A boat no bigger than a bathtub; the danger and uncertainty of a powerful, unrelenting sea; and four men who have nothing but each other to rely on in their quest for survival. This sounds like the plot of a thrilling, dramatic tale – and it is – but Stephen Crane’s “The Open Boat” is more than that: it is a retelling of Crane’s own brush with death and a stark consideration of the meaning of life. Stephen Crane was the youngest of fourteen children born to Johnathan and Mary Helen Crane. His life – although typical of the time – is marked by loss: his father died in 1880 when Stephen was only nine years old, and seven of his siblings had died by 1892. Stephen came close to death himself, while reporting on the Cuban Revolution in 1897, the …show more content…
At first, it seems as if the ocean and its inhabitants are the men’s foes, threatening and sabotaging their chances of survival. Birds – described as “sinister”– fly about the boat and one even darts around the captain’s head which causes him to worry that the dinghy will capsize if he shoos it away. Crane writes that the men find the birds to be “…gruesome and ominous” (422.) Later, a shark begins to follow the boat, cutting through the water like a “monstrous knife” (424.) Throughout the story, Crane writes about the sea itself as if it were an angry, deliberate entity with waves that “snarl” and “hiss” (Presentation: Major Themes in The Open Boat.) One would think these forces were working together to thwart the men’s successful return to shore; as time goes on, however, the men realize how utterly indifferent nature is to them and their plight. The birds fly away, the shark grows “bored” with following them, and the once “monstrous” waves no longer frighten the men in the same way (426.) The men come to understand that mother nature – and her seas, and birds, and sharks – is not an active participant in their struggle, but rather a force that will continue on irrespective of the goings on around
The nonfiction novel Into the Wild by Jon Krakauer retells the bemusing true story of wealthy, free spirited Chris McCandless; also known by the alias “Alexander Supertramp”; who abandoned all his possessions and trekked across America, eventually starving to death in the Alaskan wilderness. Krakauer goes to great lengths to explore McCandless’s background and motivations, interpreted as both foolishness and moving determination. This piece intends to visualize that interpretation, showing both the poetic tragedy and frustrating avoidability of McCandless’s demise. The raging ocean, in shades of green rather than the usual blue, represent the indifferent, greedy wilderness that McCandless ventured in to. It’s chaos in ink matches its chaos
In “Nightwatch”, a chapter of the novel Pilgrim at Tinker Creek, Annie Dillard guides the reader through an experience with migrating eels, creates vibrant mental images, and involves the readers with her own thoughts. This is all accomplished through the use of rhetorical strategies, namely diction, figurative language, syntax, and imagery; these elements culminate in Dillard’s intense, guiding tone that involves the readers with the eel experience. Diction is vital to creating Dillard’s fervent and guiding tone throughout “Nightwatch.” The use of gruesome and detailed words like “milling… mingling” and “seething… squirming, jostling,” causes the reader to erupt in silent shivers.
Everyone has objects and items in their life that hold a deeper meaning to them than what meets the eye. These objects often insignificant to everyone else means so much to you. These pieces symbolize to much more than just the items is itself. They hold memories of your past, current ideas, or insight of the future, and some may symbolize so much more. In the short stories “Janus” and “The Boat”, the authors explore the use of symbolism to give deeper insight into the lives of the protagonists.
In both 'Storm on the Island' by Seamus Heaney and 'Ozymandias' by Percy Bysshe Shelley, the power of nature is a central theme. Despite the contrasting contexts and settings of the two poems, both poets explore the immense force of nature and its ability to challenge human power and dominance. This essay will analyze and compare how these poets present the power of nature in their respective works, considering the use of language, imagery, and structure to convey their ideas. The poem 'Storm on the Island' by Heaney portrays the might of nature as a formidable and perilous force. The setting of the poem is on a remote island where the inhabitants are bracing themselves for an impending storm.
MDG In the short story, “The Most Dangerous Game” by Richard Connell, Rainsford is on a boat out in the middle of the sea with his friend Whitney that are going on a hunting trip together. While there out a storm comes and Rainsford is smoking a pipe and it falls out of his hand and he leans over and tries to grab it, but instead they hit a rough patch and ends up and falling in the deep shivering sea. Rainsford struggles to stay afloat, he watches as the boat slowly disappears until he can't see it at all. Rainsford ends up and finding himself on a little island where he meets General Zaroff.
