Animals In Streetcar Named Desire

The Fight for Dominance In today’s society, gender norms convince men that unless they are able to control women, they are weak. Considered the inferior gender, women must find new ways to prove their own strength, whether it be through manipulation or their sexuality. The battle between the two continues as men strive to remain dominant, often by immoral means, and women attempt to gain the upper hand. In the screenplay, “A Streetcar Named Desire” by Tennessee Williams, the sexual tension and struggle for dominion between Blanche and Stanley is evident, and as the play continues, Blanche's promiscuity and Stanley's predatory nature foreshadow an inevitable confrontation.

Imagination can be defined as the ability of an individual to from images and to think in a creative or inventive way ,the ability to dream and create an illusion of ourselves and it is something that everyone processes. The imagination of a human being can be a blessing in disguise or beautiful nightmare. Either one of these can affect the way an individual 's willingness to embrace or reject an uncertain future. When someone imagination is shaped by dramatic desire and moral rejects the world around them begins to feel like a frightening place. The wellness to reject an uncertain future will become far more prominent than for other people compared to an individual that hasn 't been faced with the same chances.

Stanley is a blunt, practical, and animalistic man who has no patience for subtleties and refinement. His animalistic character shows the moment he meets Blanche, when he, moving with “animalistic joy” (24), “sizes” Blanche up with “sexual classifications” and “crude image” in his mind (25). Under his stare, Blanche draws “involuntarily back” (25), a movement that foreshadows their later conflict and her subsequent demise. His practical and straightforward side shows when he interrogates Blanche about the sale of Belle Reve to make sure that his wife is not swindled. His straightforward, practical nature makes him “boom” out of impatience (46) and demands Blanche to cut straight to the point when she tries to talk in an indirect, subtle manner as befit a Southern gentlewoman.

A Streetcar Named Desire Literary Analysis The late 1940’s were characterized by the emergence out of World War II that led to a dependence on the idea of The American Dream, which meant men were working harder to achieve a more comforting lifestyle and opportunity while women were still fighting the oppression of caused by unequal representation. This idealistic dream is illustrated throughout Tennessee Williams’ “A Streetcar Named Desire”, which has a rigid dichotomy between illusion and reality revealed throughout multiple characters and their dysfunctional lives that are a direct result between fantasy and actuality. Illusion is taken advantage of as an alternative to the unfair circumstances that the characters in “A Streetcar Named

“A Streetcar Named Desire” is a very elegant film in which the Southern gothic culture is demonstrated profoundly. Tennessee Williams uses the characters in the play to bring about a sense of how corrupt society truly was in the 1940’s in the South. The 1940’s was marked by an immense amount of violence, alcoholism, and poverty. Women at the time were treated as objects rather than people. Throughout the play Tennessee Williams relates the aspects of Southern society to the characters in the play. As the movie goes on, it becomes more and more clear what Tennessee Williams is trying to convey to the audience. This being, Southern culture was deeply corrupted in many ways and the societal norms of the time period were like a drug that people

The themes of violence and power in ‘A Streetcar Named Desire’ hold an important role in the criticism of 1940s American society. Conflicts perpetuated by violence and power, such as abusive relationships and violent oppression are projected through the characters within the play.  Williams uses these conflicts to highlight his criticisms of faltering values and social norms, from the perspective of an individual constrained by the expectations of a strict, Southern society. To begin with, there is an indefinite violence between men and women within ‘A Streetcar Named Desire’. Stanley Kowalski, a focal character, is the epitome of male dominance and primitive aggression.

Desire can be defined as a strong feeling of wanting or wishing for something. The something could be an object, idea, or an event. In A Streetcar Named Desire, Blanche Dubois believes that the opposite of death is desire. Logically speaking, the real opposite of death is life; so why does Blanche believe that it’s desire? Possibly because she relates desire to life it’s self. The lives of the main character revolve around desire. Throughout the play, the theme of death is the opposite of desire is developed through the main character’s need to be desired or desirable.

Past and Present Intertwine Through Symbolism Tennessee Williams is a world famous playwright. He has won many prestigious awards. In 1947, Williams penned one of his most famous plays, A Streetcar Named Desire, winning him the Pulitzer Prize. William’s background greatly influenced his writing, and because of this, alcoholism and mental illness are issues strongly reflected in his works (Williams 1817). A Streetcar Named Desire is a story about a women with mental health issues, named Blanche Dubois.

