Industry revolutionized warfare giving birth to machine guns, poison gas, and tanks. This weaponry increased mortality rates but only added to the gruesomeness of deaths. Meanwhile, countries upheld the war with patriotism, nationalism, and a sense of duty; poets spoke out about the truth of warfare and the true horror of battle. War poets reveal the suffering everyday soldiers endured on the battlefield. They depict a bleak, realistic picture that the outside world that did not have firsthand experience of the war would not otherwise have experienced. In their poetry, Siegfried Sassoon and Wilfred Owen draw attention to the horrific damage of the industrialization of warfare of World War I.
The industrialization of warfare in World War I changed war forever, but its cruelty left a lasting
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Owen drew attention to the lie that nationalism and patriotism told directly, but Sassoon did so in a less conventional way. In his poem, “Counter-Attack” Sassoon discusses the sheer number of corpses on the field and the desensitization of death for soldiers. At first, Sassoon describes the horrific scene of soldiers digging into rotting corpses; he portrays this dreadful scene by describing the corpses as “green clumsy legs” and “naked sodden buttocks, mats of hair” (Sassoon). These men were left here to rot, not taken home for a proper burial. Not only this, but surviving soldiers stripped them naked stealing their boots and clothing which were often coveted at this time. Sassoon uses his poetry to bring the horrors of the front to their readers. While the public would have been ignorant of the fact that soldiers would have experienced this, Sassoon brings it to their attention. Poets like Owen and Sassoon contradict common belief of the war at that time by drawing attention to horrors of the war everyday soldiers
Maybe nothing is more incessant in the pages of history books than wars. Since the beginning of time, men have battled to hold their ground and vanquish more. However, the images of war are never as victorious that they are painted out to be. The truth of war is dull, devastate, and nerve racking, with conditions unfavorable to mind, body, and soul. The substances of war and the dread experienced are reported and told by writers all through time.
The Consequences of Combat and Camaraderie War isn't always how it looks other perspectives- and it doesn't always turn out the way you were expecting it. from Author Erich Maria Remarque dramatizes the savagery of war to show the loss of innocence for the soldiers in battle in World War I. He shows how war results in the death of childhood and the need to become a man.. in order to survive. He uses imagery, figurative language, and a certain style of diction to reveal his point.
The First World War, named at its conclusion ‘the War to End All Wars’, is widely considered to be one of the most savage displays of physical violence of its time. The statistics for single battles such as the Battle of the Somme show that in one day alone, 15,000 British soldiers were killed, with one person dying every five seconds. The cruelty of this war has been a source of inspiration for many, with countless poets, playwrights and novelists attempting to capture and convey its brutality, two of the most successful being R.C. Sherriff and Sebastian Faulks. The former, writer of the play ‘Journey’s End’, draws on personal experiences in order to give the audience a snapshot of the war, whilst the latter writes entirely from research and
Fighting in World War I was one of the most brutal wars ever known. This was because of the new technology advancements during this time. The way wars were fought changed significantly. In my opinion, the variety of changes have a negative influence. The negative influences continue to impact our world to this day.
Both Ted Hughes and Wilfred Owen present war in their poems “Bayonet Charge” and “Exposure”, respectively, as terrifying experiences, repeatedly mentioning the honest pointlessness of the entire ordeal to enhance the futility of the soldiers' deaths. Hughes’ “Bayonet Charge” focuses on one person's emotional struggle with their actions, displaying the disorientating and dehumanising qualities of war. Owen’s “Exposure”, on the other hand, depicts the impacts of war on the protagonists' nation, displaying the monotonous and unending futility of the situation by depicting the fate of soldiers who perished from hypothermia, exposed to the horrific conditions of open trench warfare before dawn. The use of third-person singular pronouns in “Bayonet
World War I was not the the most destructive war, or the “Great War,” as some have called it, and was definitely not the war to end all wars, but it was the war to change how people viewed the world in the 20th Century. The declaration of war brought enthusiasm and excitement into people’s hearts as waves of nationalism moved across Europe. World War I, which began in 1914, was thought to be a “rapid war that would and within the few months, likely by Christmas” with relatively few casualties. That, however, did not happen as until 1918. In the short span of four years, shock and disbelief loomed over not just the soldiers coming back home from the battlefield, but citizens that once welcomed war.
