Analysis Of St. Lucy's Home For Girls Raised By Wolves

Many young girls, working as young as ten, had many harsh conditions already. Starting in chapter 3, which was the cutler's tavern, Lyddie got her first job. Even in the beginning, you could tell it was going to be a harsh time for the rude comments given by the owner. For example, “ “Go along” the woman was saying. “ this is a respectful tavern, not the township of a poor farm girl.” Also in her job her and her brother were very mistreated. Lyddie, for example, had to sleep under “ a windowless passage, which was hot and airless even in the late spring” Another example is that when her brother Charlie came to visit she noticed that her brother was

Adjusting to a different culture is not easy. This is what takes place in the short story, “St. Lucy’s Home for Girls Raised by Wolves” by Karen Russell. The story is about a pack of wolf girls who are forced to live in a new cultural society. These wolf girls will have to disregard their past cultures and adapt to the ways of regular humans, like their parents wanted them too. How the wolf girls react to their new surroundings by finding everything new, exciting, and interesting is what makes the epigraph in stage 1.

The first stage from The Jesuit Handbook for Lycanthropic Culture Shock explains that St. Lucy’s will be exciting for the pack, and they should have a fun time exploring their new environment (Russell 226). The epigraph creates a mood of curiosity and positivity for the reader. Three adjectives used in the epigraph itself that help convey this mood are “new, exciting, and interesting”. The word, “environment” is used, which has a positive connotation and emphasizes that St. Lucy’s is a place where the girls can grow in a positive way. This epigraph suggests to the reader that the pack will be exploring and having fun during stage one.

In “St. Lucy’s Home for Girls Raised by Wolves”, Claudette, Mirabella, and Jeanette is taken to a foreign place to adapt to human nature. They are taken through the process of 5 stages of becoming human. Claudette, the speaker of the story, is stuck between two faces, the human and the wolf face. While Claudette is in between these two worlds, she has fully conformed from wolf to human. She has completed the transformation from wolf to human because her own mother doesn 't recognize her, trying to make herself seem more like human, and not even caring about her own fellow wolf mates anymore.

Karen Russell's “St. Lucy’s Home For Girls Raised By Wolves” is a story of lycanthropic girls who have been raised by their wolf parents who are being assimilated into human culture by forceful nuns. Claudette is the main character who is also telling the story. She faces many achievements and struggles, but by the end of the story Claudette has clearly conformed to human culture. This is supported when Claudette shows her loss of wolf-like traits, such as when she loses compassion for her pack members, and in the later stages when she starts to have complex human thoughts and starts to lose detectable traces of her wolf origins.

Florence Kelly delivered a speech before the convention of the National American Woman Suffrage Association in Philadelphia on July 22, 1905. She used rhetorical analysis such as pathos, anaphora, and logos to enlist working men to vote for the reform of child labor laws.

In the short story “St. Lucy’s Home for Girls Raised by Wolves,” author Karen Russell develops the narrator, Claudette, through the use of five “stages” to show her progression from her wolf identity to the human culture. This short story follows a group of girls raised by wolf parents through their journey at St. Lucy’s, which is a rehabilitation center for human children raised by wolf parents. Throughout their time at St. Lucy’s, the girls are expected to experience five distinct stages as they adapt. Each of these stages is described by a fictional text entitled The Jesuit Handbook on Lycanthropic Culture Shock. The nuns at St. Lucy’s use it as a guide for teaching their students. Short excerpts from this text that

In Stage One, Claudette exceeds the standards the handbook sets. The handbook says that the girls will experience new things, full of curiosity and wonder of what is to come (225). Claudette exceeds this description, along with most other members of the pack. Throughout Stage One, each member of the pack has great curiosity of their surroundings, leaving a destruct wake in their path. The girls “tore through the austere rooms, overturning dresser drawers, pawing through the neat piles of the Stage 3 girls’ starched underwear, [and smashed] light bulbs with [their] bare fists” (225). This shows that the girls still possess their animal instinct, but are overpowered with the strong sense of curiosity to the life that the humans live. Claudette even mentions that they had forgotten “the barked cautions of [their] mothers

An epigraph before each stage is included to help with the organization and structure of the story. It also includes things rehabilitators should expect from the students and is taken from the Jesuit handbook. In Stage 2, the girls realize that adapting to the host human culture will not be an easy task. They will have to work to adapt and will struggle in the process. They will have strong feelings of culture shock and become agitated. They may reminisce about their past wolf life and daydream.

Humans are social beings and, typically, we prefer to surround ourselves with similar types of people. Often times, this means excluding others and even outcasting them from society. Nearly everybody has experienced being an outsider. whether it was not knowing anyone at a new school to not having the “must have” item that everyone else seemingly had. The experience of being an outsider is not universal because the feelings associated with being outcast are circumstantial, people react differently, and people have varying degrees of introversion.With these conditions, it is impossible to have the same experience as everyone else.

In Stage One the wolf pack first arrives at St. Lucy’s. Stage One tells the reader that the environment for the wolf-girls will be intriguing and exciting. They will

“St.Lucy’s Home for Girls Raised by Wolves”, the short story written by Karen Russell, concenters on the narrator and primary character, Claudette who lived as though she was a wolf for the majority of her life. Once being sent to St.Lucy’s along with the rest of her pack, Claudette began to carve a new path for herself where she would become a well-rounded, decent human. The text, The Jesuit Handbook on Lycanthropic Culture Shock that the nuns at the home follow as a guideline through the process of helping the girls adapt to the human culture, assumes how the pack, including Claudette, develop, act, and feel under the circumstances they state

There are many literary devices used across stories. Color imagery is one of these literary devices that is used when colors give objects a symbolic meaning. In the short story “St. Lucy’s Home for Girls Raised by Wolves” by Karen Russell, girls who have been raised as wolves are thrust into the unknown as they are forced to adapt to human society. Their childhood was spent living with wolves, however they are taken in by nuns of St. Lucy’s who attempt to assimilate them into the human world through different phases. Throughout the story, color imagery is used to emphasize the key theme of unity, establish the conflicted tone, and metaphorically develop Claudette’s character.

In Victorian society, women had the choice between two roles: the pure woman or the fallen woman. Bram Stoker plays with these anxieties revolving around female sexuality – he follows the gothic tradition of innocent damsel in distress against looming evil. The narrative structure Stoker imploys to the text through intertextuality reveals multiple point of view distinguishing a duality in Lucy - her true self and 'thing'. In order to cope with Lucy’s worsening condition, the male authoritative figures of the text assign a duality present in Lucy to make sense of her shifting from “pure woman” to “fallen woman”. Stoker exhibits in the structure of the multi-faceted narrative how certain characters are unable to cope with the duality present

In the story, “St. Lucy’s Home for Girls Raised by Wolves”, the author, Karen Russell, uses feral diction to establish that although people strive for perfectionism in their lives, people cannot become someone or something that they are not, thus causing a loss of identity.