Analysis Of How To Read Nonfiction Like A Professor By Thomas C. Foster
In order to fully comprehend a written work, one must learn to read critically; which in turn, requires learning to think critically. Critical thinking and reading are essential skills one must have to be successful in learning and growing to their fullest potential. Acquiring these skills allows you to think independently, dissect and evaluate the credibility of a work, and determine the relevancy of the information you are being presented. In his nonfiction work, How to Read Nonfiction Like a Professor, Thomas C. Foster explores this idea by giving examples of recent events in American journalism and providing thought provoking commentary on the bias featured in media. In the introduction, Foster discusses the importance of having more …show more content…
Foster first explores Hillary Clinton’s use of the term in one of her speeches following her loss of presidential candidacy. Foster states that, “ Clinton gave a speech in which she said that the cascade of “fake news” (using the term in its accepted sense) was threatening our democracy. Many listeners and commentators took that to mean she believed she had lost the election because of fake news” (Foster 94). He then elaborates on the claims and allegations surrounding Clinton, specifically focusing on what “came to be known as Pizzagate” (Foster 94). The “Pizzagate Scandal” was mainly fueled by a baseless claim that came to be the product of the bandwagon effect. The people of the internet spread a rumor that a child sex trafficking ring was being held in a pizza parlor basement… albeit, said pizza parlor has no basement. Foster points out that the bandwagon mentality fueling this claim could all have been avoided if people actually thought for themselves. Everything that happened surrounding this allegation is the consequences of today’s public lacking general critical reading and thinking skills. Had those skills been present, the conflict and misinterpretation could have been avoided, as the “ many listeners and commentators” thought this was the “fake news” she was referring to (Foster 94). These people took that to mean her idea of “fake news” was simply news that she didn’t like. Furthermore, Mr. Foster presents Donald Trump’s use of the phrase to mean “‘that which displeases Trump’” (Foster 95). Previously, Foster mentions that all humans have bias, and try as we might, we cannot always remain neutral. Here Foster shows his bias by announcing his distaste for Trump and more rightwing-centered news companies. This in and of itself is hypocritical, as he presents all
Comparing How To Read Literature Like A Professor And The Kite Runner
181 Words | 1 PagesBy reading “How to Read Literature like a Professor” and “The Kite Runner”, the reader is aided in his or her ability to understand the true meanings behind the text. One is able to decipher how the act of coming together to eat can mean anything from a simple meal with family, to an uncomfortable situation that leads to anger or stress in an individual character. The reader is able to understand the use of rain or other weather in a novel to transform the mood and tone of scene, or understand the cleansing or destructive qualities that weather may have on the overall plot of the story. The use of illness can be transformed, as it can lead to the reader discovering veiled means behind tuberculosis, cholera, a simple cold, or even cancers such
Summary Of How To Read Literature Like A Professor By Thomas C Foster
447 Words | 2 PagesIn How to Read Literature like a Professor by Thomas C foster he explains how works of literature are similar and how everyone of them have meaning. In Chapter 12 “Is that a symbol can relate closely to Catch 22. The overall meaning of the novel Catch 22 by Joseph Heller is freedom leads to death.
Summary Of How To Read Literature Like A Professor
311 Words | 2 PagesChapter seventeen of How to Read Literature Like a Professor focuses on how authors employ sex in their writing as a way to encode other things. For example, in the 2015 romantic comedy film, Trainwreck, Amy Schumer plays a young woman with a liking for booze, sex and drugs. The film begins with a scene where Gordon Townsend is explaining his reasoning for why monogamy isn’t realistic to his two little girls. The film then flashes twenty three years forward, directly into a sex scene featuring Amy and a one night stand. The scene is fairly short and it is obvious that the attraction on Amy’s side is limited, for she pretends to fall asleep soon after walking in the door.
Summary Of How To Read Literature Like A Professor Foster
880 Words | 4 PagesAs a reader has one ever thought about what Fosters key idea is for this chapter “Don’t Read with Your Eyes” well here it is from How To Read Literature Like A Professor Foster emphasizes on “The formula I generally offer is this: don’t read with your eyes. What I really mean is don’t read only from your own fixed position in the Year of Our Lord two thousand and some. Instead try to find a reading perspective that allows for sympathy with the historical moment of the story, that understands the text as having been written against its own social, historical, cultural, and personal background” (234). Foster uses the example of the teacher whose brother is a drug addict from one’s perspective he might be considered a bad person and gross.
Analysis Of How To Read Literature Like A Professor By Thomas Foster
1702 Words | 7 Pages1. In the chapter “The Test Case” in How to Read Literature like a Professor by Thomas Foster, Foster presents several different interpretations of the story “The Garden Party”. Foster then shows the readers interpretations of the short story that his college students have articulated. Foster’s interpretation, however, goes much deeper.
Summary Of How To Read Literature Like A Professor By Thomas Foster
650 Words | 3 PagesMeagan Sanders Mrs. Smith AP Literature and Composition September 20, 2017 How to Read Literature like a Professor Thomas Foster wrote a guide to analyzing pieces of literature to lead students in thoroughly searching through texts and documents to find hidden meanings and the reason behind what the author wrote what he did and why he used the techniques he used. Foster used a first-person point of view to help the reader relate better to the topics and his explanation. He changes his tone according to the subject matter he is discussing to change the mood of the text. As well as alluding to multiple classic pieces of literature, he creates an easy systematic guide that benefits students wishing to excel in reading and writing based classes. Foster chooses to use the first person point of view.
