One of the film’s on this course was ‘Six Degrees of Separation’ an adaption of the Pulitzer- Prize nominated play by John Guare. Two theories that we studied that applied to this film are; Post- Modernism and Structuralism and the concepts; pastiche and collage, genre and intertextuality. I will be analysing the movie while applying these two theoretical concepts and discussing the advantages and disadvantages of each in the conclusion. Six degrees of separation is the theory that everyone and everything is connected by six or fewer steps from any other person in the world. Frigyes Kerinthy originally came up with the theory but it became popularized by Guare in ‘Six Degrees of Separation.’ The character Ouisa Kittredge is seen speaking about this theory to her daughter in the movie, “I read somewhere that everybody on this planet is separated by only six other people. Six degrees of separation between us and everyone else on this planet.” Postmodernism emerged in the latter half of the 20th century and if often described as a development of modernism. Postmodernism doesn’t lament the idea of fragmentation but instead celebrates it unlike modernism. A modernist’s literary quest is to find meaning in a chaotic world whereas a postmodernist deliberately tends to avoid, often playfully, the possibility of meaning. Postmodernism also rejects boundaries between high and low forms of art, rejects rigid genre distinctions and emphasizes pastiche, parody and bricolage. It
The affordances of the specific medium chosen helps to assist the narrative in different ways. Film and text are two examples of different types of media that can be used. One could compare Erik Larson’s book The Devil in the White City and Christopher Nolan’s film Memento. The comparison of these two media, which both show the protagonists committing murder, is able to portray the advantages and disadvantages of each medium. By comparing the murder scenes in each of these works, one is able to define the aspects in which each medium succeeds or fails.
Although the characters are from different walks of life, their live are intersected through suffering. This is an admirable sentiment; however, this idea of universal pain can be problematic. Using the films Crash and Babel as well some of the the films covered in the course, this essay will attempt to argue how the idea of universal pain can be toxic. In order to understand
“The screen is a magic medium. It has such power that it can convey emotions and moods that no other art form can hope to tackle.” The written word and the moving image have always had their entwining roots deeply entrenched in similar narrative codes, both functioning at the level of implication, connotation and referentiality. But ever since the advent of cinema, they have been pitted against each other over formal and cultural peculiarities – hence engaging in a relationship deemed “overtly compatible, secretly hostile” (Bluestone 2).
Going to the universities’ library earlier this month to rent three films, - 500 days of Summer, Annie Hall and High Fidelity- was the first step to my critical writing and analysing process. I spent some time at home, to watch these three completely different movies. Although there is one theme that captures the common motif in these three movies, the theme Romance. The standard model suggests that a film wherein the plot revolves around the love feelings and love between two protagonists can be defined as a romance film. It is a well-known fact that love makes people do strange things, Shakespeare himself even said: “Love makes blind”.
When the film The Sixth Sense, directed by Night Shyamalan debuted in 1999, it mesmerized audiences near and far with its appealing paranormal plot, its deceptive nature and its top-shelf talent from its actors. The film was immensely prosperous and quickly became a cultural phenomenon. However, most casual moviegoers overlooked its underlying philosophical significance. The Sixth Sense is driven by the big questions of life from almost every aspect of philosophy specifically metaphysics and epistemology. In this specific scene Shyamalan relies on subtlety to create a creepy atmosphere of something beyond our ordinary beliefs and understanding.
This essay will discuss how the film uses these two techniques, in reference to the film, and to what ideological and political ends are the techniques used in the films with specific references from the film to support the argument. A Man with a Movie Camera is based around one man who travels around the city to capture various moments and everyday
John Guare is legendary for his exploration on the theory of six degrees of separation: the entire world population is tied in a chain of connection, which everyone is somewhat a friend of a friend. Additionally, Guare provided audiences with another distinctive approach to the study of African Americans during the late twentieth-century, via his 1990 play: “Six Degrees of Separation”. The play revolves around a young black protagonist, Paul, who untruthfully imagined himself as part of the upper socio-economic class. His actions and thoughts are undeniably influenced by the effects of racial discrimination against blacks during his time period that have been rooted for centuries.
