In Erik Larson’s novel The Devil in the White City takes place during the Gilded Age. During this period of time everything appears good and golden on the outside when in reality everything was full of corruption. In the novel, the author takes the reader to the city of Chicago, where the city is “swelled “in population causing the city to expand in all “available directions” (Larson 44). As Chicago became the “second most populous [city] in the nation after New York” there was an urge that city show off to the world and the nation of how great it was through the Chicago World’s Fair (Larson 44). The Chicago World’s Fair was an opportunity for the city to come together and create event so spectacular to shock the world. However, as Chicago prepared to awe people with this extravagant fair the city faced skepticism on weather or not issues of urbanization, sanitation, and crime would be fixed in time for the World’s Fair.
“ “I was born with the devil in me,” he wrote. “I could not help the fact that I was a murderer, no more than the poet can help the inspiration to sing.” “ page 108
1886 Dr. Robert Leacock is poisoned to death at the hands of one of Americas first serial killers H.H Holmes, “The Beast of Chicago”. Herman Webster Mudgett was born in Gilmanton, New Hampshire on May 1861. He was the 3rd son of Theodate Page Price and Levi Horton Mudgett. In 1887 Mudgett graduated from high school at the age of 16, then he changed his name to Henry Howard Holmes, from then on Holmes attended The University of Vermont in which he studied medicine. After college Holmes married and had one son but later divorced and remarried twice more but was only legally recognized for one marriage. He was a scammer he would build small businesses and cause damage or lay bodies in them and collect insurance money.
When did people start getting accused of being witches and wizards from their neighbors, family members, or friends? Why would someone accuse others of being witches? All the questions are asked and examined by Emerson Baker. The author of The Devil in Great Island is Emerson W. Baker. Although, he goes by his nickname “Tad”. Baker went to Bate college as an undergraduate where he got introduces to his first history class about Northern New England by James Leamon. James is a mentor at Bate College and now is friends with Baker. He is a historian and archaeologists that teaches history at Salem State College in Salem, Massachusetts. The reason why Baker wrote this book was because he think that the past should be accessible to the public. Baker
The Chicago World Fair stirred many emotions in this great time of industrialization, but not only was Chicago shining in the spotlight from the fair, it was also promoting something much more sinister, this dark enclosing spotlight shined directly on H.H Holmes. Burnham the leader of the World Fair and H. H Holmes the notorious serial killer, are the two main characters in this novel that Erik Larson uses the balance between light and dark between these two’s personalities. In the novel The Devil in the White City Erik Larson uses Imagery, paradox, and alliteration to show the balance between the light and dark in the ever growing city of Chicago.
The World fair was the engineering project of its time. It brought plenty of excitement and attention to itself, but it also brought crime. The problem is, even though everything seems fine with the fair, there were bad things still happening. Stealing, cheating, and in extreme cases even murder. Chicago was in charge of building the World’s fair, but ended up hosting a murderer in its walls. The Devil in the White City gives a unique glimpse into how there is both bad and good existing in the city. In my opinion the point of the book was to show how both good and bad coexist in one place. Sometimes with the knowledge of the other existing. The book was written by Erik Larson and published by first vintage books. Published almost 14 years ago the book is still relevant today and still has much to teach us. However, the most important thing it teaches is how good and bad exist together simultaneously.
The juxtaposition of two opposing stories is enough to get anyone’s head spinning. Comparing the glamorous production of the Chicago World Fair to the ominous destruction and killing caused by H.H. Holmes in the background is all the more interesting. Erik Larson’s 2003 nonfiction novel does just that. One would never think to relate murder to art until after reading this book. In The Devil in the White City, Erik Larson uses figurative language, imagery, and juxtaposition to create a vivid illustration of the contrast between good and evil in Chicago in 1893.
The Devil In The White City had many plot lines that took place in Chicago around 1893 at the World's Fair. The first plot line focuses mainly on Daniel Burnham constructing the World's Fair with his partner John Root. It tells a story of struggle for the men, how they had such a hard time constructing the large Farris wheel, to having to open unfinished, then having trouble getting attendance up. Then the struggle is over for the two guys for a short amount of time. Not long after they gather up just enough money to pay off their debts, the Fair had to shut down, as the mayor of Chicago had been assassinated, honestly a more positive reputation for Chicago.
