Along the way faces many challenges such as societal norms, suicide, and questions of morality. Was Antigone a tragic hero, or was she to stubborn to foresee the cataclysmic results of her actions? Or was it simply society and the role it played in this story? Antigone was young and a woman, but it had no effect on her willingness to do what she believed was
While yes, in most cases the tragic hero typically dies, this does not need to happen to be a tragedy. One of the biggest things about the role Antigone fills, is can be transferred between different people. If we placed Antigone’s sister Ismene into Antigone’s position in the story, the story would not have been affected at all. However, if Creon’s position was changed, the entire dynamic of the story could change without trying, especially when Creon learns of his mistake (Ln. 1289-1300 and 1302-1307). The third and final point is that Antigone does not change throughout the story, while Creon does.
Antigone’s actions are motivated by her allegiance to her family, moral conscience, and religion amid Creon’s political injustice and tyranny. Antigone’s actions motivate her to demand Ismene to prove whether she is “a true sister or a traitor to your family” (26-27). Antigone maintains loyalty to her brother despite his actions which threatened Thebes. Her inability to bear the thought of her brother’s corpse being picked apart by animals and not being honored with proper funeral rites forces her to act. Antigone’s fierce allegiance to her family is laid bare as she is willing to sacrifice her life to honor her brother and defy the law in an act that she believes is morally just.
This stands true for Antigone and her sister Ismene. While Antigone is fiercely loyal to her brother and willing to risk her life to give him his burial, Ismene is too intimidated by society to participate in the burial. She believes that Antigone is wrong to challenge Creon’s law. “I needs must do, but yield obedience to them that walk in power; to exceed is madness, and not wisdom.” (Sophocles, page 4) After Antigone is caught and she realizes that she will have no family left after she is executed, Ismene starts to sing a different tune.
Antigone recognizes her error, possesses a tragic flaw and goes through a downfall. She recognizes her error sense she is breaking the rules, when creon confronts her. She tests creon begging her to kill antigone yo prove she is determined to get what antigone wants. Antigone goes through a tragic downfall when she just accepts that she is wrong and predicts her death happily. In the end we know that Antigone is the tragic hero and can learn to always fight your way for what you believe in.
The play, Antigone, is a tragedy written by the Greek poet Sophocles. A common theme among tragedies is that they have a tragic hero, and Antigone is no different. The tragic hero of this poem is Creon, the King of Thebes. Creon is faced with the difficult task of punishing his niece, Antigone. She has broken one of his laws stating that no one is to give proper burial rites to Polyneices, Antigone’s brother, because he tried to overthrow Creon.
Cindy Yoon Mr.Constantini English 1A 18 September 2015 Real Tragic Hero of Antigone The play, Antigone is an Ancient Greek play mostly about myth written by Sophocles. There are two main characters in this play which are Antigone and Creon. Antigone is a girl who tries to bury her brother, Polyneices who died during the war and she chooses family instead of the government. Creon, is Antigone’s uncle, and also a King of Thebes who didn’t allow the people to bury Polyneices.
Instead of letting Creon control her death, however, she takes matters into her own hands and hangs herself with a “noose of fine clothes” (Sophocles 1.4.1222). This shows her contempt for the norms of the society she is living in, and her obstinate refusal to be controlled or silenced. To her, the grave could symbolize freedom and a final stand against oppression. In the finale, the story reaches its last grave.
In the classic play by Sophocles, Antigone is a tragic story of the bold Antigone who defied her uncle, King Creonʻs, edict by burying her brother, Polyneices, who died attacking the city of Thebes, trying to take the power away from their brother, Eteocles, who refused to share the throne with Polyneices. Even though Antigone knew that going against Creon and burying her brother would not end well for her, she still choose to risk her life to do what is right. After being caught breaking the law, Antigone is appointed to be locked away, isolated in a cave until she dies, but she hangs herself at the end. At the same time, things for Creon are not looking good, as everyone around him seems to be against him in his decision for punishing Antigone. Everyone Creon cares about kills themselves from a curse that is put on Creon for not following the Godsʻ laws.
Almost always, in Greek tragedies a “tragic hero” has a hamartia, or tragic flaw, which will cause their concluding demise. In the Greek playwright, Antigone written by Sophocles, the interesting character, Creon, is a prime example of this. According the Aristotle’s theory, to be a tragic hero you have to have three traits: a flaw, a fall, and acceptance of your current situation. Creon’s flaw is his ego, which blinds him and lures him to do rather profane activities. Due to Creon’s ego, him losing everything caused by that very hamartia, and acceptance of the series of unfortunate events that occurred; Creon is the tragic hero in Antigone
The archaic play, Antigone, effectively expresses and communicates its ideas of Greek ideology and mythology. Antigone is the third, commonly referred as a tragedy, of three Theban plays and is a continuation of Oedipus at Colonus. The play starts off with Antigone and her sister deciding to return to Thebes to help their brothers, Eteocles and Polyneices, avoid the prophecy which predicts they will kill each other in battle for the throne of Thebes. Upon Antigone’s arrival in Thebes, news reaches Antigone that both of her brothers are dead. Eteocles has been given a proper burial while Polyneices has been named a traitor to the country.
The character Antigone is the protagonist in Antigone, the second play out of the Oedipus Rex trilogy. Out of the trilogy she is apart of she is the most tragic figure, though other claims say that Creon is a more tragic figure. A tragic figure in Greek plays, according to Aristotle, is a fictional character in a story or play that has an error in judgment, known as hamartia. This error of judgment causes his or her own misery, known as peripeteia. In Greek plays, such as the one Antigone premiers in, this person is must be of nobility.
She will only accept complete or no help at all, demonstrating how her decision is made in absolutes, with Antigone considering no other factors or consequences that may come as a result. Antigone demonstrates her resolve and her solitary motivation, as she brushes Ismene off harshly at any hint of hesitation. To do that indicates that she tolerates disloyalty to an extreme level, even if it comes from another member of her immediate family, even her own sister. This also reveals the fatalistic nature Antigone, as she says she is ready to die by breaking the law.
The fact that Antigone was stubborn and wanted to bury her brother no matter the cost teaches us this lesson. It can also be seen in Creon’s unwillingness to give in to Antigone no because he didn’t want to be looked at in a certain way. Instead, he lost everything that he had and was left at the end of the play in great pain and alone. The story Antigone was a classic Greek tragedy, a continuation of the immense tragedy that has already befallen the house of Oedipus. “Tragedy has a satisfying, redemptive ending because the events in tragedy are arranged so well that we would not have the play end any other way, we accept the conclusion” Antigone does indeed satisfy that requirement as a tragic play.