The men fish and the women collect sea weeds as fuel from it. The same sea also causes their tragedies by taking their lives and the people struggle for survival and submit hopelessly to the uncontrolled natural force, the sea. Thus it is also a giver and taker of
The shark represents man vs nature throughout the whole story up until the end. From the very beginning of both the film and novel, it starts off looking through the shark’s perspective. The novel’s intro gives some exposition about sharks, including one important definition about anoxia: “Once, if ever, it stopped, it would sink to the bottom of the ocean and die of anoxia” (Benchley 3). This definition not only acts as exposition, but also foreshadows how the shark eventually dies in the end of the novel. After the expository phase of both the movie and novel, the shark attacks its first victim--a drunk woman named Crissy.
All stories have important conflicts, but not all stories have three essential conflicts. In “The Most Dangerous Game” by Richard Connell, Sanger Rainsford faces many conflicts. Such as Man vs. Man. This is necessary to the plot of the story. Man vs. Nature, another substantial plot line which Rainsford must face.
As Santiago returns, he encounters more dangers. Desperately protecting his catch, Santiago defends himself and the marlin, from sharks. In vain, Santiago returns home, with a skeleton, except for the head and tail of the marlin. In Ernest Hemingway’s “The Old Man and the Sea”, Santiago faces the trials of becoming a fully
Brian Doyle is the author of The Wet Engine, which is a novel that includes the short story, “Joyas Valadoras.” His works were inspired by his child, who is missing a chamber of his heart. This story uses metaphors about whales and hummingbirds to show how all people have one similarity despite their many external differences. In “Joyas Voladoras,” Brian Doyle suggests that experiencing pain and hardship is an inevitable part of life.
The Open Boat This story makes clear one more times the idea that nature is ultimately indifferent to the human condition, possessing no consciousness that we can understand. The reality of nature’s lack of concern for human beings is becoming increasingly clear in The Open Boat, by Stephen Crane. The oiler’s death and lack of explanation surrounding it reinforce the randomness of nature’s tricks and symbolize the indifference of nature toward man.
There are many whales in the sea, but this particular whale called Moby Dick is the desirable catch for the whalers and captain due to its legendary proportions. In the novel, Moby Dick, it offers an allegorical story of humanity’s dangerous search for meaning. The monstrous, white whale represents that “meaning” humans have been hunting for their entire lives, but at the end one will discover that one can do so much but still end up not finding their answer. The entire plot to Moby Dick is directed towards the final confrontation between Ahab, his crewman and the White whale. At the end, the whale wins the fight and the rest of the crew on ship all die, demonstrating the fact that the whale cannot be defeated, hence signaling how the laws
A sail!” (line 160-161). The Mariner decides to cause himself harm to save himself. This is an example of the psychological pain pleading into the physical so it can feed into these mirages. This is also nature playing tricks on the Mariner for his cruel punishment toward the Albatross.
The novel, The Old Man and the Sea, is a story about an old man, Santiago, who experienced great adversity but did not give up. The author, Ernest Hemingway, describes how an old man uses his experience, his endurance and his hopefulness to catch a huge marlin, the biggest fish he has ever caught in his life. The old man experienced social-emotional, physical, and mental adversity. However, despite the overwhelming challenges, he did not allow them to hold him back but instead continued to pursue his goal of catching a fish with determination. Santiago’s character, his actions and the event in the novel reveals an underlying theme that even when one is facing incredible struggles, one should persevere.
Hemingway presents the elements of failure and suffering in The Old Man and the Sea by depicting several instances of suffering and failure which the Old Man, Santiago, has to go through throughout the course of the novel. According to Hemingway, life is just one big struggle. In the beginning of the novel itself, The Old Man, is presented as a somewhat frail old man who is still struggling with his life as well as his past failures. His skiff even had a sail which bore great resemblance to “the flag of permanent defeat”, with its multiple patches all over.