In Hoefel’s article, she presents the idea that reading “The Jilting of Granny Weatherall” from a heterosexual viewpoint introduces possibly incorrect assumptions about the priorities in Ellen’s life. This heterosexual/mainstream view is inconsistent with the author’s previous feminist writing style in which the female protagonist undergoes an experience of self-discovery and defies the roles that society or custom assign them. The conjecture that her life, as a woman, revolved entirely around family, and that all of the names she mentions are only those of family members, limits the understanding of Ellen and departs sharply from Porter’s writing style. It depreciates her identity as a woman by confining her motives to a simple desire for …show more content…
For example, when her daughter Lydia arrives, Ellen says “my children have come to see me die.” She does not qualify the statement by saying “my children, except Hapsy, have come to see me die,” and while this could have been attributed to her thinking of Hapsy as dead, she had, in the previous sentence, referred to her as alive. Compared to the typical “heterosexist” perspective that many critics take, which “minimize women’s importance by subordinating them to a wish for a man,” Hoeffel’s feminist interpretation of the story is more compatible with Porter’s writing style previous works (Hoefel). It also makes Ellem’s motivations and thought pattern more realistic. Having endured men’s “patronizing treatment of her” and their “inadequacies as providers,” it makes sense that Ellen would have likely “deviated from the conventional norm that views women’s identity as formed and expressed in relation to husband and children” (Hoefel). In need of a confidant, it makes sense that she would turn instead to a relationship in which she was not expected to sacrifice her sense of self, resulting in her more mutually-benefitting companionship with Hapsy. This perspective dramatically changes the meaning of the story, making it no longer a “tragic story… of a woman’s jilting by one man” or coming to terms with a false sense of religious security (Hoefel). It focuses, rather, on the positive impact of a symbiotic friendship on a woman’s life in contrast with the self-effacing roles that she originally thought were the key to
"Jane," is a romance fiction story written by Mary Roberts Rinehart. In this story, we come across a female protagonist who displays the characteristics of a typical woman during the War period. This story has been analyzed by different literary critics as they try to describe the different point of views this story can lead one to believing. Jane shows qualities that can lead one to believing that she is hysteric, thus creating the theme of hysteria in relation to the domestic sphere. In contrast to this, Jane eventually breaks off from these norms and goes against the concept of angel in the house.
Ellen knows and is determined that she deserves better than the terrible living conditions under where she is suffering. The determination strengthens Ellens will to overcome the misery as she knows she can’t help herself. Racial identities is also a major theme in this book. Throughout the book, Ellen struggles to find her place between racial problems that have been made in her by society. “Sometimes I even think I was cut out to be colored and I got bleached and sent to the wrong bunch of folks.”
“The Jilting of Granny Weatherall” written by Katherine Anne Porter, is about a grandmother who is in denial that she is about to die. And “A Good Man is Hard to Find” written by Flannery O’Connor, is about a family that goes to visit family in Tennessee but are brutally murdered before they get there. These two stories share many similarities and differences in both the characters, and conflict.
The worst bearing of both Rowlandson and Equiano has to face was being separated from their own love ones. Rowlandson was separated from her family and relations when her village was attacked then eventually lost her only child that was with her. Nevertheless, Equiano also endured tormented pain when he was parted from his sister while she was the only comfort to him at once. He was a young boy in a fearful atmosphere with nothing to convey a positive perspective. “It was vain that [they] besought than not to part us; she was torn from [him], and immediately carried away, while [he] was left in a state of distraction not to be describe”.
Throughout Janie’s childhood, her grandmother taught her the proper attitudes and actions of an African American woman from a noble, loveless marriage to housewife duties shaping Janie into a refined and confined woman. Her grandmother attempts to instill certain morals and values of women that Janie feels are hindering her from living a life she wants. Her grandmother wants to impart wisdom and love to Janie and her future by making sure Janie is well taken care of when and after she dies. For example, Janie’s grandmother thinks getting married without love and taking care of the house is a perfectly fine and respectable life, but Janie feels ironically imprisoned and enslaved in the house and to the man her grandmother arranged her first
In Sedgwick’s A New-England Tale, Mrs. Wilson is the classic representation of a novel’s antagonist, especially in regards to how she treats protagonist, Jane Elton. However, it is the parenting, or lack thereof that has the greatest impact on the lives of Elvira and David Wilson, who despite being prohibited from engaging in sinful behavior, do just that. Sedgwick demonstrates that Mrs. Wilson’s salvation may have given her an authority over others, but when she failed to teach her children the ways of the Lord, her responsibility abandonment led to her children’s act of sin.
