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Analysis Of The Movement Of The 1950s

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There have been several controversies and debates regarding the existence of the Movement of the 1950s. However the Movement has been of considerable importance in a sense that it has established a break from earlier traditions of poetry and produced works of enormous importance. The first part of the chapter analyses The Movement as an important progression of the British Literary Scene of the 1950s, analyzing its characteristics, differences with its predecessors, its tradition and it being an important progression in English literature. The second part of the chapter looks at Elizabeth Jennings’ role in and out of the Movement. The Movement: Ideally the title should be like the signboard of the shop which signifies the contents sold in a shop. Similarly the group title must signify the theme, the work or qualities, sensibilities, of a particular work, trend or age. Writers of the 1950s are given a group identity for a short period of time under the title as Movement writers. In a general sense movement is a group of people with common object. However in the present study The Movement refers to the particular Movement of the 1950s with a definite group of poets, characteristics, specific aims and manifesto, and its identity as an important document in literature. There were two anthologies of the Movement: Poets of the 1950s by D.J.Enright (1955) and The New Lines (1956) by Robert Conquest. He described the connection between the poets as: “little more than a negative

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