Good Morning/Afternoon Mr Bain and fellow classmates, today I will be speaking about a man who wrote some of the most powerful British poetry during World War 1, Wilfred Owen. Significantly only five of Owens poems were published in his lifespan, from August 1917 to September 1918. In November 1918 he was killed in action at the age of twenty-five, one week before the Armistice. Through his poetry, he depicted the reality and horrors of the First World War.
But, through his writings, Sassoon shows that war is intense and soldiers use dreams and thoughts of their homes to bombard their focus of war (Cummings). I agree that Sassoon is very good about beating down the idea that war is a glorious experience, and he does a good job at revealing glimpses of the hardships that the soldiers face everyday (Kousar). According to Kousar, in an idea that goes along with the soldiers struggles being relieved by daydreams, Sassoon uses artistic violation in his poem “Dreamers”. He uses an oxymoron technique. For example, ‘flaming fatal climax’ and ‘hopeless longing’ are used to create an effect of the soldiers pain being soothed (Kousar).
Known as one of the most destructive wars in history, the First World War had a colossal impact on both soldiers and civilians. World War I involved the majority of Europe and affected all aspects of the population. There were similarities and differences regarding how the war affected soldiers and civilians. They both dealt with causalities and intense working conditions. However, the country’s main priority was ensuring soldiers’ success at war and the war was depicted to the civilians very different than the soldier’s actual war experience.
It was doubtfully his goal, as his pointed words are directed at a public that is no longer alive and could not have been completely ignorant of the plight of its soldiers during those days. Although contemporary poets of his day wrote equally moving and powerful words that describe in detail the horrors of the Great War neither Owen nor Graves bring direction to their words like Sassoon does. “A Repression of War Experience” leaves the reader following Sassoon through the hospital corridors, wishing for rain, and trying desperately to steady a shell-shocked hand. As he wonders if there are ghosts in the trees it’s the reader checking to see if they are there while, Sassoon fights the sounds of canon in his head, this is why this poem rises above its
Siegfried Sassoon’s Attack and Wilfred’s Owen Anthem for Doomed Youth both deal with inner and outer conflict through the use of figurative language and imagery. Firstly, Anthem for Doomed Youth uses figurative language in the first part of the poem to demonstrate the surroundings that might surround the soldier as he fights on. The “Monstrous Anger of the guns” “stuttering rifles” these are all sounds that surround the soldier as he goes into war.
The Inner War of Siegfried Sassoon Siegfried Sassoon always stood out in his own way, due to his parents coming from two very diverse backgrounds. Sassoon, someone who never finished his formal education, and devoted much of his childhood to other activities, traveled the hard road to greatness . As war broke out in 1914, Sassoon, happily marched to war like many other young enlisted British men (Wilson). As the war continued Sassoon grew to hate it more and more. Through the sharing of his memories in poetry, Siegfried Sassoon brings to life the vivid realities of war.
In the trenches of World War One poetry many great and still appreciatively read poets were produced. Their powerful poems form the memory and shape the way in which the World War One is commemorated. “Soldiers with a literary bent turned to poetry to describe their experiences, capture their sensations, express their states of mind, protest their situations and lament the loss of friends, comrades and their idealism. “ Some of the most prominent poets of not only 20th century but also English poetry in general were, among others, Siegfried Sassoon and Wilfred Owen. With their bitterly sceptical and antiheroic work, they caused a shift in the societies perfection of progress and pointed out the social downfall that took place during the war.
Firstly within the poems, both Owen and Harrison present the horrific images of war through use of visual imagery. “And leaped of purple spurted his thigh” is stated. Owen describes the immediate action of presenting the truth of war as horrific and terrifying . The phrase “purple spurted” represents the odd color of the blood which was shedded as the boulder from the bomb smashed his leg in a matter of seconds. The readers
Siegfried Sassoon was a very famous English poet who wrote several poems about war and his experiences in war. Siegfried Sassoon was born on the 8th of September 1886 in Kent, United Kingdom. Sassoon’s father was in a part of a Jewish merchant family, in which they were from Iran and India, and on the other side his mother was in a part of an artistic Thorneycroft family. He studied his classes at the Cambridge University however he left the university without a degree. Sassoon then lived alone, this was called as if he was a country gentleman.