‘Once in his life may a man send his soul away, but he who receiveth back his soul must keep it with him forever, and this is his punishment and his reward’. A body, a soul, and a heart are the three elements that Oscar Wilde thought of as being essential to man. The body is the vessel, the carcass that keeps everything, including the heart, which is the house of feelings, bound together. Distinct and separate from the body is the soul which is the transcendent, ineffable spiritual proof of existence. Is it possible, however, that we would not be aware if the soul ever left the carcass? Could the soul leave us without any warning? What would happen then? Oscar Wilde, due to his quite insouciant character, was intrigued by the idea of disturbing the balance between these elements, wanting to see what exactly would happen if, let us say, one’s soul and one’s heart were to be separated. This is the theme that also serves at the core of Oscar Wilde’s most significant and most renowned work of prose, The Picture of Dorian Gray. Nevertheless, this is not the only time that we are faced with the parting of the soul and the heart. In Wilde’s lesser known volume, A House of Pomegranates, dedicated to Constance Mary Wilde, (his then wife) there is one fairy tale which critics think that ‘it is the most complex of Wilde’s fairy tales’ and was described by John A. Quintus as ‘another treatment of the doppelgänger theme in which the body and the soul are separated, as they are in The
Francis Nosike 09/24/16 AP Literature Mr. Amoroso Death cannot be explained because it’s not a living entity; it’s the transformation from a physical state to dust. In the novel Bless Me Ultima by Rudolfo Anaya; Antonio, the protagonist, witnessed three deaths that fostered his religious ambivalence. Therefore, the three deaths formulated a cycle of inquiries that lead to the constant statement, ‘anyone could die.’ No living soul on this plain could ever explain how death operates. The abstract conception of death itself is challenging, but with time, we slowly begin to comprehend the ‘true’ nature of death and what it brings to us.
THEMBEKILE TSAOANE BL2015-0178 SSIT311 TAKE HOME TEST INTRODUCTION “Between us and heaven or hell, there is only life, which is the frailest thing in the world" 1.1 Existentialism and death. The problems we face of death seem somewhat natural with the connection it has to existentialism.
Another theme illustrated through Wilde’s use of motifs and symbols is the theme of superficiality. The theme of superficiality can be understood as a sense of the superficial view of outer beauty that is shown in the work. It relates to the concept of remaining young, which is an important factor of what is shown in the novel. This is an important part of the novel because outer beauty plays a bigger role for Dorian, than inner beauty does. In the beginning of the novel, Lord Henry and Dorian have a conversation that focuses on the topic of youth and Dorian 's outer beauty – Lord Henry mentions the fact that Dorian has a beautiful face, and later during this conversation, Lord Henry states that: “youth is the only thing worth having…”
Understanding both Poe and Wilde’s narrative styles is extremely important in fully understanding the texts and the authors behind those texts, for example on one hand Poe throws the reader into an already finished story in ‘William Wilson’, while in The Picture of Dorian and Gray Wilde’s use of aestheticism is undeniable. However unusually for Wilde The Picture of Dorian Gray is also Gothic, this interesting departure from Wilde’s usual aesthetic style has been the subject of much debate and discussion among scholars, nonetheless for Sucur in The Picture of Dorian and Gray “the Gothic is dealt with from an aesthetic perspective”, (Sucur 2007, n.p.) yet the question still remains why would Wilde chose to depart from his successful formula of
In response to the long-standing philosophical question of immorality, many philosophers have posited the soul criterion, which asserts the soul constitutes personal identity and survives physical death. In The Myth of the Soul, Clarence Darrow rejects the existence of the soul in his case against the notion of immortality and an afterlife. His primary argument against the soul criterion is that no good explanation exists for how a soul enters a body, or when its beginning might occur. (Darrow 43) After first explicating Darrow 's view, I will present what I believe is its greatest shortcoming, an inconsistent use of the term soul, and argue that this weakness impacts the overall strength of his argument.
The researcher decides Oscar Wilde’s The Picture of Dorian Gray and Fitzgerald’s The Beautiful and Damned to be the objects of the study on inferiority and superiority complex causing hedonistic lifestyle in main character. The first reason, both of literary works cover the changing of each life of the main character, society and ultimately the individual. Second, they both share the same social background of the main character in The Picture of Dorian Gray, Dorian, displays a well-respected young man. He doesn’t recognize his own beauty until he sees it reflected in Basil’s portrait, and, once he does, it’s all too late. While Anthony in The Beautiful and Damned is illustrates reaching pleasure as the lifestyle and it becomes a habit.
