Montresor is so consumed by his hatred for Fortunato that he deliberately creates a plot to murder Fortunato to seek justice for himself and his family name. In order to convey this to the audience Poe uses foreshadowing, suspense, and exposition to reveal the intentions of Montresor. The first literary tool Poe uses in order to reveal the intentions of Montresor is exposition. Poe uses exposition in the beginning of, “The Cask of Amontillado,” in order to get the rest of the story in motion. Poe writes, “Fortunato had hurt me a thousand times and I had suffered quietly.
Not only is this murder different in terms of reasoning, but the consequence itself proved to be a complete backfire as Macduff, fueled with rage, returns to England to end Macbeth’s life. Following the metaphorical trail of blood, each murder presents a new and more developed stage of dementia. “The castle of Macduff I will surprise, / Seize upon Fife; give to the edge o’ the sword / His wife, his babes, and all unfortunate souls / That trace him in his line. No boasting like a fool; / This deed I’ll do before this purpose cool (IV, i, 150-154). The first murder of King Duncan only sealed Macbeth’s paranoia and served as a foundation for the murders of Banquo and Macduff’s family.
Tooth for Tooth In the short story “A Cask of Amontillado” two wealthy rival Italian men with a taste for wine descend into the catacombs of one of the noblemen’s house who goes by Montresor. All is not well, though, as Montresor’s rival Fortunato has offended him greatly in the past, all of which has convinced Montresor enough to seek out vengeance on his rival and past friend. Through careful planning and patience Montresor proves that the recurring theme of this story is that revenge is a dish best served cold, and that the overwhelming amount of deceit shows the hatred Montresor had for Fortunato. The insult that was dealt to Montresor by Fortunato provokes him to cease their friendship and causes him to seek out revenge on Fortunato, thus making it more effective. As said in the short story Fortunato insults Montresor in the past: “THE thousand injuries of Fortunato I had borne as I best could, but when he ventured upon insult I vowed revenge” (Poe ).
Telling Tales “The Cask of Amontillado”, by Edgar Alan Poe tells the story of Montresor. Montresor is the protagonist and narrator of the story, thus Montresor narrates how he murdered his friend Fortunato. Montresor lets the reader know that he holds a grudge against Fortunato. It seems that Fortunato offended him in some way or another, and because he thinks the offense is so grand, his friend deserves to die. And, accordingly Montresor plans his friend’s death beforehand with a cold heart.
Additionally, William Brittan creates suspense by using dramatic irony, inference gaps and foreshadowing in “The Man Who Read John Dickson Carr”. The tale is about a man, Edgar Gault who was obsessed with locked-room murders so much he foreshadowed in the text the killing of his Uncle Daniel because of money. Lastly, mystery elements such as inference gaps, dramatic irony and many possible suspects creates anxiety for the audience in “Lamb to the Slaughter” by Roald Dahl. This chiller was about a wife, Mary Maloney who lived for her husband, Patrick Maloney and got told by him that he was leaving her. Mary snapped and killed her husband with a frozen lamb leg, she covers up all her tracks and calls the police, his colleagues.
Edgar Allan Poe, in his story, (The Cask of Amontillado), uses many examples of ironic symbolism to express the complicated relationship of the two main characters, Fortunato and Montresor. The story starts off at a carnival in Italy when Montresor lays eyes upon his victim, Fortunato,and his dreadful plan begins. Fortunato, a talented wine specialist and Montresor have had many conflicts in the recent past, and Montresor seeks revenge. He lures Fortunato into the catacombs because he has lied saying that he has purchased a cask of amontillado and he has his doubts. The protagonist, Fortunato is a very rich man who is full of himself and is used to getting what he wants; he also knows that amontillados are very precious wines and would not
Edgar Allen Poe writes "The Cask of Amontillado" to illustrate what people would do for revenge through his intriguing irony, dark themes, and symbolism. The short story starts with the narrator describing his determination to get revenge on Fortunato, who has caused him a “thousand injuries”. The narrator believes he can get revenge by using Fortunato’s pride on his wine connoisseurship. One night, in the peak of carnival season, the narrator informs Fortunato that he bought Amontillado, a rare brandy, but he has his doubts. The narrator lures Fortunato to come with him to his vaults to verify the wine’s authenticity and to drink together.
