Rationale: Lazarillo de Tormes in his fortunes and adversities by Alfonso de Valdez (1554) is a work that indicates the most common social problems in the 16th century as: religion, poverty and hunger, which was the most prevalent in society and That only monarchy had great benefits. This assignment belongs to part 3 of the program of studies of Language A: Language and Literature: Texts and Contexts, Higher Level. Its protagonist, Lazarillo, is a child who from an early age had to work only to be able to develop and develop in a cruel society with the lower class. The author was unknown until Rosa Navarro Durán, a philosopher and professor of Spanish literature at the University of Barcelona (ZURGAI, 2016), links him to Alfonzo de Valdés and his brother as the authors of this literary work. It is related to religion since five of Lazarillo 's masters are involved in this, but no criticism is made but, the author is trying to denote the disinterest of people in religion for their benefit in an immoral way. The type of text that I will use will be an epistle where the mother of Lázaro will exteriorize its feelings and at the same time will make known to us every event around its life until the day of its death. This work is aimed at those people like the mother of Lazarillo who had to let their children go since they were very young to have a better future in their lives, and is focused on all those who do not value our mothers, for every effort that Has done for us and
Thesis: Antonio Marez should become a priest for the family but in doing so should break the traditional Catholicism tradition barriers and be able to incorporate his own life experiences. I.Rudolfo Anaya 's novel takes place in New Mexico in a small village called El Puerto. These details are true to Anaya 's life because the main protagonist is Antonio Marez, and he is modeled similarly to his life experiences. The mother comes from a family of farmers and the father comes from a family of vaqueros creating a conflict between the two and their children especially Antonio who is still in search of his own beliefs and identity. A.New Mexico or any Hispanic country has its cultural tradition but in this novel Rudolfo portrays multiple.
Juan de Solorzano y Pereyra says that the Indians practiced savage customs or they attempted to commit treason against the Spanish people. Bartolome de Las Casas says that the Indians were gentle sheep and the Spaniards rushed in like a bunch of starving wolves, tigers and lions ready to devour. The Spaniards slew the Indians as if their lives did not matter what so ever. All of this happened throughout Cuba, Puerto Rico, Jamaica and Mexico (Hispaniola). Juan Gines de Sepulveda Sepulveda said that the Indians are a savage and cruel race and that the Spanish are a superior race that is why the Indians should be treated as if they are inferior.
In his work “The Underdogs”, Mariano Azuela is able to master the spirit of villismo regarding both its theoretic, underlying principles as well as the movement’s subsequent physical manifestations. Though significant characters conduct themselves in a manner consistent with the humble agrarian spirit central to villismo’s origin, characters in this text also exhibit the disruptive, callous behavior that is more characteristic of the federalist forces and dictatorships they aimed to unseat. Moreover, Demetrio’s degenerating understanding of the reason he’s fighting, coupled with his few instances of immorality, symbolizes the collapse of villismo morality into its culminating bandit-ridden reality. Cowboys, farmers, and other agrarian people suffering from land and labor oppression united together as the diverse “pieces of a great social movement [to] exalt their motherland” . Demetrio and Solis embody this original character of villismo revolution, as they maintain a moral, humanitarian compass throughout the novel.
Gabriel and Maria’s arguments are portrayed through the lens of Antonio. Gabriel Marez, Antonio’s father, was a vaquero all his life. His last name signifies
She vows to god she will never ask him for anything for her son” (260). This shows us how Lourdes once cared for her son, but now is burdened with him for all of his actions. The point of view shows us how how Enrique once cared for his mother but now his mother is crying because of what Enrique has turned out to be. In conclusion, the POV shows us how different perspectives show us how Enrique ended up because of how he changed. Analyzing how Nazario uses literary devices show us how Enrique has changed throughout the novel.
It provides a role in character development shown predominantly in Patrias character. It shows the extent of Trujillo’s actions against the Dominican people by showing Patrias desperateness for her son. These examples depicted in the book show how the theme of religion has an impact on In the Time of the
In Latino culture, machismo behavior is defined by men that see inferiority in people and expect obedience from them (mostly non-male-bodied individuals). This is illustrated when Blanca invites the pastor and Claudia, a woman from church, to dinner despite Julio’s distaste for it. As a result, Julio snaps at Blanca after her persistent preaching of a church where she is indirectly disrespected and “‘the women are treated as if they were just there to glorify their husbands, their children, and their pastor’” (Quiñonez, 130). Throughout the novel, Blanca is presented as a pious girl, as if she has not changed from the young schoolgirl that Julio fell in love with when he was young.
