Introduction Anti-colonialist? Or a bloody racist? Joseph Conrad’s Heart of Darkness is one of the most gruesome images ever depicted in Western literature. Employing the cultural studies criticism, new insights regarding the ideological discourses of the novella, both conscious and unconscious to the author, can be shed, in the two conflicting terms of anti-colonialism and racism. Further on, given the immense complexity and vagueness, the novella can also be interpreted as a prototype of new historicist criticism or cultural criticism, which embodies two conflicting views simultaneously. The Discourse of Anti-Colonialism Anti-colonialism is one of the most evident themes in Heart of Darkness, which could be observed primarily from the representation …show more content…
The word “ivory” rang in the air, was whispered, was sighed. You would think they were praying to it.” (Conrad, 44) Here Conrad constructed a poignant scorn, a caustic irony, an image of corruption. The colonialists, the supreme white men, are now aspiring ivory in the way the pilgrims would to their God! The piercing irony makes clear Marlow’s discontent with the life style of his own race under the system of colonialism, which then points to his opposition with …show more content…
That was evident in such things as the deplorable state of the station. He had no learning, and no intelligence.” (Conrad, 42) Here, Marlow accuses the general manger for his lack of capacity and the terrible states of the station, and tells that he is not a qualified manager with inadequate intelligence. This is an interesting contrast with Kurtz, who, despite the more intelligent, capable, and admirable impression, is subordinate to the general manager. As Marlow later explains, the success of the manager owns much to his strong constitution, which helped him outlives other competitors. “His position had come to him—why? Perhaps because he was never ill… He had served three terms of three years out there… Because triumphant health in the general rout of constitution is a kind of power in itself… He originated nothing, but he could keep the routine going—that’s all.” (Conrad,
The reality is that King Leopold’s “charity” resulted in the death of ten million people, which is approximately 50% of Congo’s population(Cleary). The difference in Marlow’s previous perception he learned from European’s justification and the reality he learns in Africa impels Marlow to develop his hatred towards deception. This explains his sentiment towards the
After having spent time with the natives, however, Kurtz flips his viewpoint and wants to become part of their wild and uncivilized life. The Poisonwood Bible introduces a similar contradiction in the American ideals of democracy being transferred into Africa and the natives’ belief that they are superior because of America’s power in the world. Anatole describes that “most of [the natives] believe white people know how to turn the sun on and off and make the river flow backward [...] They think [the white people] represent a greedy nation” (Kingsolver 281) which further emphasizes the importance of contrasting viewpoints to portray the cultural differences of both America and the Congo. This also presents the assumptions the Congolese people make based on white stereotypes.
POWER is something most people desire in businesses, politics and companies as one wishes to expand or go up the chain of command in order to acquire greater authority, even in social life where individuals interact with each other. The novel ‘Heart of Darkness’ By Joseph Conrad is an adventure in the interior of Africa. The adventure in the novel can be recognized on page 45 lines 7-10 “There was an old hippo that had the bad habit of getting out on the bank and roaming at night over the station grounds. The pilgrims used to turn out in a body and empty every rifle they could lay hands on at him.” The hippopotamus harmful disturbance on the ship resulted to individuals continuously trying to shoot it down almost every night.
This comparison of the colonizers to robbers and murderers is based off of his experience in the Congo, where the idea of do-gooders was disproved and replaced with a much harsher truth of the European colonizer’s selfishness and corrupt
He claims “ten days [is] an eternity,”(18) when ten days of waiting is trivial compared the terrible lives of the slave labor, where Marlow observes the natives “dying slowly”(17) and likened their demeanor to the “deathlike indifference of unhappy savages”(16). Here, Marlow’s ignorance of the hardships of the natives is dreadfully obvious. He does not consider the struggles of the natives around him as toilsome as his own, even though the reader can clearly see the opposite is true. The native's lives are far worse than Marlow having to idly wait for 10 days before continuing his journey. Marlow represents the reader, so this is Conrad’s first step to making the reader self-aware of their own apathy and dehumanization of black people.
Hunt Hawkins presents the controversy that Joseph Conrad’s, Heart of Darkness, encounters, as its contents portray Africans as dehumanizing, savage, and uncivilized beings. In order to provide a sufficient amount of information with regards to the controversy, Hawkins introduces the analysis of distinct scholars to describe racism, imperialism, and human nature. As a result, an analysis of the characters are provided to the audience and allow an individual to understand why Conrad decided to write Heart of Darkness the way he did. Thus, during this process, Hawkins describes the manifestation of the darkness that eventually consumes Kurtz.
