Analysis Of Khayyam's Rubaiyat
Although it has been more than one hundred and sixty years from the first translation of Khayyam’s Rubaiyat by Edward Fitzgerald, this eloquent literary text has remained as the best in comparison to other translations. Along with all the prominent features of Fitzgerald’s translation, if we consider the text from the viewpoint of modern literary translation such as “loyalty to the text” and by considering the precepts of discourse analysis, so many questions are raised. There have been so many researches around the structure and the meaning of Khayyam’s Rubaiyat and Fitzgerald’s translation. After Edward Fitzgerald’s (1809-1883) brilliant recreation of Rubaiyat in nineteenth century and actually when Khayyam was introduced to the world, many …show more content…
Considering Khayyam’s Rubaiyat and Fitzgerald’s translation in the realm of discourse studies and ideological concepts is included in the main aim of this research. Besides, by choosing the concept of “voice” which can be a more comprehensive term including all the previous concepts, the researcher has tried to find the more reliable answers for the research questions. “Voice” is one of the new themes in discourse studies and discourse analysis, especially critical discourse analysis. Finding the voice in a piece of poetry means finding the ideological and social-political tenets existed in the text. The reflected voice in a text goes under so many changes in the process of translation. It means that Fitzgerald has been affected by the social-political atmosphere of his era and also created, changed or omitted the ideological voice of the source text in order to create his …show more content…
As Wiget (1992) states: “… for all writers, the ability to garner the attention and recognition of a listening and/or reading audience contributes a sense of authority, authenticity, and identity, suggesting that to be is to be heard, to speak into the silence of ignorance or oblivion, or to anticipate, even interrupt the utterance of falsehood with a statement of personal truth that substitutes an act of self-naming for an act of other-labeling” (p. 604). By maintaining this kind of authority and authenticity, Graves’ definition of “voice” as “the imprint of ourselves on our writing” comes to the mind (Montgomery, 2009:5). Moreover, in regard to what is said and the definition of ideology, as a set of beliefs and aims of a person or a group, it is deduced that “voice” is composed by a set of features in line with the author’s ideology. In order to find the gist of voice embedded in a piece of poem, finding out the existed ideology behind the lines is
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