Although Capote conveys the Clutters as a simple mid western family, his primary purpose was to display how pivotal the Clutters were to the flow and function of Holcomb’s community, therefore; Capote asserts that everything in life is a chain reaction, nothing just affects one individual.
Murder can be defined as “the unlawful premeditated killing of one human being by another”. How then, are others able to make us sympathize with not only murderers, but people who have committed horrendous crimes? For example, the media is constantly attempting to humanize rapists and even terrorists with phrases like “lone wolf” or “alienated and adrift.” Such phrases make some of us want to pity the criminal. This can be seen when we compare Perry Smith and Dick Hickock from Truman Capote’s In Cold Blood. Capote portrays only one of these two seemingly distinct characters (Perry) in a way that the reader feels the need to relate to and even sympathize with him. One can be taken aback by such an attachment to a murderer. This is not surprising as the author uses his compassionate diction to manipulate the reader’s emotions with a use of pathos, the appeal to emotions. At one point Capote goes as far as to write that “Smith’s life had been no bed of roses,” (Capote 245) attempting to have the readers relate to Perry. On the other hand, Capote has Dick say this about himself: “Deal me out, baby, I’m a normal” (Capote 116). By using phrases such as these, Capote creates an unfavorable impression of Dick and and a biased tone. The same cannot be said for Perry as Capote produces an almost benevolent tone toward him with the help of pathos, “the most powerful appeal” (Noel, 2011).
It all started on the night of November 14, 1959, when two young men came to Holcomb, Kansas. They first came to rob the Clutters, but when finding there was not ten thousand dollars in the house like they were told, they thoughtlessly killed all four of them, for only forty bucks and a little radio. The men were finally caught, but forced to stand on trial with people who already want the two men dead, which puts the town in favor of capital punishment, before the trial had even started. The two young men, Dick Hickock and Perry Smith, were sentenced to the death penalty. The book In Cold Blood, I believe, is for the capital punishment. There were two men who were brutally honest, one saying, “ I believe in capital punishment, it’s like the bible says- and eye for an eye. And even so were two pairs short.” The other man was asked if he was for or against the capital punishment, he response was, “ Ordinarily i’m against it, but in this case no.”
Throughout the whole book, Capote introduces many characters relevant to the murders and the trial. He carefully depicts the personalities of these secondary characters. Capote uses elaborate details to add to the books. The secondary character I found most memorable was Lowell Lee Andrews. Andrews was introduced after Perry and Dick were sentenced to death for killing the Clutter family. Capote begins by describing Andrews as a young, smart, and gentle boy. Andrews had an article written about him entitled “The Nicest Boy in Wolcott” (312). He was enrolled at the University of Kansas, majoring in biology. Andrews was planning on poisoning his family. Andrews stood out when Capote revealed his plans to destroy his family and inherit his father’s estate and money.
Truman Capote, the author of In Cold Blood, creates sympathy for almost every character the reader comes across. Through the use of manipulating the reader's emotions and connecting them to each character, Capote successfully pulls it off. There are four main groups that Capote chooses to create sympathy for the murder victims, the murderers, the law officials involved, and the ordinary citizens of Holcomb, Kansas. Truman Capote created the most sympathy for two characters, Perry Smith and Detective Dewey.