Márquez’s novella ‘Chronicle of a Death Foretold’ tells the story of Santiago Nasar’s murder. It is based on the real-life incident that occurred in the 1950s in a small Colombian town, Sucre. Cayetano Gentile was murdered by the brothers of Margarita Chica for having allegedly stolen her virginity. This was revealed when she was returned to her family after her newlywed husband had discovered that she wasn’t a Virgin. In his novella, Márquez displays the influence of the social mores and shows how these supersede the law of the statute books and the authority of Catholicism, which was otherwise so important and therefore how these social mores affect the characters and their actions.
This is due to the behaviors and beliefs that the children had learned while living in America, which she describes as a “barbaric country with its barbarian ways” (Cisneros 90). In result, the grandmother views it as her duty to pray for her family and the awful culture in which they were born, so, “like La Virgen de Guadalupe, the awful grandmother intercedes on their behalf” (Cisneros 89). The grandmother’s view on America is very evident as she considers it to be a very cruel and unsophisticated place. Overall, the choice of vocabulary in which the grandmother uses to describe America reveals a sense of superiority, or ethnocentrism, in regards to the Mexican culture in which she practices. Furthermore, the children are quick to learn of the many rules in which the “awful grandmother” sternly enforces.
Written by Gabriel Garcia Márquez in 1958 as part of Los Funerales de la Mamá Grande, Un Día de Éstos is a short story addressing a vast theme; that of power and how it is balanced. By constructing the narrative primarily around the two characters of Don Aurelio Escovar, an unqualified dentist, and the mayor who is suffering of toothache, Márquez uses their reactions towards each other to guide the reader into understanding how easy it is to become vulnerable, notwithstanding their social class. CHARACTERISATION The theme of power is explored through the characterisations of the two men in the story and it could be said that this done primarily through continuous contrasts between them. To start with, the vocabulary that surrounds Escovar
Gabriel, a vaquero, who exposes the love of the llano, expresses his way of life and freedom. Their kids, three eldest sons, two daughters, and youngest son Antonio, the protagonist, become
Discuss and analyze how and to what ends fantasy and reality are intertwined in stories you have studied. In this essay, we will discuss how magical realism uses elements of real and of magic to create the literary style. At first, we will try to give a background of what magic realism, where it comes from, and how a story can be labelled as such. Alejo Carpentier’s “Viaje a la semilla” and Julio Cortazar’s “La noche boca arriba” will be our focus.
Marco Pérez Dr. Rony Garrido The short novel, Aura, by Carlos Fuentes creates a mythical reality to reference Mexican history. He uses Aura, Felipe Montero, and Consuelo as a reflection of the past and the present, where for example, Consuelo represents the past and Felipe the present. In this paper I will explain how the love story of Felipe, Aura, and Consuelo represent Mexican history. In addition this paper will explain how myth breaks down into different elements, such as religion, legends, traditions, and beliefs, all of which are manifested in the different characters and their actions within this novel.
Mexican society tends to be religious, that is why the elements of Catholicism can be observed in many areas of Mexican’s life. This essay will investigate the Christian motives in Mexican literature, namely, the novel by Juan Rulfo “Pedro Paramo”. In this paper I will argue that the novel “Pedro Paramo” shows a typical view of Mexican Catholicism by focusing on Mexican beliefs of purgatory and ghosts, its role and image in the novel. Investigating its influence on plot and characters and making a comparison with The Bible and Catholic Doctrine of Purgatory’s description of these terms are crucial parts of the essay. Latin American society is strictly Catholic due to historical reasons of being colonies of Catholic Spain and Portugal, therefore the influence of Catholic Church is very sensible, especially in literature.
Throughout Miguel de Cervantes novel, Don Quixote, there is a fine line between reality and illusion that seems to vanish portraying a prominent theme in the novel. Don Quixote de La Mancha, a fifty-year-old man, has an insane obsession in reading chivalry books; he is so absorbed in reading these books that he decides to become a knight-errant himself that will set off on adventures for his eternal glory. These books of chivalry have left Don Quixote so deep within his fantasy that there is no risk of him perceiving true reality. There are a plethora of examples where Don Quixote 's perceived reality is his idealistic fantasies. Cervantes expresses these complexities so much that we begin to notice the social criticism Don Quixote receives from people he encounters.