According to Prejean, taking responsibility for one’s actions is the first step towards atonement, yet through the vocalization of Ryan she questions if any further steps beyond “[sitting] in a room with all the people...harmed by [the] crime” are truly necessary (Ryan 232). When presenting Matthew Poncelet in Dead Man Walking, he is originally portrayed as a cold heartless killer, a bigot who “is not a person [but]... an animal” (Dead Man Walking). But through the progression of the film, he becomes pitiable, finally reaching full escalation when recognizing responsibility for his role in the crime. By arranging her piece so the climax is his confession, Prejean is able to create a sympathetic atmosphere among her audience, while entwining reminders of what led to this position, through the belief that he has suffered enough and resolves the situation through his acknowledgement of his wrongs to the victim’s families. Prejean presents her case against capital punishment citing “killing is wrong, no matter who does it” and that personal responsibility is the only appropriate punishment for these “monsters” (Dead Man Walking).
Hamlet then goes on to say, “who would fardels bear,To grunt and sweat under a weary life” (3;18;84-85) and is asking the question of how anyone would want to continue their life in his situation. Due to the Ghost coming back and telling Hamlet that the death of his father was not an accident, Hamlet is now responsible for killing King Claudius. Killing a King is not easy and the longer Hamlet takes to actually complete the task, the more Hamlet is driving himself into actual madness. That madness only being created from the extraordinary amount of stress that Hamlet is under. The madness, the stress,
Once Romeo believes that Juliet is no longer alive, he makes another rash decision to bribe an apothecary for poison. Later in the tragedy, Romeo sees Juliet dead in the mausoleum, and decides to express his love for her, then drink the poison. Once Juliet awakes from her deep sleep and sees Romeo dead, she takes her own life with a dagger. Both Juliet and Romeo’s tragic downfall could have been avoided if Romeo thought about the consequences before he murdered Tybalt. Romeo’s rash behaviors in Romeo and Juliet resulted in many negative consequences, and he consistently acted impetuously that impacted others in an unnecessary way.
The Masons who were responsible for learning these phrases and teaching them to other brothers had to take an oath. This would have been convenient for the Templars because lack of trustworthiness led to a death by burning. It is only appropriate that an oath breaker should have a worse punishment than a slow death. This brings forth the oath of initiation for a Master Mason. In it, he swears that if he breaks his oath that his “body be cut into two pieces and that his bowels be burned to ashes.” Once again, why would a guild of stonemasons go to such measures to take these oaths and how are these oaths even relevant to their society?
“The Cask of Amontillado”, written by Edgar Allen Poe, tells the story of how Montressor brings Fortunato into the catacombs to bury him alive. Montressor, from the story “The Cask of Amontillado” by Edgar Allen Poe, is insane because he lies about wine to get Fortunato into the catacombs, he plays off of Fortunato’s ego, and he buries Fortunato alive. To begin, Montressor is insane because he lies to Fortunato about a very expensive wine to lure him into the catacombs. Montressor’s revenge is played throughout the story, starting with a lie as the first step. Montressor knows that Fortunato is an expert in wine, so he tells him this to lure Fortunato into the catacombs: “But I have received a pipe of what passes for amontillado, and I have my doubts” (Poe 212).
In The Cask of Amontillado, the narrator, Montresor, lures Fortunato into his wine vaults in order to murder him. The reason behind it is never clearly stated in the text. Montresor merely says, “A thousand injuries of Fortunato I had borne as I best could; but when he ventured upon insult, I vowed revenge.” (Poe 1108) Montresor never reveals the exact nature of the insult, nor the multitude of injuries that he had supposedly borne. The audience cannot even be certain that the insult ever occurred. Perhaps the slight is only in Montresor 's mind.
Captured with Obsession Obsession can control someone’s entire life. If people are unable to handle their fascination, it can alter their reality. Obsession can lead people to extreme acts. Edgar Allan Poe’s “The Tell-Tale Heart” shows how a man becomes controlled by his roommate’s eye and commits murder so he does not have to see the clouded eye every day. Correspondingly, in Dennis Villeneuve’s Prisoners, a father is so determined to find his kidnapped daughter that he goes to extreme measures.