Antigone Vs Macbeth Analysis

As the play MacBeth transitions it shows MacBeth chose poor decisions as he getting closer to his tragic end. While reading it shows clear examples of MacBeth committing hellish acts for his own gain and ambition to become the mighty king. Even though Macbeth’s fate is tragic he tries to dodge it simultaneously while trying to prosper and become king unworried, while trying to become king unworried MacBeth commits heinous and brutal acts resulting in hamartia to get the best of him, MacBeth’s hamartia is him putting ambition first which causes him to be violent and brutal. One major factor that influences the play MacBeth is that he knows how devilish his acts are and consequences he still commits them.

Macbeth is doomed not by fate, but by a flaw in his character. This statement is very questionable because Macbeth is doomed by his fate and his flaw. Macbeth's flaw is ambition, and when the three witches tell macbeth about the future, Macbeth tries to be the master of his fate and that leads to his doom. Also, his ambition for power and greed also leads to his doom. Both his fate and flaw have a key factor in leading him to his doom.

An Analysis of Macbeth Hamartia is a tragic hero’s flaw that will eventually lead to his demise. In the play, Macbeth, Macbeth’s Hamartia is evidently his ambition. “The eye wink at the hand! yet let that be, Which the eye fears, when it is done, to see. ”(1.4.59-60) evinces Macbeth’s dangerous ambition because he wishes to kill Duncan to become King of Scotland, yet Duncan made him a Thane, and also gave him words of praise.

In the beginning of the play, Macbeth is a heroic soldier who fights for the king without mercy, but he has struck for ambition, his curious nature and his wife’s ambition lead him to the witches who told him the prophecies. After the second prophecy has come true, Macbeth has become the thane of Cawdor. He has led to the growth of his ambition by his thought “whose horrid image doth unfix my hair and Ames my seated heart knock at my rib again the use of

Just before his murder, Macbeth declares to Macduff that he will not give up and will fight to the end, indicating that he does not die in guilt but rather in trying to satisfy his evil desires (5.8.32-33). When compared to Lady Macbeth’s remorseful attitude prior to death, Macbeth’s unrelenting behavior supersedes in level of villainy. In Shakespeare’s Macbeth, Macbeth and Lady Macbeth both display villainy in that they choose the path of evil and deceit to gratify their desire to seize the throne.

shakespeare shows how macbeth and lady macbeth's characters pivot round the two-fold structure: lady macbeth exults in evil till the middle point of the play, and her husband is fearful of the damnable consequences. After the cold-hearted assassination of banquo these positions are reversed. the two-fold structure should not surprise us when we reflect upon the essential nature of this play: it is about good versus evil, and foul being fair. these oppositions and contrasts run through the whole

Macbeth’s ambition is what is causing him to intervene with his prophecy and pursue his goal (rather than leave it to chance). In a way, it is Macbeth’s own “black and deep desires” that make him kill in the first place as the witches never tell him to do so. Furthermore, apart from ambition, it is Macbeth’s own weak will and moral system that causes him to do the actions that result in his downfall. Macbeth’s weak will is undeniable and is illustrated before killing Duncan. “I have of spur/To prick the sides of my intent, but only/Vaulting ambition, which o'erleaps itself/And falls on the other” (I, VII, 25-28).

Sinful Macduff,/They were all struck for thee! naught that I am,/Not for their own demerits, but for mine... (IV.iii.262-264). Additionally, the way that Macbeth speaks of Macduff when he is planning his family’s murder shows even more how undeserving Macduff is of this cruel and brutal sacrifice, “The castle of Macduff I will surprise:/Seize upon Fife; give to the edge o’ the sword/His wife, his babes, and all unfortunate souls... (IV.i.165-167). Although both Macbeth and Macduff used their guilt as motivators to achieve their goals, Macduff was the only one who used it to do something right, which was to help his country.

Genghis Khan once said “an action committed in anger is an action doomed to failure”, thus ultimately leaving those with malicious intentions to wallow in their collapsed dreams. These wise words of advice apply to many circumstances in Othello, by William Shakespeare, where one man’s desperate thirst for revenge causes him to manipulate those around him. Iago’s heinous motives drive him to fulfill the needs of his unruly God complex. In Othello, Shakespeare characterizes Iago as astute through the use of hyperbole and metaphors. We can learn from Iago that having an air of superiority results in a distorted view of reality and can eventually lead to bitterness and hate.

At the beginning of the play, Macbeth was a noble and loyal person, but by the end of the play, his “vaulting ambition” had taken over him. This caused him to become malicious and nihilistic and above all murderous, Macbeth portrays a tragic hero. Shakespeare portrays a tragic hero as someone who is noble and valiant but turns out to have a tragic flaw and Macbeth portrays this by fighting for his country and king but then murdering the king because of his hamartia, “his vaulting ambition”. Macbeth is greatly responsible for his downfall, but the witches have an impact on Macbeth’s actions. In Greek tragedies characters face a point in which they turn towards death, almost all plays have someone die and, in the end, justice prevails.

It is true that Lady Macbeth and the three witches were partially responsible for his downfall; however, Macbeth’s selfish desires are what cloud his thoughts in the first place. Macbeth’s life and destiny is really in his own hands. Though fate plays a significant part in the play shown from the witches prediction on Macbeth 's rise to Thane of Cawdor, it is his own wicked thoughts with the influence of Lady Macbeth that leads him to kill the king, and that decision is what ultimately lead to his downfall. Although the witches mention to Macbeth that it is his fate to take the throne, Macbeth is the one to make it occur. Thus, his fate was in his own hands, just like it is in everyone else’s as

Although he 's tried everything that he can to go against the prophecy, by trying to avoid it he ran right into the prophecy. He has killed Laius and married Jocasta. Unknowingly, he and his mother, Jocasta had been fulfilling the prophecy. Oedipus had been ashamed of fulfilling the prophecy, so he gouged his eyes so he could not see the faces of those who looked down on him.

He compromises his honor and negates moral responsibility to attain power and position which results in his tragic end. From the beginning, Macbeth was faced with choices and he continuously kept on making bad ones. The witches vision for the future of him becoming king together with his ambition drove Macbeth to commit a crime, make a choice that would then continue to haunt him forever. With significant influence from Lady Macbeth, he decided to take action and murder King Duncan. We see him consider his choice to kill Duncan in soliloquy in Act 1, Scene 7 “If it were done”.

Thus, in William Shakespeare’s classic play Macbeth, the author suggests that an individual’s identity is often an illusion voiced by crippling desire and the influence of others. As creators of turmoil by nature, the witches catalyze changes in Macbeth that enable his transformation from a righteous military general into a committed megalomaniac. Furthermore, they inspire the awakening of Macbeth’s ambition and fool him by providing a false sense of security. This exploitation is expected from the dark and sinister creatures as they firmly believe that “Fair is foul, and foul is fair.” (Shakespeare, trans. 2012, 1.1.12).

Macbeth seems, by all accounts, to be staggered to hush. At the point when Banquo asks of his own fortunes the witches react incomprehensibly saying that he will be not as much as Macbeth, yet more joyful, less fruitful, yet more. He will father a line of lords, however he himself won 't be one. While the two men wonder at these declarations the witches vanish and another thane, Ross arrives and educates Macbeth of his recently gave title, Thane of Cawdor, as the past Thane of Cawdor should be killed for injustice. The principal prediction is in this manner satisfied and Macbeth already incredulous instantly starts to harbor desire of getting to be above all