Ananda Temple in Pagan
While thousands of visitors flying to Burma every year to see the dazzling pagodas, shrines, and stupas, the Buddhist architecture in Burma is known to more and more people around the world and opens a gate for those interested to explore more about its culture and origins. Bagan as the earlier capital of Burma houses over 10000 Buddhist temples, pagodas and monasteries; with its complexity in political and cultural contexts, it is of great value to study and compare different Buddhist temples in Pagan. Therefore, this essay mainly focuses on the significance of Ananda Temple as it is in the transition state between Early Pagan Period and Middle Pagan Period. This essay also analyzes how Ananda influences other later
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It also served as a medium for King Kyanzittha to promote Buddha’s teachings and educate people of Theravada Buddhism. Ananda Temple is the transitional temple type as it denotes “the end of Early Period and the beginning of Middle Period.” Its uniqueness also exhibits the ambition and motivation of the King to use religious beliefs to unite people under Buddhist doctrine.
First, Ananda Temple’s transitional feature lies in its brighter interior with the enhanced design of base wall windows. Like other temples in the Early Period, Ananda is a single-storey building. However, the exterior base wall has two rows of window openings, which produces an illusion that there are two storeys. Furthermore, the builders removed the lattice fillings that are used in early Mon temples in the two rows of windows, so that it allows more light to shine through and makes the interior brighter. The cross passage between the outer and inner ambulatories has the same openings as the outer ambulatory, so it offers visitors an unexpected view of the interior. The reason is that King Kyanzittha wanted the educational programme of relief sculptures in the outer ambulatory outer wall to be seen in a good light because he believed the impact art could propagate his religious faith to reform. The inner ambulatory still follows previous temples’ concept,
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It is the best-preserved temple at Pagan and stores about 1500 images both on the exterior and the interior. In the corridors between ambulatories, there are over 1000 large sandstone images carved in high relief kept on seven levels of niches above the ground, illustrating events from the historical Buddha's life.The rich collection of Buddhist images in the Ananda temple demonstrates the great devotion of King Kyanzittha in Theravada Buddhism.
In addition, Ananda Temple is also unique in its glazed Jataka plaques. This is the only gu-type temple at Pagan that has a complete glazed set of Jataka plaques. It is a bold try for the ceramists at that time to glaze on sandstone. This extraordinarily bold step King Kyanzittha took demonstrates his firm belief in Theravada Buddhism and his determination to convey Buddhist doctrine to his people in a unique visual
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In class we talked about many issues surrounding the Etruscans and our understanding of Etruscan societies based off of the ruins and artifacts that they left behind. At one point during class we discussed how temples were often built to accent a natural feature such as a stream, river, or a hill. We also discussed the differences between scared and non-sacred boundaries in Etruscan societies. I would like to look back on these discussions for a moment and contribute some new thoughts that I hadn’t necessarily worked out earlier In both the Edlund and the Warden articles they discuss how in Etruscan society everything was sacred and under “divine protection” and that there was no division between the divine and the earthly.
Religions have existed for millenniums, cultivation and sculpting the old world into what it is today. Each religion is unique in its own sense, meaning that each religion is its own mix, it’s own jam. Every one of these jams, or religions, have been spread across nations. Some jams are smooth like butter, finding easy acceptance and even easier assimilation, whereas some jams are chunky and laden with difficulties. Buddhism’s jam was one of interesting circumstance, containing a vary of smooth and chunky consistency.
The viewer probably does not see the pillar as it was originally intended because part of the top seems to be missing, and creates an uncertainty to what the entire story could have been. Quite possibly, the separation of the pillar from its original location may have tampered with the artist’s original expression or intention when they first erected the pillar. Perhaps, it was one piece of a greater whole. The pillar is about a meter tall and a foot wide. The story can only be seen on one side of the pillar.
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The role of Buddhism in the rise and fall of the Silla Dynasty Unified Silla came into being through a procedure of expansion that was territorial in nature. (Yi) It was necessary to develop an extended system of local government and provincial as well. The provinces were the basic units in the governmental administration of Unified Silla. The countries were further divided into villages and settlements for those with un-free status.
At the temple, people would sing hymns, make prayers and make sacrifices and offerings to the gods. Art and
Within the Hmong culture there is great emphasis on symmetry, balance, and complementary sections in bodies, society, and cosmos. Additionally, the soul must be kept in balance to maintain good health; sadly, the soul of Lia was not kept in good health which lead to severe, poorly-treated epilepsy. The medical mistakes and lack of precise communication ultimately lead to an untimely death of Lia; however, between both parties dealing with Lia’s epilepsy, the severity of her illness could have been prevented if both parties took Eliade’s perspective on sacred space into account during treatment. Sacred space, in terms of Eliade’s perspective, is one of the most critical, cherished topics that defines his paradigmatic model for religion. The
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The lifestyle of the Nankani has a profound influence on the art that is produced. These influences include the physical environment, the agrarian customs and the general Nankani culture itself. Hence, the Nankani Compound in Sirigu, Ghana, in its art celebrates all that is important to their life and this is shown (the same) on their pottery, baskets, their homes and even on the skin thus cementing cultural identity. Each design is symbolic of some aspect of their culture. These mural decorations, function as an interpretational art piece of the community and is therefore, very highly
Architecturally, it is a large white building with small orange domes that surround the central dome. To access the sacred space within the temple, one must first take off his or her shoes, and walk up a flight of stairs to the information desk on the left. After speaking to the priest at the desk, visitors to the temple are offered an informational pamphlet with descriptions of the sixteen deities displayed and welcomed to experience the many rituals that are performed daily. The sacred space is a lofty white room that lets in much natural light through a series of windows adorning its right and left walls. Unlike the Hindu Temple of Kentucky, deities in the Cincinnati temple do not have separate shrines, but are instead displayed under an elaborate central shrine that stretches across the length of the room.