Review Of How To Read Literature Like A Professor By Thomas C. Foster
456 Words | 2 PagesHow To Read Literature Like A Professor by Thomas C. Foster, gives the reader insight on how to look at a novel in a different perspective. This book truly changes the way the reader views a book. In Chapter 11 of How To Read Literature Like A Professor, the topic of death is introduced. Every death in a novel has a deeper meaning which helps mystify the plot. Kitchen by Banana Yoshimoto, has 3 significant deaths that occur in the novel to develop the story.
Analysis Of How To Read Novels Like A Professor By Thomas Foster
913 Words | 4 PagesThe novel How to Read Novels Like a Professor by Thomas Foster, takes the reader inside the journey of embracing and analyzing a novel. This book helps one to deepen and further their understanding and become more in tune with the piece of writing itself. In the very first chapter, Foster jumps rights in and begins to examine the first page of a novel. He speaks of how they must be “seductive” and “give you everything you need to know.” It is kind of a life or death situation.
How To Read Literature Like A Professor By Nadine Gordimer
408 Words | 2 PagesCountless children's stories and fairytales begin with the infamous phrase, “Once Upon a Time.” Nadine Gordimer stylistically chose to employ this phrase as her title for her thematic short fiction tale to ironically explore controversial subjects. This strategic choice utilized the “childish elements” of young literature, such as the, “wicked witch,” to convey underlying messages of fear and racism. In Thomas Foster’s, “How to Read Literature like a Professor,” the strategy of “stealing” ideas and elements from four main literary sources, children’s literature included, was discussed. Gordimer pulled from these stories, shown explicitly in the title, to create irony by conveying modern, political ideas and issues in our society through “innocent” plot elements.
Analysis Of How To Read Literature Like A Professor By Thomas C. Foster
856 Words | 4 PagesIn the first chapter of How To Read Literature Like A Professor, Thomas C. Foster begins with the idea that every trip is a quest. Foster theorizes that every trip must meet a certain five criteria to be considered a quest as well. Foster’s theory can be found in literature throughout the ages and into media today. Foster claims the quest always grows during the underlying adventure.
How To Read Literature Like A Professor: For Kids By Thomas C. Foster
952 Words | 4 PagesReading Between the Lines: Interpreting Fiction with New Eyes Thomas C. Foster’s book, How to Read Literature Like a Professor: For Kids, helps young readers learn to interpret and understand deeper meanings in fictional literature. The book describes essential facets of reading fiction novels. By using Foster’s novel as a guide, readers can see the differences between the literal text and the author’s figurative meanings and agendas. In All of our Demise, by Amanda Foody and Christine Lynn Herman, seven families control a natural resource called “high majick”. Each family sends a champion to compete in a tournament to the death in order to claim the magick for one family.
How To Read Literature Like A Professor By Thomas C. Foster
680 Words | 3 PagesBeing an expert in literature may seem like a rigorous task to complete, but when you put passion into the work anything is possible. In How to Read Literature like a Professor by Thomas C. Foster it gives tips on how to analyze all types of reading like a expert. While learning how to be an expert in literature you possess skills along the way. In order to be an expert in literature you have to keep an open mind, practice, and know everything has a deeper meaning.
Summary Of How To Read Literature Like A Professor For Kids By Thomas Foster
243 Words | 1 PagesAs Stated by the author of How to Read Literature Like a Professor For Kids, by Thomas Foster, authors use certain varieties of weather conditions in order to set a mood in the story that’s relevant to the scenario present. Foster explains this action as saying, “But an author doesn't have a quick shower of rain, or a flurry or snow, or a flood or a blizzard, for no reason at all (Foster, 59).” What the author is trying to remark is that authors don't put unnecessary weather unless it contributes to the plot or the mood, sometimes even using it as means of ivory. One example of weather being used in the movie clip from Toy Story is rain. The rain didn't start until Sid was just about the release a rocket outside with Buzz attached, which
The Scarlet Letter How To Read Literature Like A Professor
863 Words | 4 PagesHow does How To Read Literature Like A Professor applies to every piece of literature? This novel is written by Thomas Foster and he gives the better understanding on many things, including patterns, symbols, and other literary devices. He helps the reader to gain knowledge on how to recognize each small detail of the story. This novel makes the connection with The Scarlet Letter and makes it easier to comprehend. The Scarlet Letter is written by Nathaniel Hawthorne; this novel is about Hester Prynne, who is a young and beautiful woman and committed adultery with town’s minister, Reverend Dimmesdale.
Article Review: The Power Of Fear In The Toronto Star
674 Words | 3 PagesThe newspaper I have decided to analyze is The Toronto Star. The copy I have chosen was published on Wednesday, October 21, 2015. I discovered that The Toronto Star sows fear to its readers’ minds and expresses bias through photographs, and using words that are often exaggerated and headlines that are carefully formulated. One page in the newspaper consisted of three articles which headlines straightforwardly suggest fear. The political bias is also presented by the headlines they used when talking about the Liberal and Conservative Parties and Leaders.
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