Discuss Shakespeare 's Use of Imagery in Othello to Reveal Character A lack of empathy makes for a true villain. In Shakespeare’s tragic play Othello, the nature of Iago’s character is revealed through the use of animal, plant, and devil imagery. Iago is revealed to view others as less than him, manipulating them with a lack of conscience, and having a desire for the destruction of others. The imagery enforces his role as the villain of the play, one who manipulates others for his own self interest. Firstly, Shakespeare uses animal imagery to show that Iago views others as less than him. This is first seen at the very beginning of the play, wherein Iago provokes Brabantio by telling him that “Even now, now, very now, an old black ram / Is …show more content…
Lastly, devil and hell imagery are used, revealing Iago’s evil nature, hoping for the destruction of others for his own self-interest. Iago calls on the devil and talks about monsters several times throughout the play. One instance being after he had concocted a plan to make Othello jealous with Cassio, saying “... Hell and night / Must bring this monstrous birth to the world’s light” (1.3.340–41). Iago calls upon the forces of evil, being Hell and night, to help him carry out his plan. While he knows that his actions are immoral, he embraces it fully by calling for evil forces to help in his plans to destroy Othello’s life. This imagery shows Iago’s true nature to the audience, one that wishes for the corruption of people’s lives and actively acting it out. Moreover, Iago refers to himself as a devil in a soliloquy after Cassio drunkenly --------, saying "When devils will the blackest sins put on, / They do suggest at first with heavenly shows, / As I do now" (2.3.351-353). He reveals his intentions to harm Othello to the audience, showing that he does not have empathy for Othello or those his actions would affect, showing his ------------------------------------------------------------------------. Iago is also called a devil by other characters in the play after he is found out to be the one who orchestrated Othello’s undoing. After Othello has realized he has been manipulated by Iago, he says “I look down towards [Iago’s] feet; but that 's a fable. / If that thou be 'st a devil, I cannot kill thee.” (5.2. ------). Othello believes Iago to be as evil as the devil, expecting to see hoofs of a goat, symbolic of the devil, when he looks at Iago’s feet. This devil imagery is used to emphasize Iago’s evil nature. With his plan to destroy Othello being revealed to the other characters, he is now seen as an incarnation of the devil, because of the tremendous amount of pain Iago caused Othello, having purposefully orchestrated it for his own self interest. Thus, by taking
In Shakespeare’s Othello and George Orwell’s Animal Farm, characters ability to manipulate others with ease is the flaw in societies structure, consequently, leading both works into tragic outcomes. This is done by blurring the perception of appearance versus reality, limitlessly committing to one’s desires, and taking advantage of others flaws. Throughout both novels, the villains mislead the other characters by forcing them to misinterpret what they see. This in result, allows the villain to gain obstructive power.
The classic hero vs. villian storylines have been used in traditional and nontraditional texts for centuries. The creators use classic character foil in order to achieve the distinguishable hero and villain. Othello by William Shakespeare uses character foil to achieve a , protagonist Othello and an ,Iago, antagonist the play and in the movie adaptation Othello by William Shakespeare, Iago/Ben Jago is a villain because of how he manipulates others in order to get ahead and they also have some differences, but in the play Iago is more of a villain than Ben Jago in the movie adaptation. Throughout the play Othello by William Shakespeare, Iago is a villain because of how manipulative he is.
The following passage is significant to the play ‘Othello’ in retrospect to the plot progression, as it reiterates themes and introduces important facets to the plot development. Through Iago’s cunning manipulation and Shakespeare’s crafting of language, this passage is constructed as a pivotal point of the play, marking the transition of Othello’s personality and revealing his deepest insecurities that eventually lead to his downfall and tragic ending. Iago wields a lot of power over all the characters throughout the play, but in this passage in particular he is presented at his most powerful. The passage is riddled with subtle suggestions and insinuations by Iago to raise Othello’s suspicions of his wife’s fidelity, opening with the admonition to “beware, my lord, of jealousy!
In the beginning of the novel, Shakespeare describes Iago as a mastermind of manipulating others. Iago holds a grudge and resentment towards the Moor, Othello, because another soldier, lieutenant Cassio, has been promoted
In the book Othello, Iago is a very manipulating man, throughout the book he manages to manipulate three main people, Roderigo, Cassio, and Othello. He uses all their weaknesses to bring them down. Iago wants revenge on Othello, because Othello overlooks Iago and his abilities, so Iago manipulates these three characters to get back at Othello in the long run. He comes up with a very good plan to get each other to turn against one another. So in the end he ends up getting what he wanted, revenge.
