In this book Jamie James discusses Pop Art providing illustrations from various artists of the art movement. In addition James explores Andy Warhol’s artworks linking the printing process to symbolic meanings of mass consumption and consumerism evident in his art. Furthermore, James examines Warhol’s fascination with particular celebrity icons that are frequently depicted in his work. Marilyn Monroe, Jacqueline Kennedy and Elvis Presley are among the reoccurring subjects studied during Warhol’s career. James highlights the “conceptual equivalence” between celebrity and commercial products, stating the similarities between the concept of ‘celebrity culture’ and Coca Cola. Printing methods utilized by Warhol are understood as being synonymous
Not only is he an innovative artist he has an analytical nature that led him to question artistic processes from history. His theories about the use of technology in aiding realistic painting give a different perspective of art history. Artists have always had strong opinions about the use of technology in aiding their artwork. Some do not see the art created as a pure expression of talent. If Hockney’s theories are correct they prove that technology has always been used.
For one, this book offers many, rather critical commentaries on American popular culture, primarily via Egan's exploration of the music industry; she expresses the way in which trends come and go as well as the effects of these cultural shifts, which often leave once famous individuals, such as Bosco, in the dust. What is popular in one moment (in this case, punk rock) can easily and quickly be replaced by another trend (overproduced pop music and music aimed primarily at preverbal toddlers). This struggle rings especially true for two characters, Bennie and
it’s history, and what’s it’s place in music and media today? In an article called the Album Cover Art Series by Robert Benson, Benson interviews Vinyl preservationist Gary Freiberg. Benson asks Freiberg why the images on an album cover make such an impact. “It’s the most personable art form there is.”
Andy Warhol is one of the most leverage and influential figures of Pop Art and culture, in which proofs that more than twenty years after his death, he is still considered to be one of the minority of being fictitious and greatest of Pop Art Artists. Warhol’s journey and his work inspired and still inspire many creative artists and thinkers around the world. This is due his enduring imagery, along with his art cultivated celebrity, and the constant research of different scholars.
“Bitumen” traces the sublime from its 18th century inception to more contemporary representations. First postulated by Edmund Burke, the sublime was traditionally described as a feeling of astonishment and terror when faced with a vast and incomprehensible object, which ultimately referred to God via nature. Noticeably influenced by Burke’s theories, Romantic art from the early 19th century frequently sought to depict the sublime. Paintings such as Caspar David Friedrich’s Wanderer Above the Sea of Fog and J.M.W Turner’s Slave Ship, which appear in “Bitumen”, are apposite to many of Burke’s tenets. They conjure the sublime by presenting an awesome and terrible nature which figures largely in their works.
As a point of departure, to trace the gap between the aesthetics of ‘fine art’ and ‘popular visual culture’, I look briefly at the aesthetic criteria that signified modern art, and
These prints are done on canvas, using inks, or on water-colour paper. This came about
In his article “The Naysayers,” Alex Ross analyzes the debate that looms between Benjamin and Adorno. Ross concludes that “if Adorno were to look upon the cultural landscape of the twenty-first century, [Adorno] might take grim satisfaction in seeing his fondest fears realized” (Ross). That fear being is Adorno’s expressed concern that music was progressing as another tool for the capitalist society. Unfortunately, this concern of Adorno’s has become all too realized, particularly in the pop music industry. Artists like along the lines of Justin Bieber and Kesha are manufactured products.
Andy Warhol in the 1950’s was previously an illustrator for advertisement; his background experience explains why his pop art artworks emphasized the mass media and consumerism. Warhol’s famous Campbell’s Soup Cans, 1962, is comprised of thirty-two canvases of Campbell’s soup. Each canvas is a different flavor of Campbell’s soup. When I look at all thirty-two canvases it feels as if I walked into a supermarket, and I’m deciding which flavor of Campbell’s soup I will choose from a fully stocked shelf. The large variety of flavors and the fully stocked shelf indicates the popularity of the food brand.
There were two factors that were key for the time, and that conditioned the flourishing art of poster printing. One of them was the rapid development of the middle class, that had not only the means to consume but was also growing more sophisticated and cultured, meaning that what it consumed had to correspond. The other was the technique that allowed to meet the demand: lithography.
The earliest known fashion photographs date back to the 1850s. Photography used for advertising had not become popular until the early 20th century when fashion started to be accessible to a larger audience. Harper’s Bazaar and Vogue were the first fashion magazines in the late 1800’s . These magazines were first illustrated by hand until Condé Nast had hired Baron Adolph De Meyer in 1913 to shoot portraits of models, actresses, and aristocrats for Vogue. Magazine importance became bigger in the early 20th century due to collaborations with well known designers.
The culture industry and market commercials are dominant institutions because of the power of the media. This power of the media comes from the Capitalists as they are the driving force to the consumption of goods. In Adorno’s Dialectic of Enlightenment, his theory of mass culture consists of our imaginations being taken by false realities. The consumer no longer can think for themselves and instead are planted with ideas of prescribed happiness. According to Adorno, propaganda was not only used under Fascism but see’s it being used to manipulate.
Reproduction of the sign was one characteristic of this brand of art. This reproduction was used to show that we as consumers of “Pop Culture” live excessively whether it’s regarding consumption of products or how we blindly obsess over celebrities. “Unlike Dada, whose entirely negative aim was to subvert and undermine the values of a bourgeois establishment which they blamed for the carnage of World War I, Pop-art sought to reflect the social values and environment from which it sprang. Thus they focused on the preoccupations shared by most American consumers: food, cars and romance. Typically, this was achieved using brash, or satirical, imagery with strong visual impact.
Appropriation is the act of borrowing and changing the meaning of cultural products, images, slogans and elements as well as reusing existing elements to create new works and meanings. Many artists believe that in borrowing existing images or elements of imagery, they are able to recreate the idea as it is now placed within a new concept. This essay will discuss how appropriation has been used in cultural and social contexts in order to create controversy and sell products, as well as be a form of expression. Pop culture often uses brash ways when trying to provide interest in society. As humans we are constantly wanting more and are never fully satisfied without entertainment, thus in order to meet these high demands many often turn to cultural appropriation as a void of entertainment.
People are immersed in popular culture during most of our waking hours. It is on radio, television, and our computers when we access the Internet, in newspapers, on streets and highways in the form of advertisements and billboards, in movie theaters, at music concerts and sports events, in supermarkets and shopping malls, and at religious festivals and celebrations (Tatum,