Josie Rourke’s modern stage adaptation of Much Ado About Nothing is renowned for the hilarious reunion of the Doctor Who costars: David Tennant and Catherine Tate, whose chemistry is mesmerizingly brilliant and inevitable from the moment the two step on the stage. As said by the Guardian: “Tennant and Tate sparkle in Much Ado,” it is this sort of partnership that really enraptures an audience, the choice of pairing being one of the main highlights of the exceptional replication of the 16th century classic. The play centers Beatrice (Tate) and Benedick (Tennant), the disputatious lovers, who hold a reputation for being unapparent to the love that they clearly share for each other, going along with repartee, oblivious to the …show more content…
The extravagant juxtaposition between the Shakespearean play and the Josie Rourke version ‘time travels’ David Tennant fans back to the age of Doctor Who. Rourke’s inspiration to place the characters in early 1980s Gibraltar, which is known for constant drinking, partying and members of the navy who seem to have far too much time on their hands; alongside the themes apparent in the play are very much familiar to a contemporary viewer: infidelity and the denial of love presented by Beatrice and Benedick, making it an obvious choice to set the remake of the famous Shakespearean comedy in a modern and well established society. Although this drastic change in location and time period may seem overwhelming and unexpected, Rourke still keeps the performance grounded to its Shakespearean roots, the consistent use of iambic pentameter and meter demonstrates this. It can be argued that the Tennant and Tate version is clearly mocking the Elizabethan societies traditional views, however, I feel Rourke only enhanced …show more content…
The stage design gives the impression of the characters being in two separate rooms, the positioning of blocks and pillars helps again to demonstrate this. This intricate attention to detail enables the performance to be compared so similarly to the movie adaptation of Shakespeare’s classic, although the ‘big screen’ enables more room for a fast change in setting and shots, Rourke does a phenomenal job trying to create this illusion which works so brilliantly. The night before the wedding or you could refer to it as the ‘stag and hen do’ was an unexpected twist that the audience definitely did not see coming. Again, the revolving stage was used to represent the divide between the women and the men and to compensate for the lack of space that the stage could carry. This incredibly humorous idea, of the stag and hen night before the wedding, gives the audience a clear and simple over view of the lifestyles present in the 1980s, as characters throughout the play give out continuous hints regarding: sexual references, alcohol and sexism, which could have been a personal choice by Rourke to present
On October the 19th, I saw the performance of Love/Sick written by John Cariani, at the Hyman Fine Arts Center theatre on the Francis Marion campus. The play was made up of nine approximately ten minutes long scenes where two people were experiencing either personal or love problems. The various scenes ranged from two strangers kissing in the supermarket, to a husband and wife that were going out for supper because they were “hungry”. I thought of the purpose behind this play was to show the audience by using many different love scenarios that no relationship is perfect. It does not matter what stage of the relationship that you are in, problems can occur.
In William Shakespeare’s renowned comedy Much Ado About Nothing, a lot happens when nothing needed to happen. What could have been a simple course of events turned into a plot of schemes, mayhem, passion and deception because a few characters decided to play god. Specifically, the love god: Cupid. This Roman child of the Goddess of Love, Venus, is known for his mischievous meddling in making people fall in love with each other. It seems he has a few comrades to his cause in this play, for the characters of Don Pedro, Claudio, Leonato, and Hero take it upon themselves to bring fire and ice together in holy matrimony, only fire and ice take the form of the quick witted, proud pairing of Benedick and the Lady Beatrice.
Play Analysis – Essay 1 “Much Ado About Nothing “ Submitted by Noor Ul Ain Shaikh (BSMS 2A) What seems to be a comedy play for an audience who enjoys a theatre with good humor and romance, “Much Ado About Nothing” contains much more than just entertainment. If we dig in deep, William Shakespeare’s play has much more than a tragic story with happy ending; even that is debatable. The theme of this play revolves around deception, plotting against your own, personal gains and rejection.
In her chapter “Consuming Pleasure on the Wedding Day: The Lived Experience of Being a Bride”, Sharon Boden provides an insight into the ways brides utilize their wedding fantasies for their own pleasure on their wedding day. She discusses about the balance between the concept of romantic intimacy and the public space of the wedding that brides have to manage. Due to the changes in culture, weddings not only implicate consumerism but also the community structures and rituals of courtship which united the joining families as well as “sanctioning… woman’s property be passed into the hands of the man she was to marry”(Boden, 2007, p.110). However, due to the industrial revolution and an increase in wage-earning wives, there were amendments in the legal status of
In my opinion, I think that the movie version and the play version, of Much Ado About Nothing by Shakespeare, are not very different. They have a lot of similarities for example; Hero and Claudio met and thought they should be together, Claudio thinks he saw Hero cheating on him with another man. So therefore at their wedding he demanded for her to die because of her relations with another man. Claudio realizes he was wrong about what she did and he had to marry her cousin without seeing her at all till they’re married.