Throughout In Cold Blood, Truman Capote hints at his own opinion of the death penalty, yet lets the readers decide for themselves what they believe Hickock and Smith's punishment should have been. When the murderers are being hanged, a conversation occurs between a reporter and an investigator about what it might feel like to be hanged: "'They don't feel nothing. Drop, snap, and that's it. They don't feel nothing.' 'Are you sure? I was standing right close. I could hear him gasping for breath.' 'Uh-huh, but he don't feel nothing. Wouldn't be humane if he did'" (340). Furthermore, Capote includes the amount of time before Lowell Lee Andrews and Dick Hickock died. From the time of hanging to the time their hearts ceased beating, it took nineteen and twenty minutes, respectively. Also, in preparation for the trial of the Clutter family murderers, doctors did psychiatric evaluations of the pair. Capote includes what the doctors would have said had they been allowed to elucidate during the trial. The evaluations suggest that Hickock and Smith might have been better off in a mental institution. By including the conversation at the hangings, the elapsed time before death, and the doctors' unspoken evaluation, Capote suggests that neither the death penalty nor hanging is always the best course of action for a person's crime. Contrastingly, the opposite opinion is revealed through the character Alvin Dewey in the book. Capote writes about Dewey’s beliefs on the case: “[The Clutter family] had experienced prolonged terror, they had suffered. And Dewey
English is a fascinating and riveting language. Subtle nuances and adjustments can easily change the understanding of a literary work—a technique many authors employ in order to evoke a desired response from their readers. This method is used especially in In Cold Blood by Truman Capote, a literary work which details a true event about the murders of four members of the Clutter family in the small community of Holcomb, Kansas, in 1959. Although Capote’s 1966 book was a bestseller nonfiction and had successfully garnered acclaim for its author, there is still a great deal of confusion about the distinction between the factual and fictional aspects in the book. Much
Although in In Cold Blood, Truman Capote is illustrating the aftermath of the murders, his prime motive is to humanize and create sympathy for Perry; therefore he asserts that the Law is biased and cruel to those who commit crimes.
Perry was born on October the 27th, in 1928. No Perry didn’t grow up in the best home. One technique Capote uses to demonstrate Perry is sympathy. Capote paints Perry in a sympathetic way by using childhood memories to show readers reasons why he is the way he is. “Look at his family!
My entire life has changed due to my kindness. Therefore, should I no longer be kind? Why offer my assistance to others if the outcome is penalization? These questions torment my mind; do I acknowledge what's happening around me, or should I just drive by? All I wanted to do was help people, and now, all I do is suffer. The morning was bleak and tinted with gray—not that I cared. I no longer had a place where I was needed, anyway. The day I lost my job was the day nothing mattered; it was as if the world had reached an impasse, and time would only flow where I wasn’t. How can someone be fired just for aiding those who need it? My thoughts have been embittered. My dreams for my family and I have been shattered. My life has become dulled.
Truman Capote uses variety of language devices to vividly develop Perry Smith in his novel In Cold Blood. These language devices include, diction, similes and symbolism.
After most people hear what Perry has gone through you immediately give him a get out of jail free card right? You think that since he had a difficult upbringing he should be exempt from receiving the death penalty? Although you may think this, this is certainly not an excuse for such a violent act. Throughout In Cold Blood, Capote attempts to portray to the reader that Smith in a way should be exempt from the crime he commited and how one should not blame it on Smith himself, but his psychological background. Specifically when Al Dewey, the head of the Clutter murder investigation, states how the crime was not in fact Smiths fault. Dewey says, “The crime was a psychological accident, virtually an impersonal act; the victims might as well have been killed by lightning. Except for one thing: they had experienced prolonged terror, they had suffered. And Dewey could not forget their sufferings. Nonetheless, he found it possible to look at the man beside him without anger—with, rather, a measure of sympathy—for Perry Smith’s life had been no bed of roses but pitiful, an ugly and lonely progress toward one mirage or another.” Capote is attempting to show the audience how one should feel
Located in a “lonesome area,” the town did not have much to see. All of the local buildings were falling apart; with their chipping paint and “dirty windows” and “irrelevant signs.” The citizens of the dreary town were nice people, everyone knew everyone, and they spoke to each other in an accent "barbed with prairie twang.” The description of this town makes it sound very dull and boring, doesn’t it? Yes. Some of these phrases are used by Truman Capote in his introduction to In Cold Blood. Capote describes the small town of Holcomb, Kansas in this way while using imagery, specific details, and brilliant word choice to take us into the town and experience the story rather than read it.
In the novel, In Cold Blood, Truman Capote chose his words in a subjective manner. Capote inaccurately described many characters in his novel. He based his writing on his feelings and emotions rather than facts and evidence. Capote characterized Richard Hickock, Perry Smith, and Bonnie Clutter falsely.
The non-fiction novel ‘In Cold Blood’ interestingly begins as a fiction novel would-with the author setting up the scene of the gruesome quadruple murder about to take place, unbeknownst to the victims. Capote describes the isolated flatlands of rural Kansas, and introduces the victims and their killers as if they were the main characters of a fictional murder mystery.