Maus is nothing like Tom and Jerry, though the rivalry between cats and mice are employed both in the Holocaust graphic novels and the American slapstick animated comedy. Animals, like dogs, cats and pigs, in fact, always appear in storytelling, from Aesop’s Fable to Orwell’s Animal Farm and Disney’s Mickey Mouse. The animals in Maus , seems to represent racial stereotypes, or namely national characteristics as the Germans cats preying on the Jewish mice in the Second World War. In fact, the animal allegory or stereotypes in Maus are being inconsistent throughout the narration. It is an ironic response to biased, over-generalizations and stereotypes of individuals based on ethnicity. In fact, these animals are not just “animals” representing …show more content…
Such “essentialist assumptions” (Staub, 1995, p.38) is ridiculed by the juxtapositions of the real mice and cats and the fictional “mice” representing the Jews. In Maus, the character of not aware that they are represented as mice. Anja, who is represented by a mouse, is scared of the rats in the celler where she and Vladak hides (I, p.194) and the other survivor of the Holocaust, the Jewish (mouse) therapist, Pavel is a mouse keeping cats and dogs as his pets (II, p.202). As Staub (1995) mentioned, the speaking animals’ unconsciousness of knowing themselves as non-humans lead to an effect that they speak of the real animals as animals and they perceives themselves as humans without commenting how odd that they are represented by non- humans. This unconsciousness, can further imply that the so-called inborn ethnic essential traits, instead of being self-evident, are “frequently in the (less than clear-sighted) eye of the beholder” (Staub, 1995, p.38). For instance, in the second chapter of Volume 2, one of Vladak’s fellow inmates claimed that he is not a Jew, but a German because he has he medal from the Kaiser (the German word for “emperor”) and his son is in the German army as well. The prisoner, firstly drawn as a mouse, turns into a German cat in Auschwitz garb. However, when a guard stamps on his neck and kills him, he is again becomes a mouse again (II, p.210) and even at the end, when Artie asked Vladek whether he is a German are not, his “true” identity remains unknown or indeed, so trivial that does not deserve to be known, because after all, his ethnic identity is decided by the German soldiers, regardless of the “truth”. The other similar example is that the Jewish mice in the Gemeinde community organization who are in
The sheer amount of lives lost in this horrid time astonishes a large quantity of today’s population. Not only were people being tossed into the concentration camps, but soldiers and civilians were killed in the fight for their lives’. Human beings were given numbers and made to look like clones, as if to hide the misery of dehumanization. Loss of self and personal identity is shown throughout Night by Elie Wiesel. When hearing
Humans and animals are more alike than most people would think. They often act the same way, and do similar things. Animal behaviors are used to describe humans and their actions, especially in literature. In John Steinbeck’s Of Mice and Men, he uses naturalism to get his point across. Steinbeck uses animal imagery to emphasize power, including how Lennie has physical power over other people, George has power over Lennie, and Curley and his wife are seen as weak and helpless.
Wiesel’s “Night” is a memoir in which Elie, the protagonist is recalling his concentration camp experiences, encompassing events from the end of 1941 to 1945. It is written in the perspective of a younger version of himself. Maus is a graphic novel by American visual artist Art Spiegelman, serialized from 1980 to 1991. It portrays Spiegelman conversing with his father about his encounters as a Polish Jew and Holocaust survivor. It is composed in first person, but switches between the perspective of Art and his father who he is interviewing.
Maus by Art Spiegelman is a World War II survivor written from a Jewish perspective. The book is however not representing a typical survivor tale, as Spiegelman has decided to tell it in a new, unconventional but revolutionary way; a comic strip. Even though comic strips are said to represent fiction, they can actually successfully transmit real stories and add a new dimension to it. This new dimension is generated by combining text and image. Spiegelman has decided to fully make use of this unique genre by portraying different ethnicities or nationalities in form of anthropomorphic creatures.
In Maus, Art Spiegelman records his personal accounts of trying to delve into his father’s traumatic past. His father, Vladek, is a Jew from Poland who survived persecution during World War II. Art wants to create a graphic novel about what his father went through during the Holocaust, so he reconnects with Vladek in order to do so. Due to the horrifying things that the Jews went through he has trouble opening up completely about all the things that happened to him. But after Art gets together with his father many times, he is finally able to understand the past legacy of the Spiegelman family.
A lot of Holocaust survivors are vegetarians or vegans because they were deprived of meat and any other food with nutritional value. They chose to live their post-holocaust life this way because of their experiences and the memories that they will always carry. The book Maus written by Art Spiegelman is about Art writing about Vladek's (his father's) experiences through the holocaust. Art emphasizes all of the hardships he went through and how the memories have affected him in the present. The theme the past can affect the present is represented through Vladek not hiring anyone to do work for him, Vladek always making Art finish his food, and Vladek's glass eye.