Much Ado About Nothing is a timeless tail about two soldiers who fall in love with nobles daughters, and the hardships they face to be together. The play emphasizes the theme of pride and jealousy, and accentuates the ramifications of the character 's actions. When comparing different versions of plays, you have to consider many aspects including the setting, language, and film techniques of the play. After watching both the Branagh version and the modern versions of the Shakespeare 's play, Much Ado About Nothing, I would have to say that the Branagh version was by far the best, after considering these components. For example, in the Branagh version the director did an excellent job of matching the language and costumes to the setting.
The theme is this scene is supernatural. This theme is important in the play because without the witches there would be no story. The audiences will be uncomfortable and quite scared of her because witches can kill people. They would be immersed into the play because of the
Given the role the stage manager has, he’s taken a major part in forming the idea and theory behind the it. The topic of this essay was/is to talk about and explain the role the stage manager has and the only way to do that is to explain the whole play itself. The play is based on the theory and somewhat factual idea that people don’t really pay much attention to detail as stated in the second
Defining the Cultural Influence of Human Nature in William Shakespeare’s “Much Ado About Nothing” The definition of human nature often serves as a quick and a prominent explanation for how people behave under a variety of circumstances within their cultural boundaries. Similarly, in William Shakespeare’s play “Much Ado About Nothing” the 16th century Sicilian culture in which the characters live in, defines the complex relationships and interactions that shape characters human nature in this dramatic comedy. In comparison, I have often heard people refer to the nature of humans in the 21st century, as a way to distinguish a person’s violent actions under wartime circumstances. In “Much Ado About Nothing” the culture of social and wartime influence is defined through the relationships and interactions between characters with the heart and mind of the characters in constant conflict.
In the play Much Ado about Nothing it is ostensibly evident that there is a struggle between people of different sexes. It explicates the female stereotypes during an Elizabethan time where Hero and Beatrice are distinguished by the roles they play in the whole matter. Hero is mannered and is reputed in the way she handles herself. She is willing to do everything to ensure that she never gets out of her way by being submissive to her father whereas, at the same time, she ensures that she remains a humble wife to her husband (Shakespeare 3). In this kind of culture, Hero is ready to do anything seen as a way of respecting the male figures she interacts with, even if it means compromising her principles and personalities.
Baz Luhrmann is known world wide for his eccentric and flamboyant film-making style. Luhrmann’s signature bright colours, fast-paced camera-cuts and zooms, and bold costumes are all key characteristics of his films and assist Luhrmann in putting forward the themes and motifs he regards as essential in each of his works. However, Luhrmann still receives much criticism for not staying true to the original source material of the stories he introduces to the big screen. One fails to realize the fact that, “Luhrmann’s films are not so much adaptations as re-imaginings” (Vogue Magazine) and through analysis of his various techniques, as well as his overall cinematic language in his films, “Strictly Ballroom” (1992), “Romeo + Juliet” (1996) and “The Great Gatsby”, one can see this clearly, through Luhrmann’s evolution as a director. Luhrmann makes his films his own from the start, the opening scenes of all three of these films implement post-modern techniques which instantly informs the audience that they are entering into Luhrmann’s
He tells the students basically that they are hopelessly stupid and pathetic. An important characteristic of the language of this play is the use of abbreviations and apostrophe, the omission of the letter ‘h’, and the use of vulgar words that are not commonly used in theatre such as ‘cunt’ (page 16), ‘wank’ (page 11), ‘cock’ (page 16) and ‘bollocks’ (page 41). All of these resources are made to create a vulgar language spoken by the students. The aim of this play is to reflect students in a marginal situation, also reflecting bad education and disinterest by the teachers and the education system.
In the twenty-first century, the plays of William Shakespeare may at first appear dated and irrelevant: they use archaic language, are set in the age of Kings and Queens, and the Kingdom of England. However, it would be plainly mistaken to construe that Shakespeare’s works do not still remain integral to a twenty-first century society. Shakespeare’s plays gave the words and expressions one uses every day, revolutionized the art of theater as it was known, and forewarned about issues that would unknowingly still apply centuries later. Therefore, Shakespeare has had a profound effect on our lives by enriching our language and culture, as well as providing ideas that would still apply five centuries later, and it would thus behoove us to learn from his works and life.
Chapter two; Literature Review The entire research journey is based on few important steps which can also be recognized as research process involving certain measures; to be carried out effectively. This process includes (Library, 2015); 1. Framing of a particular research question 2. searching and examining the relevant literature studies 3. Management of the accumulated search data 4.
Cultural Anthropology is the study of human beings, their behavior and how patterns in their language, personalities, gender, family, art, politics or rituals learned from being a part of a certain society gives meaning to their existence and affects how they organize their lives. Culture Involves Concepts, Generalizations, Abstractions, Assumptions, and Ideas. The ants are locked into the specifics of their nest-building behavior. It must work the same all the time. If some important variable is different, the ants cannot make specific adjustments.