Modernism is a new type and style of artwork. The modernist movement in art history features in the late 19th centuries and early 20th centuries. With Modernist artworks the old traditional styles and past techniques are forgotten about. Instead new styles and methods are used to create these modernist artworks. The process of making modernist artworks is a primary component in the final completed piece.
There are many types and forms of art in this world. Everywhere you look there is art. One of my favorite types of art is abstract expressionism. This art form is a post World War II movement and started in the late 1940s. It was also known as the most important 20th-century American art movements.
In both of these films consist of the battle of the sexes between being friends of a male and female or a marriage that consist of two married lawyers. Yet, in this history of genre, the films were made to find a “means’ to how it produces meaning” (Gant, 32). It also stated that, “deconstruct the mythic codes of cultural text” (Grant, 32). Which the statement means that the ‘mythic codes’ of how the genre in the movies show codes of sex in the film but it lets the audience look for the codes within the films. There is also the idea of representation in both of these films of masculinity, feminist, and the identity of women.
Vincent Van Gogh and Paul Cezanne are just few of the many artists which belonged to the post impressionism movement. This movement I significant to the art history as it rebelled against the traditions of the Impressionist style and took a new and improved approach. I have chosen to focus on this movement as I think it has a big impact on art history and the movement is home to some amazing artists and outstanding art work. My main focuses in this essay is some background on the movement and some if its influences and importance. As well as famous works from various artists and a look into how it was produced etc.
Baz Luhrmann is widely acknowledged for his Red Curtain Trilogy which are films aimed at heightening an artificial nature and for engaging the audience. Through an examination of the films Romeo + Juliet, Moulin Rouge and The Great Gatsby, the evolution and adaptation of his techniques become evident. Luhrmann’s belief in a ‘theatrical cinema’ can be observed to varying degrees through the three films and his choice to employ cinematic techniques such as self-reflexivity, pastiche and hyperbolic hyperbole. The cinematic technique of self-reflexivity allows a film to draw attention to itself as ‘not about naturalism’ and asks the audience to suspend their disbelief and believe in the fictional construct of the film.
Postmodernism has been widely used over the past two decades but trying to pinpoint one definitive meaning for the term is very difficult indeed. Taken literally, postmodernism means “after the modernist movement” yet there is something else entirely to postmodernism than that. One thing that is sure is Postmodernism is an adaptable term that can cover an extensive variety of works of art. Basic scholars use postmodernism as state of deviation for works of writing, shows, engineering, film and plan. Postmodernism was basically a response to Modernism. ".
Estrangement, in sociological terms, is a condition in social connections reflected when there exists a low level of mix or normal qualities and a high level of separation or segregation between people, or between an individual and a gathering of individuals in a group. The "separation" specified could either be enthusiastic or physical, or both. Basically, distance is a condition of being the point at which an individual neglects to relate and relate to another individual, a gathering of them, his/her surroundings or lifestyle. This examination paper inspects how the subject of distance shows in Irvine Welsh's Trainspotting. The idea of distance alluded to here is considered concerning, specifically, its cutting edge hypothesis proposed
Analysis Cinematic Space as Representation Space in Film “Kami Histeria” 1. INTRODUCTION Cinematic space is represented or produced space. And if, as Henri Lefebvre argues about space is produced than the ‘object’ of interest must be expected to shift from things in space to the actual production of space. Lefebvre develops space that he calls “a conceptual triad” in explaining how space is produced first is, spatial practice refers to the, “In terms of social space, and of each member of a given society’s relationship to that space, this cohesion implies a guaranteed level of competence and a specific level of performance” it is mean that where applicable activities (The Production of Space, p.33). Representations of space they are refer to