneros 106).” This quote shows Esperanza’s unwillingness of accepting her poor neighbourhood because of the violence and inequality that has happened in it. In the House on Mango Street, the author, Sandra Cisneros, shows that there is a direct link between inequality, violence and poverty. The House on Mango Street shows women are held back by the inequalities that they face. Cisneros shows that racism prevents individuals from receiving job opportunities which leads to poverty and violence.
In the novel, Little Fires Everywhere by Celeste Ng, the lives of the Richardson and Warren families are tracked. The Richardons are a well-off family who have lived in Shaker Heights for generations, while the Warrens are new to the neighborhood and have never kept a residence for more than a few months. Through this expert from chapter ten, the author describes Mrs. Richardson’s analysis of Mia to communicate the theme that people of different social classes often misjudge those they cannot relate to. In this passage, Ng uses imagery, repetition, details, and diction to portray Mrs. Richardson as a person who values moral superiority through her threatened attitude toward Mia.
The Story of the Vargas Family “Rosa Vargas’ kids are too many and too much. It’s not her fault, you know, except she is their mother and only one against so many” (Cisneros 29). In the novel The House on Mango Street, the author, Sandra Cisneros, touches on the many negative consequences of a single, impoverished mother raising an overwhelming amount of children. Poverty, discrimination, parental and neighborly responsibility, and respect are all issues and social forces that act upon the family; their presence or lack thereof cause several grisly occurrences to take place. Poverty was almost like a curse given to Rosa Vargas by her husband, who “left without even leaving a dollar for bologna or a note explaining how come” (29).
According to Price, Price, and McKenry (2010) the intragroup diversity among African Americans is growing, in that there are more African Americans among the middle and upper class now than ever before in United States history. This change in socioeconomic status has had a major impact for many African Americans, in which the increasing diversity has created significant social and economic tensions within their ethnic community (Price et al., 2010). Jumping the Broom has illustrated this recent phenomenon by showing viewers just how much the changing socioeconomic status can impact family relationships and the family system. The stressors associated with division of class between the Taylor and Watson families are particularly salient throughout the duration of the film. Viewers are shown many of these correlated stressors, and how they can cause major ramifications in the lives of today’s