Apichart Penchleela Essay
Apichart Phetchleela is a penname of Surachart Phetchleela. He is a Bangkok's young writer who graduated from university in Chiang Mai. Right after his graduation, he has a chance to work as a local documentary writer at a local publisher in Chiang Mai. After that, he decided to return back to work in Bangkok for another 4 years and decided to resign because he found his fond in writing. Surachart Phetchleela has appeared as Apichart Phetchleela in several books in the world, including “Want the cold wind come again (2001)”, “Bird of the Moon (2002)”, “One Year of Life (2003)”. But the most admired and appreciated was the “red postal box" that was later filmed as "close friend". Apichart is currently living in Chiang Mai and still writing …show more content…
Most of the time when she reread those postcards and letters always make her time at that moment to stop rotating. She yearns for the past all the time and waiting for someone to fill in. But she did not meet anyone. Until one day, she met a big boy, Tong Chana in Prague who had come in at the right time to fulfill her emptiness feeling. Tong Chana is also an artist who has several artworks all around the world. But he is more than fifteen years older than Da Kanda and most importantly, he already had a …show more content…
“Kai Yoi and Da Kanda” is part two of the “red postal box” nine years later. Everything was answered by reading down this book to the end. The curious thing over the years is clear. Some guesses of the readers are right, but something is not. The language of the book has changed radically, recognizing the growth of characters and writers. Opening next and next page was like walking towards to explore what we have been fallen in love with and so on. Throughout the story, Khai Yoi and Da Kanda are full of art, artworks, novel, fiction, and music that connects the characters from the beginning to the end. And this book does not leave behind the main characters favourite music from the “red postal box” ; Prodterd(โปรดเถิด), there are also followed in the party version of the second
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