Marlow tells his shipmates on the boat (the Nelly) that the natives passed him “within six inches, without a glance, with that complete, deathlike indifference of unhappy savages” (16). Marlow’s story of his experience exhibits how the Europeans captured the natives and forced them to work; to strip their home land of its resources and natural beauty. When the Europeans colonize Africa, they do not want to help the African people, but exploit them and put them to work for their own desire of obtaining ivory, rubber, and other resources and goods. As the Europeans imperialize the area, they do not build culture or assist in development of the Congo region, but break down culture as they enslave the natives and take away their rights, along with stripping the area of resources and natural, earthly beauty, which is conveyed through the cruel physical treatment towards the natives. This treatment is also presented through the literary devices that Conrad decides to use to reveal the experiences of the natives to the
Racism in Heart of Darkness Heart of Darkness is a novella written by Polish- British writer Joseph Conrad in 1899. Since it was written Heart of Darkness has been criticized as a colonial work. One of the critics who condemn Joseph Conrad and his work has been the Nigerian authors and critics Chinua Achebe in his work "An Image of Africa: Racism in Conrad 's 'Heart of Darkness". Achebe considers Conrad as “a thoroughgoing racist” (Achebe 5) for depicting Africa as "the other world" (Achebe 2). The aim of this study is to examine Heart of Darkness referring to the Achebe’s ideas in his 1977 essay.
HL Language & Literature Written Task 2 1. How and why is a social group represented in a particular way? In Joseph Conrad’s Heart of Darkness, the natives of Africa – the Blacks – were represented in such a way that they seemed to have close to little or no value compared to the Whites. The constant use of animal imagery in the novel is both a comparison and a symbol that has been used in order to dehumanize any character that was not White.
This shows the incompetent nature of the character of the manager. Conrad, users fog as a symbol of confusion and mystery. The fog that follows Marlow’s ship on his journey gets thicker as he makes progress towards approaching the inner station where Kurts is. The fog would represent lack of clarity and control. While the ship gets closer the heart of the native country the morals, ethics and humanity of these people dissolves into the fog leaving the people consumed by the creed
This greed grew strong and grew into the establishment of imperialism through the use of slavery. While the greed is still growing the English have know lost all of their moral value and have cast aside the meaning of life for the Natives of the Congo. This hunger of greed allowed the civilized to become the uncivilized “savages” they paint the Natives to be. Mr. Kurtz is the man that the english view as the idol in a way but dies seeing “The Horror”(154) of all the darkness the “light”(68) has made. Works Cited Qu, Caie.
BRIEF ANALYSIS The use of various literary devices in Joseph Conrad’s novel helps to bring his story to life, which ultimately is to his advantage. Conrad brings the reader into the darkness, displayed the corruptibility of humankind and left them pondering the absurdity of evil and imperialism. One of the strongest literary devices that Conrad uses to engage the reader in his novella is the use of imagery. However other important literary devices that are used throughout the novel as well as in the extract above is: similes, metaphors, personification, foreshadowing, and symbolism and narrative techniques.
From the narrator Marlow the readers come to know about the Natives that they are actually innocent people who were under Europeans. In relation to this it deals with the theme of Good vs. Evil, in ‘Heart of Darkness’ which is presented when Marlow who is a good character encounters the situation where he is confused between good and evil, whether Mr. Kurtz is really a
Often in literature, the physical journey the main character takes represents their psychological growth. In Heart of Darkness by Joseph Conrad, Marlow’s journey into the heart of the Congo represents his progression into the darkest parts of his mind. As he travels deeper into the foreign terrain, he begins to question the world around him and himself. As Marlow begins his journey into the heart of Africa, he holds onto his idealistic belief in imperialism.
The main character, Marlow, in Joseph Conrad’s 1910 novel The Heart of Darkness begins his journey into Africa skeptical of what might occur, but naive to the true horrors that were in stake for the young man. Marlow’s detailed descriptions of the sights and torturous actions towards the natives he witnesses along his journey lead to many literary critics to deem Conrad a racist. One author notorious for calling Joseph Conrad out on his racist remarks is Chinua Achebe who gained fame from his article “An Image of Africa: Racism in Conrad’s Heart of Darkness”.