“A traumatic experience robs you of your identity” (Dr.Bill). Concentration camps during the agonizing Holocaust disallowed their prisoners to obtain a personal identity. The renowned memoir, Night, written by Holocaust survivor, Eliezer Wiesel, published in 1954 expands the apprehension of the life altering challenges and torment the Jewish society encountered from 1933 to 1945. Identity consists of an individual's distinctive characteristics, beliefs and mannerisms which was forbidden for the Jewish hostages of the Holocaust to attain. Elie’s identity was shaped and reshaped by the traumatic experiences the Jewish community persevered through.
Six out of nine million Jews living in Europe were killed during the Holocaust, but Vladek Spiegelman was not one of them. Maus: A Survivor’s Tale by Art Spiegelman tells the suspenseful story of how Vladek was captured by the Nazis, and what he had to do in order to survive. Although Vladek’s experience in concentration camps caused him to lose his ability to trust, he was able to gain gratefulness and become more attached to his family. Although he learned many valuable lessons, Vladek also lost an important trait: his ability to trust.
As part of the fascist conquest to create an ideal race during the World War II, Jewish people struggled to survive by evading their Nazi hunters and persecution. In Art Spielberg’s Maus he depicts his dad’s, Vladek, Holocaust experience through comics as his dad informs him of his WWII experience. In the novel Jewish people are drawn as mice and German’s cats to show how there is a constant conflict of pursuit, near captures, and repeated escapes. Vladek and other Jew are forced to hide, evade, and trick the Nazi soldiers in a similar fashion to the game to survive the persecution of his people.
At the heart of a seemingly simple, unassuming novella lie political issues that occurred in Russia during and after the Russian Revolution in 1917. George Orwell’s allegorical ‘masterpiece’ as some would say, stems from his own opinions and detestation of the class divide. He shows that an egalitarian society is unachievable, when some characters that exercise power within Animal Farm use forms of both psychological warfare and physical threats in order to keep the ‘lesser’ animals under their control in order to maintain their society which supposedly follows the principles of Animalism; that ‘all animals are equal’. The pigs employ various tactics and express ways of thinking that convince the animals that they are better off than they had
“Beasts of England”, “Ode to Napoleon”, the sheep’s chants, revised anthem, “Animal Farm, Animal Farm” are among the most relevant songs mentioned in this allegory. All the animals at the farms sing these songs together at the same time and by commanding this, pigs evoke an atmosphere of grandeur and nobility. The animals on the farm feel satisfied when singing together because it brings them a sense of community, but the animals do not realise that the real purpose of the songs is to keep them focused on the tasks. THE USE OF IRONY AND SATIRE Orwell uses point of view in Animal Farm to create irony. The story is told from the naive point of view of the lower animals.
Maus and Fun Home both use the medium of comics to tell very personal and delicate stories. Art Spiegelman uses Maus to tell the moving and emotional story of his father’s survival of the Holocaust; Alison Bechdel uses Fun Home to tell the story of her father’s death and the exploration of her identity. Although both texts are different in many ways, the both use the comic medium to portray an outsider experience. While Spiegelman uses the medium to construct an animal hierarchy and Bechdel uses the medium to combine multiple moments in her life into one story, both authors use pictorial detail to shed light on the outsider experience they are each trying to portray.
John Steinbeck’s Of Mice and Men (1937) is an intensely-focused novella that deals with friendship, trust, the relationship between good and evil and the role of justice. It is the second book in Steinbeck’s trilogy about agricultural labour, alongside with In Dubious Battle (1936) and The Grapes of Wrath (1939). The title, inspired by a line in the poem The Mouse (1875) by the Scottish poet Robert Burns (The best-laid schemes o' mice an ‘men / gang aft agley), encapsulates the spirit of the narration.
The utilization of humanoid attribution is conspicuously utilized as a part of Disney motion pictures focused towards children. Indeed, even the simplest Disney films mirror a part of humankind in the characteristic world. The animals depicted in these motion pictures are presented with a human trademark, which empowers us to relate to the story. This utilization of humanoid attribution enables us to identify with these animals as we can candidly interface with them, while likewise learning profitable life lessons. Pictures of natural animals and their practices are supplanted with disinfected articulations of qualities people think creatures have, these bogus portrayals of creatures are duplicated in the media, consequently turning into the gauges for understanding creature conduct (Leventi-Perez 2011).
Animal Farm by George Orwell is a story about animals that rebel against their owners on a farm. They then try to solve problems on how to run a farm. One theme in this story is ”Not everyone is equal; some people believe that they are more superior than others.” This theme is demonstrated by Napoleon, he’s a dictator and makes all the rules in the farm to fit his needs. Another theme in this story is “People deserve to have their own thoughts and ideas.