Of all the spots we visited on our twenty-three day tour of Northeastern Canada and Maine, I most looked forward to discovering the spot where the Green Gables books were set. I have owned all eight of the series since I was a child and must have read them twenty-five times over the past fifty years, although I can’t explain why. Anne talks entirely too much, and I am impatient with her inability to see Gilbert’s qualities, or to return his love. Just what is it about these books that so appeals to me, and can my visit possibly live up to such expectation? Perhaps it is Montgomery’s island world that I find so memorable: her descriptions of woods, and shores, and red roads, and lighthouses. Even though I know Anne is a character drawn from Montgomery’s imagination, I find it hard to accept that she isn’t a real person, still living today just outside of Avonlea on Prince Edward Island. We spend two days on the Island, as the locals call it. It is October and the leaves have begun to shine in brilliant yellows and oranges and reds. On cloudy mornings, each translucent leaf seems to glow, and I smile as the old rhyme, One misty, moisty morning, when cloudy was the weather, comes to mind and I recall Mother repeating it to me on cloudy days. I find the rolling farmlands, the brilliantly-colored …show more content…
On early winter mornings she’d say – In winter I get up at night and dress by yellow candlelight. When it rained – The rain is raining all around, it falls on field and tree. It falls on the umbrellas here, and on the ships at sea. And on windy nights – Whenever the moon and stars are set, whenever the wind is high, all night long in the dark and wet, a man goes riding by. These bits of Mother’s poetry seem to fit my life again as I brace for the brisk, wet, windy Prince Edward Island
“The carpet near Bertis’s foot resembles a run-over squirrel, but Karen’s seen worse.” (Coupland 138) The imagery in this novel keeps the reader engaged by prompting their own imagination to visual the setting. Without the author’s skillful choice of words the imagery in this novel would have greatly
The farm was marvellous: a large snow-like milky colored farmhouse surrounded by five hundred acres of green dewy lush pastures of tobacco, livestock, soybeans,
In this quotation, taken from the last paragraph of Postcards from Paradise by Ann Dowsett Johnston, the author describes her childhood experiences at the cottage in her summers and reiterates what cottaging means to her. This excerpt takes place after Johnston describes the end of each of her summers as a child. Through this quotation, Johnston develops the mood of the essay using imagery and diction. The mood that Johnston creates is warm and nostalgic. By detailing her experiences “[l]earning how to stalk wild raspberries before breakfast, and how to find a fungus in the forest.
“A cool breeze came up behind us, sending shivers along the spines of the mesquite trees.” The text contains elements of the unconscious process of shivering and allows Taylor to project her inner feelings onto the landscape. The language mirrors how Taylor’s mind works and shows this by sending “shivers along the spines of the mesquite trees” as well as up her own spine, almost personifying the trees. Kingsolver’s descriptions of the natural landscape, shows her consciousness of the environment.
While growing up in segregated segregated Mississippi, Anne Moody underwent significant personal private struggles. Whether the struggles related to her poor family life or fear of just being black, Moody eventually overcame the obstacles. She strived for perfection in her work at school and at jobs. This engaged mentality taught Moody to never back down from a challenge, even if the end looks bleak. Violence in different forms circulated around Moody all her life, most of which included watching others perpetrate violence on blacks solely for their skin color.