“Othello” written by William Shakespeare revolves around this protagonist who is depicted as strong and powerful. To everyone he is known as Othello or the Moor. Throughout the play, Shakespeare portrays numerous counts of jealousy and manipulation around many of the characters. It is mainly illustrated through Iago, the antagonist of the play, who manipulates other to their downfall. Iago who is known for always being true and honest towards others has easily earned the trust of everyone around him, thus giving himself an advantage on his schemes.
Although many may not believe that Satan is a being present in the lives of all, the Bible portrays him as “the father of lies,” and a “thief” whose purpose is to steal, kill, and destroy (King James Version, John 8:44). His purpose is that of pure evil. In Shakespeare’s Othello, Iago demonstrates similar characteristics. Utterly consumed by his malevolent desire for revenge, he describes how “nothing can, or shall, content my soul,” until he achieves it (Othello 2.1.223).
Iago’s constant animalistic language shows that he views others as animals rather than people, thus, Iago dehumanizing the other characters. In Act One, scene one, Iago describes Othello as an “old black ram” (Shakespeare 1276). This description of Othello is comparing him to a ram, and such animalistic references show that Iago does not view Othello an equal. In his view of Othello as unhumanistic, Iago is most likely willing to treat him as an animal. The audience sees this treatment through his constant manipulations of Othello’s mind, planting seeds of jealousy.
He states, “the demi-devil Iago has ensnar’d my soul and body” Othello feels bad that Iago betrayed him into believing the worst of his wife. Betrayal can be harmful, it can not only cause emotional pain but physical as well. We witness the death of characters and broken bonds. Betrayal can destroy one’s life and have an immense impact on others. If Othello would have been a rationalized man he would have discussed his concerns and fears directly with his wife, rather than speculating
Iago also manipulates Othello with jealousy. When Othello is gone at war, Iago tells him that Cassio and Desdemona were getting too close. At first Othello does not believe him, but by Iago saying “nothing,my lord; or if- I know not what” Othello starts to question if it is true (III. III. 39). Iago constantly uses his “innocence” to make Othello jealous and start to assume that it is true. These actions eventually lead to a tragic event.
As the audience receives more information about his hatred for Othello, it is still vague on how and why exactly Iago wants to destroy him. Because of the lack of clarity, it creates a spark of interest to hear more of Iago’s
Kolin observes that Iago stands out among Shakespearean villains since he is the only one to survive his own monstrous acts (25). Unlike Richard III, apart from telling stories, Iago carries out a downright fraud through other means of manipulation, which makes him the most evil and intelligent character. To be exact, Iago is a puppeteer who sets up scenes to deceive the “credulous fools”—Othello, Cassio and Desdemona (4.1.45). Iago talks to Cassio about Bianca while telling Othello that the subject of their conversation is the Moor’s wife. He is so smart and careful that he even gestures Othello to come closer when Cassio is about to illustrate how Bianca entangles him.
In the play Othello, William Shakespeare creates an elaborate tragedy with various in depth characters, enhancing the story with powerful characterization. Iago, the main antagonist of Othello, exemplifies Shakespeare’s use of characterization to create in depth and complex characters. Using his manipulative nature, intellectual mind, egotistical attitude, and dishonesty, Iago controls the other characters in order to achieve his goal, leading Othello to succumb to an overwhelming jealousy causing his downfall. In order for Iago to gain control of the characters in the play, he manipulates Othello, Roderigo, Cassio, and more to believe false information and turn on one another.
Iago’s powerfully disruptive insinuations torment Othello to fall precipitously into his intricate trap, believing in the prospect of Cassio and Desdemona’s fictitious affair. Through the use of linguistic techniques such as elliptical speech, subservient vocative choices and a hesitant tone, Iago is able to construct artful innuendoes to deceive and manipulate Othello. Supplementary to linguistic techniques, dramatic techniques such as dramatic irony reinforces Iago’s role as a two-faced villain, who is making a pretence of being Othello’s loyal ensign. Eventually, Iago’s villainy nature sows a seed of doubt in Othello that germinates into the murder of Desdemona. Through the characterisation of Iago as a notorious villain, Shakespeare is able to hold Iago’s actions accountable for the play’s tragic downfall, establishing a sense of powerlessness amongst the
Human nature is perceived as a delightful entity. In William Shakespeare’s Othello, several characters demonstrate the dark side of human nature and display how simple it is to get carried away with emotions. This includes Iago, who only cares for himself, Brabantio who has many doubts, and Roderigo who lacks intellect. Firstly, Iago demonstrates the dark side of human nature by being self-centered.