Tom Walker was on his way to his home in the big city of Boston, MA. He was headed home from a busy and stressful day of work. On his way, Tom started feeling reluctant about going home. He knew as soon as he had gotten home, his wife would start whining and complaining. Tom was miserable with his wife because all they did was fight and argue. Instead of going straight home, Tom decided to take a little detour. As he was driving, Tom noticed a path he’d never seen before, so he decided to go down the path. Once on the path, the sky suddenly turned dark. While Tom was driving, he came to a point on the path that was blocked by a tree. Tom got out of his car to remove the fallen tree from the path. Attempting to pick up the tree, Tom notices something carved into the bark. Hand-carved into the bark of the tree was the name “John”. Tom read the name multiple times in his head before coming to the conclusion that it was his co-worker. Suddenly there was a rustle in the bushes and out of the darkness Tom heard a voice.
If you had to drop everything you had leave your life right now and go to pursue a better life, would you be able to do it? You would have to leave everything you have like your family, friends, and your job, to step out into an into an unknown world and start a new life. In the Devil in the White City, this was a thought that was running through many of the lower class and some middle class's mind looking for a new life or to trying to get money. There are many jobs that were available during the construction and during the fair like construction and cashiers or other positions for the stores in Chicago.
The Devil in the White City is a historical non-fiction book written by Erik Larson that reads like a novel. The book follows two, real main characters, during the building and existence of the Chicago World’s fair. The first is an American architect named Daniel Burnham. The book follows his struggle and work to put this huge fair together, and also make it a huge profiting attraction. He faces many obstacles and internal conflict while doing so. The second is H. H. Holmes, an insane serial killer who was active during the existence of the fair. He had different businesses and practices he would use to lure women, in order to kill them and sometimes the women in their families. The book takes place in Chicago during the early 1890s, as
Erik Larson writes “Beneath the gore and smoke and loom, this book is about the evanescence of life, and why some men choose to fill their brief allotment of time engaging in the impossible, others in the manufacture of sorrow”(Larson xi). In the book The Devil and the White City, Erik Larson tells a story of 2 very determined men, Daniel Burnham and H. Holmes, using their talents and determination to create good results, but also bad results; one being a very successful and good spirited architect, the other being a witty evil serial killer. It reveals how in every good act or intention, there is some kind of evil, and also the other way around. Erik Larson explores the underlying difference between good and evil, while telling 2 tales of Daniel Burnham, and Henry H. Holmes
“The Devil and Tom Walker” and “The Devil and Daniel Webster”-- these Faust legends tell stories of ordinary men with thirsts for wealth and luck only in exchange for their very souls. Both were written in different time periods, where certain events and happenings influenced each of the stories and their conflicts. Washington Irving wrote “The Devil and Tom Walker” during a time of economic boom (1824). Stephen Vincent Benet wrote “The Devil and Daniel Webster” during a time of economic depression (1937). Despite the stories’ titles, both have different resolutions, depictions of the devil, and saving graces in the end.
Suspicion can be fascinating but haunting. Since Victorian times, the suspicious death case of Sir Charles Baskerville in The Hound of the Baskerville has intrigued/compelled vast amounts of readers. However, recent audiences are more compelled to stories with a modern twist of horror and gruesomeness. Because of less main characters, a fast-paced plot, and the differing point of view of Atwood’s The Hound of the Baskervilles film adaptation, the film has a frightening, intriguing mood with a new perspective compared to Sir Arthur Conan Doyle’s original novel.
During the first half of the 20th century, the Japanese empire was at the peak of its power. Starting form 1910 up until 1945, the end WWII, Korea was being held by Japan as a colony. During this time, Japan and China entered The Second Sino-Japanese War that stared in 1937 and ended with Japanese surrender in 1945. These Japanese actions have had such an impactful effect on the people that it hurt, that films, such as Devils on the Door step and The Handmaiden, have even contemporary films express negative emotions to the long-lasting effects of the Japanese empire.