Would one rather accept reality- death, sickness, loneliness- or explore a pretend world of happy endings? Tennessee Williams’ exceptional play, “A Streetcar Named Desire” brilliantly showcases the struggle to accept reality through all the loss and sadness rather than imaginary happiness. Blanche tries to wash away her past and hide her present from her family and Mitch, all while Stella ignores the truths of their dysfunctional marriage, and Mitch is struggling with the inevitable death of his mother. Throughout the play, the ugly truth is overlooked and replaced by a string of beautiful lies. “A Streetcar Named Desire” by Tennessee Williams portrays the inability to accept reality rather than the imaginary through Blanche’s past and present,

In conclusion, “A streetcar named Desire” by Tennessee Williams, uses characterization of the main characters to convey theme of the desire and how it can influence and change someone’s personality. Because of the situations and arguments the characters get in, Williams is able show how desperate the characters are to get what they want. Stanley was willing to put his wife and his baby’s lives at risk, only to prove that he was the man of the house. Blanche ruined her chance of getting married because her promiscuous past caught up with her. Tennessee Williams uses his upbringing to show the theme of male versus female in many of his plays and it especially shows in “A streetcar named Desire”.

Stella’s sister, Blanche, sees through the illusion and can see how toxic the marriage really is. Stanley and Blanche come from distinctly different backgrounds, Stanley is from the working class while Blanche comes from wealth. Williams uses these two contrasting points of views on marriage, to show the issues of possessiveness, class, and sexism. When it comes to Stanley’s marriage to Stella, one of the most notable characteristics is how possessive Stanley is. An example of this is when Stanley found out that Blanche and therefore Stella, lost their estate.

Stereotypical gender roles have existed as long as human culture has, becoming a natural part of all of our lives. Within each gender lies a variety of stereotypes and expectations. Most notably for men they are often depicted as tough and the family provider. Whereas women are often shown to be soft and vulnerable. Throughout the play A Streetcar Named Desire the author; Tennessee Williams illustrates the main characters, Stanley, Stella, Mitch and Blanche with these stereotypes. The play takes place in the 1950s in New Orleans containing a diverse population. However, is race discriminated against, those who go against classifed gender roles are often discriminated and have trouble finding their way in society. Although gender equality has

Society looks down upon actions such as viewing others’ sexual features while you are already married, which makes the reader appalled by Stanley’s character and makes the reader feel an extreme hatred towards Stanley even before the action of the play has begun. This account of Stanley and his actions establishes him as the villain in the play, but, in any story, there is always a hero to contrast the villain. Typically, this hero is the exact opposite of the villain, and, in this play, although it may not be clearly defined, Blanche is set up by Williams in the beginning to be the hero. Williams does this by depicting her as the opposite of Stanley with her sense of propriety and class that is juxtaposed with the harsh environment of Stanley’s world (Williams 1119). Although the reader becomes aware that Blanche is not quite the hero that she was expected to be as they play progresses, the reader is always compelled to take Blanche’s side when injustices are brought upon her by Stanley due to Williams’ careful construction of Blanche and Stanley’s characters in the very beginning.

A Street Car Named Desire is a play written by Tennessee Williams, which slowly uncovers Blanche’s prior life. Her troubled past causes her a lot of trouble when she tries to start over. She used to work as a teacher in Mississippi, however, she was forced to leave after she was caught having an affair with one of the students. This was typical behavior for Blanche since she had previously taken many lovers. Since she had such a hard time in Mississippi, she decides to move to New Orleans to live with her sister, Stella, and her husband, Stanley, in hopes of escaping her past. Stella accepts her willingly, however, Stanley begins to hear rumors. Blanche starts to date one of Stanley’s friends, Mitch, but when Stanley informs him about her past, Mitch basically tells her

I. Vocabulary Effeminate- Adjective -(of a man) Having or showing characteristics regarded as typical of a woman; unmanly. (Pg 114) Repertoire- Noun - A stock of plays, dances, or pieces that a company or a performer knows or is prepared to perform. (Pg 130) Malarkey-