Composers of literary works often immerse their readers into a world of fictitious narratives and personalities. Although the majority of authors desire this immersion, communicating their stories is not ordinarily their only objective. Many novelists covet the notion of allowing their readers to discover a deeper meaning within their passages. Most notably, authors achieve this through implementation of literary constructs such as symbolism and allegory. One instance in which the audience is cognizant to such literary constructs is through Bobbie Ann Mason 's short story, "Shiloh".
It is often assumed that literature is simply a book but it is any written piece of work. Culture is also defined loosely being the beliefs, social forms, and traits of a racial, religious, or social group. Literature is an important part in most cultures and culture is essential in almost all literary works. The two relate closing to one another as they influence and illuminate each other. Different cultures read books to help them understand who and what they came from.
Literary Devices in The Scarlet Letter Literary devices are often used to capture a reader’s attention in a text. Nathaniel Hawthorne used many different types of literary devices in his book The Scarlet Letter. He uses symbolism to give hidden meaning to elements in the story, conflict to make the story interesting, and allusion to make references to historical events (ex. biblical references). While reading The Scarlet Letter, the literary devices did not jump out at me, but now as I reflect upon them they help me understand the book well.
Behind each movie lies the meaningful aspects and significant features worth noticing. All movies and books can be carefully examined and interpreted. Thomas C. Foster’s How to Read Literature Like a Professor provides a new view on interpreting literature. In the novel, Foster identifies and analyzes common patterns, themes, and motifs found in literature, many of which are also present in Disney’s film, Maleficent. This movie showcases several of his ideas, including quests, flight, geography, and symbolism.
However, it was not totally written in a sequential or linear manner, a writing style usually adopted by the author. The author has chosen to begin the novel where the climax of the story was about to start. In this way, the reader will feel inclined to guess why the main character of the story ended up in that situation. Though the novel is fiction, some parts of the story had been based on the experiences of the author in his youth, as a journalist. Real-life books, mystics, writers and groups related to occultism and the esoteric were mentioned and made as a part of the story.
His use of symbolism and point of view is another reason what makes Poe one of the greatest. That is why it is difficult to try to compare an author with similar writing style to his work because each author has something unique about themselves. Angela Carter is one author that has a very similar writing style to Poe. After reading her short story The Werewolf, her use of point of
However, the use of dialects in Twain’s novel poses the question; does it make the novel less of an achievement? Twain’s use of dialect, which has proved controversial over the years, certainly adds to the vividness of Huckleberry Finn. Because it is sometimes difficult to understand the speech while reading, we are almost forced to read aloud: at the very least, one has to be able to “hear” the voices in one’s own head. Performance is important in this novel, as Tom Sawyer’s follies and the duke and the dauphin’s cons demonstrate. In the world of the novel, the way in which a character converses is closely related to that character’s status in society.
The interlude of Thomas C. Foster’s How to Read Literature Like a Professor captures theories that I find myself identifying with at large - that there is only one story. When Foster writes this, he speaks of literature and the idea that originality is impossible because we are all retelling the same human experience. While I would agree, I would even go as far to say that it is because experiencing something that no one else has is so rare. It’s so unlikely that the experiences that our lives consist of are truly our own and that is displayed in the lack of originality in storytelling. Foster goes on to explain how archetypes are hidden throughout literature and it can also be seen in the clichés found throughout life.
“The Minister’s Black Veil” by Nathaniel Hawthorne is full of many different symbols, but the most notable one is the veil itself. Throughout the story, Hawthorne presents many instances where the veil could mean several things. Some may see only one meaning, however, others may see a number of them. Hawthorne may have been the only one who truly knew what the veil symbolized, but at the same time the fact that the story makes the reader think even after reading it is what makes it all the more interesting to analyze. The veil itself could symbolize things such as rebirth, secrecy, ambiguity.
Oftentimes in stories, authors disguise deep thoughts and details into broader topics. They try to get the reader to actually think about what they are reading, and ponder upon the deeper, more sensitive things of life. Certain authors have a way of working deep thoughts and ideas into simple stories. This idea is known as symbolism. Symbolism is defined as “the use of symbols to represent ideas or qualities.” So many times, one reads a story, and only sees what is right in front of them, but other times, they notice much more depth to what they are reading.