Analysis Of Michael Ondaatje's The English Patient
Michael Ondaatje’s The English Patient is a saga of passionate love at the backdrop of World War II. The narrative is an intense amalgamation of multiple war experiences that also foreground psyche of the four central characters. Apparently, novel’s focus is on the love story of the English Patient Almasy, but it also has strong undertones of postcolonial critique woven into its intricate fabric.
The novel is set in 1930s-40s and begins with the narration of English Patient’s travails in North African desert. Ondaatje’s postcolonial critique is evident in the skilful naming of the novel as The English Patient after the protagonist Almasy who is not English but Hungarian. This is a clever truce to make a mockery of the notion of national identity. Almasy proudly calls himself an “international bastard,” since he has been affiliated with myriad nations and cultures (Ondaatje 188). Ondaatje has profusely employed symbols and motifs to negate national, cultural and racial identity of Almasy. Various denominators of individual identity such as race, culture, nationality, linguistic affiliations have all been made ambiguous in case of Almasy. In the beginning of the novel he is presented as a badly burnt black bodied creature who is going through partial amnesia and whose only identity is that he speaks English in British accent: “Everything about him was very English except for the fact that his skin was tarred black (Ondaatje 102).” Accordingly, his identity is constructed as
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