One of the aspects of “Wild Geese” that truly struck my fifth-grade self was its use of imagery—I was drawn in particular to the extensive visual imagery in lines 8-13 (“Meanwhile the sun…heading home again”) and awed by the ability of text to evoke images of such clarity. Moreover, in addition to the intrigue of its use of literary devices and the complexity of its recitation, interpreting “Wild Geese” and finding meaning within it was a process that continued well beyond the end of my fifth-grade year, and the connotations of that poem continue to resonate with me. While the entirety of this story is too personal to share herein, “Wild Geese” was a poem that spoke to me on a very personal level. As I sometimes have a tendency to hold myself to unrealistic standards, “Wild Geese” was to me a reminder of the relative insignificance of the trivial matters with which I would preoccupy myself; nature became a symbol of that which existed beyond my narrow fixations and the wild geese a reflection of the inexorable passage of time—in essence, a reminder that “this too shall
Despite having an arduous life in Canada, he has in part fulfilled his idea of a personal heaven by living in an urban and developed setting; and primarily escaping the judgments of the apathetic islanders. Yet, this idea of a perfect life is incomplete; it lacks “some sweet island woman with whom he’d share his life, of having children and later buying a house” Many times in life, future gratification in unforeseeable, and occasionally — such as in the instance of Max — sacrifices may result in a sense of disillusioned inaptitude. Within this excerpt of the short story “Mammita’s Garden Cove” by Cyril Dabydeen, the author’s complex attitude towards place is conveyed by Dabydeen’s use of repetition, diction, and
During the colonial period many settlers came to the New World to escape persecution for their Puritan beliefs. Writers such as William Bradford, John Winthrop, Anne Bradstreet, and Mary Rowlandson all shared their experiences and religious devotion throughout their literature that ultimately inspired and influenced settlers to follow. This essay will discuss the similarities in Anne Bradstreet and Mary Rowlandson’s work as they both describe their experiences as signs from God. Anne Bradstreet came to the New World as a devoted Puritan as she repeatedly talked about it in her poetry. In her poems she discusses many tragedies that happened in her life such as; the burning of her house and the death of her two grandchildren all of which she thinks were signs from God.
Though he also uses the description of the “dewy dawns, and mystical blue skies” to let the reader paint their own pictures of their paradise which Mckay remembers as Jamaica (Mckay). Mckay and Harjo both use these aspects of heavily detailed writing to allow the reader to produce their own image of the scene, and let the reader paint their own pictures of the events that they can connect
The hopes of Wes, Mary, and many others can be depicted through the sight of their new neighborhood in which “flowerpots were filled with geraniums or black-eyed Susans, and floral wreaths hung from each wooden door” (Moore 56). Not only does this use imagery to describe the beauty of Dundee Village, but the metaphoric aspect contributes to the message that Moore is trying to
In the excerpt from “Cherry Bomb” by Maxine Clair, the narrator makes use of diction, imagery and structure to characterize her naivety and innocent memories of her fifth-grade summer world. The diction employed throughout the passage signifies the narrator’s background and setting. The narrator’s choice of words illustrates how significant those memories were to her. Specific words help build the narrator’s Midwestern background with items like the locust, cattails and the Bible.
By insisting that Anne and Diana’s relationship is queer, we categorize all close female companionship in the text as queer. When the friendship becomes romantic, it looses the importance of friendship that Anne and Diana build throughout the novel. Diana helps Anne fit into Green Gables, and is her first true friend. Diana provides contrast to Anne’s character. Instead of relying on the importance of friendship, which is a big part of the book, a romantic relationship would take prominence and diminishes the “moral” of having close friends to confide in.
He could imagine his deception of this town “nestled in a paper landscape,” (Collins 534). This image of the speaker shows the first sign of his delusional ideas of the people in his town. Collins create a connection between the speaker’s teacher teaching life and retired life in lines five and six of the poem. These connections are “ chalk dust flurrying down in winter, nights dark as a blackboard,” which compares images that the readers can picture.
Carver’s opens his story with a brief, yet detailed imagery describing the weather and comparing it to what’s going on with the family inside. “Early that day the
Anne Bradstreet (1612 – 1672) has been a long-lasting leading figure in the American literature who embodied a myriad of identities; she was a Puritan, poet, feminist, woman, wife, and mother. Bradstreet’s poetry was a presence of an erudite voice that animadverted the patriarchal constraints on women in the seventeenth century. In a society where women were deprived of their voices, Bradstreet tried to search for their identities. When the new settlers came to America, they struggled considerably in defining their identities. However, the women’s struggles were twice than of these new settlers; because they wanted to ascertain their identities in a new environment, and in a masculine society.