From the publication of East of Eden to today the rights and empowerment of women have escalated exponentially. Women are no longer obligated to follow the nurturing mother ideal; they can be independent and strong. Then, in the novel, East of Eden, some believe the author oversimplifies his female characters by filing them into either traditional, caring mothers or heinous villains. However, Steinbeck utilizes their simple, one-dimensional archetypes to show how complex his female roles truly are through subtle details.
Many modernists were inspired by the Civil War, WWI, and the Great Depression to introduce a new theme into literature. This theme consisted of the stream of conscious, and hopelessness. A short piece that has both of these themes is “The Jilting of Granny Weatherall,” by Katherine Ann Porter. Porter’s short story compared to many other modernistic pieces during the modernist time period. A terrific comparison to this story is the story “Rose for Emily” by William Faulkner, which also has both the stream of conscious and hopelessness as themes.
Her obdurate rejection of the 1900’s misogyny, racism, and classism intrigues all those around her, sparking an obtuse hatred and fear among her neighbors. However, amidst the antipathy, love and camaraderie infuse itself into the town’s identity, “They began to cherish their husbands and wives, protect their children, repair their homes and in general band
Ellen knows that she is not going to live with her abusive father forever, she believes that she will find a loving family that will take her in and a place to call home. When Ellen goes to Church she notices a foster mother with many children. “I went to church and figured that the woman with all the girls lined up by her had to be the new mama for me and then I looked up and thanked the lord for sending me that dress. I said I look like I am worth something today and she will notice the dress first and then me inside it and say to herself I sure would like to have a girl like her”.
“The Jilting of Granny Weatherall Analysis” In the short story, “The Jilting of Granny Weatherall, Katherine Anne Porter uses rhetoric and diction to guide her audience into discovering Granny’s conscious state of mind, accounting for the various situations that over time made her bitter. Granny Weatherall fears her upcoming death, so she attempts to gain authority over her situation by controlling her doctor and her daughter, Cornelia, her primary caretaker. Granny imagines Cornelia as a little girl, as she is in more control of her life contrary to the situation she is in currently. Granny persistently pursues to belittle her illness to prove that she still has youth.
In “The Jilting of Granny Weatherall,” Porter uses multiple allusions to three of Emily Dickinson’s poems to show the change from total, unwavering Christian faith, to the absence of Jesus as Granny dies. In the story, Porter describes Granny stepping into a cart, whose driver Granny knew by his hands, and whose face she did not have to see, because she “knew without seeing” (Porter). This scene is almost identical to the scene in Dickinson’s “Because I could not stop for death-.” This allusion aids in conveying the Christian idea of death as Granny has come to accept it: a tranquil figure, Death, calmly and peacefully carries one’s soul to an eternity where centuries feel like days.
Though religion is a very important theme in Rowlandson’s narrative, another theme that s reflected in it is the role of women, similar to Anne Bradstreet’s theme. The female role of maternity is rehashed all throughout the narrative as Rowlandson mediates over her kids. She is delineated as caring to her most youthful, Sarah, until her death where upon her misery as a mother permits her to act strangely for her society; “‘at any other time I could not bear to be in the room where any dead person was, but now the case is changed; I must and could lie down by my dead babe” (Rowlandson 275). She also reflects that, “I have thought since of the wonderful goodness of God to me in preserving me in the use of my reason and sense in that distressed time” (Rowlandson 276). Then she even quickly considered departure, probably death, from what could be saw God 's will brings home her trouble at the opportunity to the reader, however her overcoming such a trial is the thing that takes into consideration her proceeded status.
The play An Ideal Husband was written by Oscar Wilde in 1895 in England’s Victorian era. This era was characterised by sexual anarchy amongst men and women where the stringent boundaries that delineated the roles of both men and women were continually being challenged by threatening figures such as the New Woman represented by Mrs Cheveley and dandies such as Lord Goring(Showalter, 3). An Ideal Husband ultimately affirms Lord Goring’s notions about the inequality of the sexes because of the evident limitations placed on the mutability of identity for female characters versus their male counterparts (Madden, 5). These limitations will be further elaborated upon in the context of the patriarchal aspects of Victorian society which contributed to the failed attempts of blackmail by Mrs Cheveley, the manner in which women are trapped by their past and their delineated role of an “angel of truth and goodness” (Powell, 89).
Kingston’s mother exposes the story of her aunt to her as somewhat of a warning. Kingston’s mother explains to her how crucial it is to understand that what she does as a woman in their society is looked upon closely