Analysis Of The Woman Warrior: Memoirs Of A Girlhood Among Ghosts
Traditions are that of old family tells and stories from our grandparents and great grandparents, as they get passed on to generation after generation they tend to develop and modify to help aid who the stories are being told to and allow that person to benefit from them as the situation develops. This is very common in most ethnicities, however in the Chinese tradition it is important to listen and follow these talk-stories as their elders are telling them. In the memoir, The Woman Warrior: Memoirs of a Girlhood Among Ghosts by Maxine Hong Kingston, Kingston establishes a relationship between silence and finding ones voice through the talk-stories and Chinese traditions she encounters that truly forms her perspective on finding her own identity as a Chinese American. In the beginning of the memoir, Kingston started off with a story about her father’s aunt that had brought disgrace to his side of the family and to which they now no longer speak of her. Furthermore, Kingston’s mother begins to explain in detail of how her aunt committed suicide along with killing her own newborn. Her mother started the story by first saying, “You must not tell anyone.” (Kingston …show more content…
As Kingston was able to realize what she wanted to do in her life she broke or tried to break from the Chinese norms. From the article, The Woman Warrior: Claiming Narrative Power, Recreating Female Selfhood by Joanne S. Frye, “Kingston attempts resistance by trying to deny her femaleness, especially by breaking the established codes for female behavior: achieving academic success, behaving clumsily, breaking dishes, refusing to cook.” Kingston understood from a very young age that she would not be silent, that she would find her voice and do something with her life to make it
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433 Words | 2 PagesKingston has rarely seen independent woman and they seem to be very happy every time she’s encountered one. Kingston dreams of one day being able to be like the happy independent woman in the pictures. “A job and a room” seems so simple, but in a life where Kingston is told she can be a wife or a slave this seems like quite the luxury. In another example Kingston, through Fa Mu Lan, reveals how one’s life is more fulfilling if he or she defies the gender norms. In “White Tigers,” Fa Mu Lan is preparing to leave to war as she “[puts] on my men’s clothes and armor and tied [her] hair in a man’s fashion.
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1734 Words | 7 PagesExploring Identity Through Silence: The Role of No-Name Woman in Woman Warrior Maxine Hong Kingston opens The Woman Warrior with the tale of her nameless aunt, a woman who has been silenced and forgotten by her village after giving birth to an illegitimate child, known only as the “no name woman” (Kingston 7). On the night that “no name woman” gives birth, villagers raid her family house to “show her a personal, physical representation of the break she had made in the ‘roundness’” (13). She later commits a “spite suicide” (19), drowning both herself and her child. The No-Name Woman serves as an embodiment of silence that allows the narrator to imaginatively develop her story, as well as her identity.
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101 Words | 1 PagesThe Woman Warrior, Memoirs of a girlhood among ghosts, explores Kingston’s identify formation in relation to her mother and female relatives. Kingston uses the first person to narrate five distinct short stories. Each of them contains a central female character. The unique feature of this book is the rearrangement of the traditional Chinese myths, legend of Fa Mu Lan and Ts’ai Yen. The combination of fantasy and reality is closely intertwined in the stories.
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