Walter White vs. The World of Antihero Dramas The article “The Best Antiheros Aren’t Vicarious Thrill Rides. They’re Morality Plays in Reverse,” by Todd VanDerWerff argues that a successful antihero drama thrives on portraying a character who not only slowly loses his or her morals, but also one that has something tangible to lose like family. The article calls into question the use of antiheroes on television and whether or not they are held to this standard of quality. By explaining the difference between a superior and subpar antihero through multiple examples of antihero dramas, VanDerWerff successful analyzes and describes the keys to a quality antihero that an audience adores. VanDerWerff starts off the article in a sarcastically annoyed tone discussing how there are too many antihero-based shows trying to recreate Breaking Bad and The Sopranos, so he then strategically brings in shows to discuss, such as House of Cards and Ozark. It is a clever strategy because he presents the reader with a variety of shows and then compares them to the shows networks are attempting to recreate. In regards to the mediocre shows, VanDerWerff says, “They invite viewers to revel in the bad choices made by their protagonists, but also think those bad choices are the only interesting things about the characters” …show more content…
There is never something valuable the character loses from his bad choices. Which is why I view Breaking Bad as the best antihero show produced due to its brilliant plot and story. The way the show portrays Walter and the choices he has to make, allow the viewers to feel connected to the show. Throughout the whole series, Walter slowly digs himself into a bigger hole and changes into a badass respected antihero, compared to the beginning of the show where he was a disrespected and lame high school chemistry
Lastly, the character of Prior Walter, who can be seen as the play’s protagonist and the main victim, is the one who goes through the greatest change from the plays’ opening to its end. At the beginning of the play, he is portrayed as an abandoned AIDS-stricken gay man with no one to help him but his friend Belize. Later on in the play, his ex-boyfriend Louis tells him how he saw him: “I think, maybe [you were] just too much a victim, finally. Passive. Dependent” (Kushner 2011: 216).
In the article, “Against Antiheroes”, Laura Bennett demonstrates the characterizations of an antihero, while providing information that allows the antihero to be depicted as prevalent. An antihero is defined as a person that does not possess heroic attributes, and may be seen as selfish, corrupt, or sullen. Antiheroes usually tend to acquire the sympathy of another individual, causing them to become relatable, as seen as Bennett writes, “‘Antihero’ implies that a character encourages a conflicted sympathy; Walt forfeited our sympathy long ago” (472). Bennett’s characterization of an antihero demonstrates a sense of an internal struggle on behalf of the audience and the hero. An antihero may appear to be haunted by a tragic past, encounters
He believes he is “..see[ing] life like it is” (141) in order to rightfully take his place as the head of the family by making this decision for them, regardless of the hope this house brought them all. The rest of the Younger family is disconcerted by this new business deal, and asks Walter if this is what he truly wants and believes is right, to which he responds that he’s “Going to feel fine…[like] a man…” (144). Due to internally knowing he still had prove himself but not physically doing so, Walter’s delicate, false pride in being a man doesn’t allow him to consider how his actions affect
In the book Bad Boy Walter is a called a bad boy. This is true because he hits a lot of other students when he is in school. This is mentioned when it says, “Manuel stopped the ‘dabba-dabba-dabba’ when I hit him in the face” (18). While Manuel had made fun of Walter using violence is much worse than insults.
Walter does not want to kill Krazy-8 and, after getting to know the man he plans to release him. Just as he is about to turn Krazy-8 loose but Walter realizes Krazy-8 has made a makeshift knife from a broken plate shard and probably most likely will try to kill Walter with the plate. Walter strangles him to death with a bicycle lock. This shows that Walter has had a lot of decisions to make concerning himself and his family. Walter never wanted to kill emilio and Krazy-8 but he did it out of self defense since they pulled guns out on jesse and walter and they had to do something about it.
In the beginning Walter is basically perceived as a jerk-he doesn’t seem to get along with anyone, not even his own family. His character likes to turn discussions into fights, make rude comments to his wife, and act all around immature. A part that accurately shows the way Walter conducts himself is when he is arguing with Ruth and says “Man say: I got to change my life , I'm choking to death, baby! And his woman say- Your eggs is getting cold!”
Walter often storms off after an argument or a conversation that did not go this way, and it is in this time that he hurts the most over the family’s financial situation and over the way that nobody else understands his position and his reasoning behind his actions. The segregation during the 1950s
From the outset, I have to say that “The Catcher in the Rye” by J.D. Salinger has been one of the most important and influential pieces of literature I have ever read. At its core, the book is a superb coming of age novel which discusses several extremely powerful themes such as the difficulties of growing up, teenage angst and alienation and the superficiality, hypocrisy and pretension of the adult world. These themes resonated deeply with me and were portrayed excellently through the use of powerful symbolism and the creation of highly relatable and likable characters. One such character is Holden Caulfield whom the story both revolves around and is narrated by.
The only thing that Walter is trying to do is live up to these fake perceptions, and there is nothing wrong with
Holden Caulfield lives his life as an outsider to his society, because of this any we (as a reader) find normal is a phony to him. Basically, every breathing thing in The Catcher in the Rye is a phony expect a select few, like Jane Gallagher. What is a phony to Holden and why is he obsessed with them? A phony is anyone who Holden feels is that living their authentic life, like D.B. (his older brother). Or simply anyone who fits into society norms, for example, Sally Hayes.
Though emotion is a strong factor in how readers and people make decisions, ethics and logic can arguably be more convincing. Readers can admire Walter, a minor character, but vital to the story for his commitment to saving his friend, Max’s life, “‘... people have been watching me…’ He left a small bag filled with bread, fat and three small carrots” (140). Although Walter can be seen here as selfish for his quickness to leave Max, Walter relies on his logic and ethics. He relays to his ethics when he knows that what his current leader, Adolf Hitler is saying is wrong and his logic for feeding Max as much as he can and his discreteness.
In Vince Gilligan’s television show Breaking Bad, the main character, Walter White, experiences an eastern style journey in his life as he battles cancer and tries to accumulate money to leave his family with. Walter White, also know as Walt, is a high school chemistry teacher and an assistant at his local car wash. At the beginning of season one of Vince Gilligan’s show Breaking Bad, Walter White is diagnosed with an inoperable lung cancer. Due to this cancer he abstains from working, therefore not being able to provide for his family.
Walter was introduced as a man who cared about nothing other than his business. He had sacrificed his sister’s dream of becoming a doctor, and held the power to wipe out Mama’s dream for a better home. Walter sees the gender roles as boundaries keeping him from loosening up to his family. He is given the insight that men must be powerful, wealthy, and demanding for them to truly be the head of the household. However, Walter sees past these gender roles, and not only challenges these rigid roles, but he also regains his family’s trust along the
Everyone feels sympathetic for Walter because he has a drinking problem. Lena trusts him with sixty-five hundred dollars and he gives it away trying to do a deal that goes wrong. The antagonist of this story is Karl Lindner. Karl is the bearer of bad news. He is apart of the greeting committee of Clybourne Park which is known as a "white" neighborhood.
Throughout time, people have been using their imagination as a way of refuge, where they can run away from the problems that come with being in the real world. This issue is well developed throughout the short story “The Secret Life of Walter Mitty”, written by James Thurber. The short story follows a middle aged man, Walter Mitty, as he goes through fantasies which involve him in situation that are far from his reality. People use imagination to put themselves in situation where they posses certain qualities or a lifestyle which they lack in the real world. Throughout the short story, Walter escapes into event-triggered fantasies in which he can do or be anything he wants to be.