His pent up frustration against his mother results in an outburst against Ophelia whereby Hamlet verbally assaults her- “go thee to a nunnery.” Ophelia is also guided by her Id since she desires Hamlet and upon being abused by the latter, she loses her sanity and her will to live, showing the reign of Thanatos, thus, prompting her suicide. Her father, representing her superego, attempts to control her behavior along the lines of morality, but the consequence is rather disastrous as her Id
Shakespeare further portrays men to be the instigators of betrayal, as Hamlet forgets that he ever loved Ophelia. Through, being overcome with intense hatred and anger at his mother, Hamlet denies ever having loved Ophelia, and orders her “to a nunnery”. It is Hamlet who instigates such betrayal, as he previously says “My fair Ophelia- Nymph” through “Nymph” Hamlet is describing Ophelia as a beautiful maid, thus highlighting his love for her. Yet, his attitude thereafter is considerably callous, as he continually questions Ophelia on her “honesty”. The continual questioning reflects that of a grueling and in part contributes to Ophelia’s later madness.
In the final scene of Hamlet, Hamlet says “Being thus be-netted round with villainies, -- Ere I could make a prologue to my brains, they had begun the play” (Shakespeare 131). Hamlet ironically thinks to himself as a character in a play because he is so melodramatically self-conscious. By adding this sense of paradoxical exposure, Shakespeare shows his effort to foreground the fact that the audience is watching a play within the play. Since Hamlet is such a rich character, Shakespeare’s work shows how he has something within him goes beyond what a play is capable of representing. This leads to a tension between the superficial reality of Hamlet’s awareness and the endless cues that he is a walking shadow.
For example, Ophelia’s brother, Laertes, and father, Polonius, forbid her from seeing Hamlet because Hamlet is a prince and is ought to marry a princess; Laertes describes Hamlet’s love to Ophelia as, “Forward, not permanent, sweet, not lasting, The perfume and suppliance of a minute-No more” (1. 3. 8-10). Ophelia obeys to her father and agrees to stop seeing Hamlet, which portrays her as emotionless toward Hamlet. However, throughout the conversation, she resists and insists that she loves Hamlet.
Here Juliet means that when she learned Romeos name it was too late, she has fallen under a spell of love. There are a few negative thoughts about Romeo and Juliet’s forbidden relationship. Friar Lawrence even warns Romeo to be careful about the marriage of him and Juliet “These violent delights have violent ends” (Shakespeare 856). Friar means that this is a marriage between these two families filled with hatred along with this history between them, the happy couple won’t last for long, and surely this will end badly. Romeo is impulsive, not only when he kisses Juliet, but also when he talks to Tybalt “Tybalt, the reason that I have to love the doth much excuse the appertaining rage” (Shakespeare 865).
A Raisin in the Sun To be prideful is human nature, even when it hasn't been earned. Being proud of who you are and what you have accomplished is an important part of everyone's life, but sometimes we are prideful without something to be proud of. This kind of pride is shown in the play A Raisin in the Sun by Lorraine Hansberry through the character Walter Younger. He enters the play with a false sense of pride in being a man, despite the fact that he is a chauffeur who is struggling to support his family. Throughout the plot, he struggles with acceptance of his social status and economical situations, but ends up achieving true fulfillment in simply being proud of who he and his family are as people with aspirations.
These statements both are saying that Shakespeare knows that he is breaking promises to possibly himself, his religion and others, by loving a married woman. Though he cannot put all the fault onto her, because his vows to love her were only there to exploit the love she was physically giving him. In connection to Shakespeare’s sonnet, Amy Winehouse’s You Know I’m No Good, she is singing about how she is the one in the committed relationship, yet cannot seem to stay loyal to her significant other. Winehouse may love him, but knows that she is not good for their relationship. In her chorus she sings, “I cheated myself / Like I knew I would / I told you I was trouble / You know that I 'm no good” (9-12).
Whether the Friar realizes it or not, he has just done something terrible that only strengthens the bond of these two lovers. This leads to several deaths along the way. This bond between Romeo and Juliet, fortified by Friar Lawrence and his hubris, causes a serious issue when Tybalt, Juliet’s cousin, challenges Romeo to a duel. Romeo refuses to fight as they are now family by marriage and says, “… But love thee better than thou
By the end of act 1, we know that Polonius wants Ophelia to protect her “honor” (or what was considered honor way back when) by rejecting Hamlet’s advances. In trying to occupy the role of the hero, Hamlet freaks and scares Ophelia by acting super awkward. Ophelia tells her dad, who thinks she must have done something to make Hamlet act really creepy. Ophelia says she “did repel his letters and denied his access [to her]” (2.1.110-111). Honor can meet lots of things, but in act two of Hamlet it’s mainly about Ophelia’s
The strong effects of love makes Helena a bit foolish and blind in the ways she reacts to it. In scene one of act one, the readers learn that Helena still loves Demetrius even though he loves her friend, Hermia, now. When Helena is first introduced, she demonstrates her jealousy and insecurities by asking Hermia for some of her beauty to win Demetrius back. Hermia and Lysander inform her that they are running away, and that Helena will be able to have Demetrius since he will never see Hermia again. Once Hermia and Lysander leave, Helena gives her soliloquy which reflects the mood of anger and jealousy; she also talks about how she’s going to tell Demetrius the two lover’s plans, so that Demetrius will love her again.
And another part of him couldn 't help but wish de Foix was his father, as he had first thought. There was also a small part of him that wished he hadn 't grown up in the Court of Miracles but in a safe and happy home with a loving family. However, a much larger and rational part of him was grateful and accepting of the man his childhood had helped him become. If he had grown up privileged and as the heir of Belgard, would he be the man he is today? Even so, Porthos had to admit he wasn 't pleased with his own behaviour these past few days.
Throughout the internationally acclaimed novel, Romeo and Juliet, William Shakespeare conveys the theme of young love fabricating an ill-advised notion. First of all, Romeo and Juliet’s family and friends dislike one another, presuming a strenuous relationship. Furthermore, Romeo and Juliet constitute irrational decisions due to their spontaneous intimacy. From the beginning, the novel clearly demonstrates Romeo and Juliet’s family’s disgust for one another. Romeo and Juliet’s family animosity foreshadows difficulty for the young romance.
Claudio and Hero fall into a young love that they fall into easily. However, due to their lack of trust, suspense is built to sustain a plot. Just as the problem arises quickly, the complication is resolved just as simply with the marriage of the young lovers. Throughout the play, the relationship between Beatrice and Benedict serve as a comedic relief. There snarky replies are well crafted such as Benedict’s view on Beatrice’s replies: “she speaks poniards, and every word stabs: if her breath were as terrible as her terminations, there were no living near her; she would infect to the north star.” In the final act, audience find compassion that Benedict and Beatrice hate relationship settles to a love relationship.
Lady Macbeth in the beginning of the play is manipulative, most of the times she manipulates her husband into doing either what she wants or what she thinks he should do. For example, when Macbeth does not want to kill Duncan anymore, Lady Macbeth convinces him by saying “from this time such I account thy love. Art thou afeared to be the same in thine own act and valor as thou art in desire? (I.vii line 38-41). Besides, the audience see Lady Macbeths is influencing her husband’s feelings by she is using her love as a weapon because she is saying do it or I will not love you.