Relatively all authors are very fond of creating an underlying message to criticize society. Authors do this through social commentary. The book “The Picture of Dorian Gray” is no exception. The author, Oscar Wilde, criticizes the upper class through the consistent underlying idea that people are often deceived by one's beauty and are unable to understand the poison that fills the world is corrupting it. From the beginning of this book, the social commentary towards the upper class begins with the structure of the novel.
The Picture of Dorian Gray’s has the mood of hysterical because no matter what he does he ultimately fails his task. “The artist is the creator of beautiful things.” This is the first sentence of the novel and this is ironic because even though Gray did not paint the picture of himself, he was truly the artist of his own demise and that is the creation that he made of himself. The despair that he brought upon himself only led to more hysteria and craziness. Gray leads himself onto a path of hysteria and it spirals out of control like a hurricane.
Is The Picture of Dorian Gray a gothic novel? In the novel The Picture of Dorian Gray gothic literature is shown in many instances. Although not filled with mazes, dark corridors or winding stairs filled with cobwebs, Dorian’s mansion does include an old schoolroom that has cobwebs and gives off a spooky feel. Also in the mansion there is a hidden compartment in which Dorian hides all of his disguises.
As a writer one is greatly influenced by their personal experiences with social, historical, and cultural context within their specific time period. Oscar Wilde’s The Picture of Dorian Gray was shaped by the aspects of the world around him. The themes of the text are are influenced by morality in the Victorian Era. Throughout the Victorian Era a deeper movement was also prominent in London called Aestheticism. Aestheticism is the worship of beauty and self-fulfillment.
In the early 18th century a new genre of fiction prose, named "Gothic Novel" was introduced. The term ”Gothic” used to refer to the German tribe of the Goths. The Gothic novel spread over the 19th century and had the popular theme of haunted places such as castles, crypts, gloomy monasteries; supernatural elements having the role to intensify the atmosphere. The characteristic motifs of the gothic genre were the strange places, the supernatural, magic objects, monsters, demons, science used for bad purposes. And many of them appear also in "The Picture of Dorian Gray".
‘The Picture of Dorian Gray’, by Oscar Wilde, is a novel that revolves around a core theme, beauty. Depicted in many forms throughout the novel, one of the most prevalent symbols of beauty proves to be the very portrait of Dorian Gray. Specifically, one thing that can be concluded from the portrait was that Dorian sees beauty as beyond skin deep, and believes that true beauty is only achieved through the character and morals of a person. Events in the novel that support this claim occur during Dorian’s reaction when he discovers the secret of his portrait, and his resolve to fix his behavior that caused such changes. When Dorian discovers the truth about his portrait, his reaction was not that of a man who primarily values looks in beauty.
Oscar Wilde is a British famous author, who wrote the novel “The Picture of Dorian Gray”. It is an aestheticism representative work. “The Picture of Dorian Gray” has been criticized by British public “This book is the product of the leprosy monster of the French decadent literature, this book is a full of toxic odor, moral and spiritual decay”. The point of view of this book is the book euphemistic show people a tragedy life of the Dorian Gray, and if just for art to taste the art, then the art will never take the happiness to people. If people seek the art and lost the original moral outlook, the art will be meaningless for people.
Addiction in The Picture of Dorian Gray “When you start becoming really successful, the demons start to tempt you, the demons of vanity and self importance…” (Ethan Hawke). In Oscar Wilde’s novel The Picture of Dorian Gray, the lifestyle of an addict is reflected through Dorian’s opioid addiction. The lifestyle of an addict is one that revolves around the substance being abused, this can lead to cravings and devastating withdrawal symptoms, in Dorian’s case, this substance is opium. Dorian experiences many mental effects due to his addiction which including anxiety, irritability, and social withdrawal.
In Melville’s novel Mardi, the chapter “Dreams” is used to indicate that he believes in “the transcendental Over-Soul.” One of the characters, Babbalanja, says that, “We are full of ghosts and spirits… full of buried dead that start to life before us… that is their immorality” (qtd. in Watters 35). This quote demonstrates that Melville’s writing has not only a religious message, but also contains a social or anthropological message of our shared humanity. The “Over-Soul” concept means that every single person is connected to one another in spirit by some greater