Zora Hurston uses vivid imagery, natural diction, and several literary tools in her essay “How It Feels to Be Colored Me”. Hurston’s use of imagery, diction, and literary tools in “How It Feels to Be Colored Me” contributes to, and also compliments, the essay’s theme which is her view on life as a “colored” person. Throughout “How It Feels to Be Colored Me” Hurston carefully incorporates aspects of her African American culture in an effort to recapture her ancestral past. Hurston’s use of imagery, diction, and use of literary tools shape her essay into a piece of Harlem Renaissance work. Imagery in “How It Feels to Be Colored Me” is quite abundant. The most evident use of imagery is recorded in lines 76-94. Lines 76-94 describe Zora Hurston’s
Drenched in Light by Zora Neal Hurston is a short story that recounts the life of Isis “Isie” Watts who is a gay young girl living in Florida with her strict Grandmother. Isis, who finds joy in sitting on the fence post waiving to passers-by and frolicking with the dogs seems to get into trouble at every twist and turn in the story by her Grandma Potts. Isis even finds herself getting in trouble doing the very things Grandma Potts told her to because she just can’t seem to sit still. “Isie, you get set on dat porch! Uh great big ‘leben
The artwork Untitled: Four Etchings by Glenn Ligon contains an immense amount of depth and symbolism using Zora Neale Hurston’s famous depiction of her relationship with racism. In his piece, Ligon utilizes a unique style of texture through his portrayal of the noteworthy phrase “ I do not always feel colored… ... I feel most colored when I am thrown against a sharp white background,” (Hurston). As one looks from the top of the image down, there is an extremely noticeable transition in the texture of the words from clear, smooth letters into letters that are blurry and smeared.
Both Hurston and Fisher were known for their use of cadence and their ability to capture the heart of African American speech. In "The Caucasian Storms Harlem," Fisher uses unique language to create an authentic portrayal of Harlem life. Similarly, in "How it Feels to Be Colored Me," Hurston uses vivid imagery and descriptions to bring her personal experiences to
In Zora Neale Hurston’s short story “Sweat” and her essay “How It Feels to Be Colored Me” the African American social group is being represented in many ways. The texts have similar ways that African Americans are represented for the time period. The African Americans or “colored people” are represented in an aspect that comes from the author's point of view. The African Americans are represented as being unbothered, growing up in a closed community, playing the game with whites, and optimistic.
Hurston concludes the story by simultaneously reaffirming difference and rejecting it. She points out how the same difference is apparent when a white person is "thrown against a colored background. " The final paragraph states Hurston's belief that everyone is more than their race. She rejects difference by pointing out that aside from her race, she is an American just like the white people she used to watch pass through her home
“Sweat” by Zora Neale Hurston was posted on January 21, 2013 by Biblioklept. The short story contained a plethora of different literature tools in order to grasp the audience's attention. The main topic that will be addressed in this essay is Hurston’s use of a adage. Moreover, adage’s are short statements that convey the general truth of certain situations. Specifically, the phrase “what goes around comes around” is an example of an adage and also a recurring theme of the storyline.
Zora Neale Hurston portrays the transformation of darkness to light as Janie maturing into a woman. In this passage, Janie was finishing sharing her entire life story to Pheoby, her best friend. Pheoby acknowledged the reality of Janie’s story and “hugged Janie real hard and cut the darkness in flight.” The darkness was Janie’s guilt and shame from her youthful past. Janie finally could escape the shadows when she became truthful of her past and now there is room for light.
Harsh stereotypes created misjudgment and tension throughout society, which demonstrated that there was a departure from the Harlem Renaissance, as seen in Zora Neale Hurston’s
The essay “The Negro Artist and the Racial Mountain” by Langston Hughes applies to my reading of the novel, because it gives a lot of context for Hurston’s purpose, the characters, and their actions. My understanding of Hurston’s purpose for this novel was made much more clear, because I could finally understand what type of image Hurston was trying to portray for black folk. She clearly wanted to show how they too are human, and how they make mistakes. Janie is not perfect, and by portraying all her highs and lows, she showcases how black people are similar to whites in that they face the same problems. Rather than having her compare herself to people of the opposite color for the entire novel, Hurston makes Janie despise things about her
Zora Neale Hurston shares her experience from moving from an all-black community into a mixed racial community, in her essay entitle, How It Feels to Be Colored Me. Within Hurston’s essay, she exclaims that she was aware of her racial identity, however, no behavior or outcomes came into her view whilst she was exposed to the same race, only until she realized when she was exposed to other races and saw how she was treated and viewed differently. To put it another way, she grew up familiarized by her neighbors, and when she came into contact with outsiders, she realized how they displayed different behavior towards her, from this, she realized there is a boundary made from color. Supporting this claim, Hurston asserts that “they liked to hear
In Zora Neale Hurston’s Their Eyes Were Watching God, the long-lasting effects of slavery have taken a toll on Janie Crawford. Janie’s grandmother was raped by her master and had a child named Leafy. Leafy, although not born into slavery, endured a similar fate, which led her to run away, leaving her mother to raise her child, Janie. Janie’s appearance, showing strong European features, was both praised and shamed by society. This double standard was created by racism and was able to remain present due to segregation.
The empowerment of black women wasn 't present in the Harlem Renaissance and in this novel it shows the empowerment of black women. Zora Neale Hurston’s writing in Their Eyes Were Watching God, departs from the Harlem Renaissance through the common recurrence of black women
The rhetorical aim of expression is understood in the first paragraph because Hurston begins in first person: "I am colored but I offer nothing in the way of extenuating circumstances except the fact that I am the only Negro in the United States whose grandfather on the mother's side was not an Indian chief" (12). Hurston does not stray from first person as she continues to express from personal experiences throughout her life. She concludes the essay by questioning "who knows" about the "Great Stuffer of Bags" (15). In Hurston's conclusion, she compares colored people with paper bags. Hurston's essay is effective because (1) she succeeds in organizing her experiences with a common phrase starting the beginning of her paragraphs and (2) Hurston effectively narrates each experience with imagery and literary devices.
Empowerment Through Hardships In the heart of the Harlem Renaissance, Zora Neale Hurston once said, "I am not tragically colored. There is no great sorrow dammed up in my soul, nor lurking behind my eyes. I do not mind at all. I do not belong to the sobbing school of Negrohood who hold that nature somehow has given them a lowdown dirty deal and whose feelings are all hurt about it.
In the 1900’s African Americans were still not experiencing the freedom that they were expecting. Langston Hughes was one of the most successful African American writers during the Harlem Renaissance who wanted to make a difference. Langston Hughes conveys the same central idea through two unique poems. The central idea that Langston Hughes portrays through “I Too”and “Dream Variations” is that we are all the same inside, no matter the color of our skin. “I Too” written by Langston Hughes, during The Harlem Renaissance, depicts that African Americans during the 1920’s are still being persecuted even though they are supposed to be free.