According to the Merriam-Webster Dictionary, appearance is defined as “the way that someone or something looks.” The same dictionary defines reality “as the true situation that exists.” This poses the question of whether the way things appear is how they truly exist, and it is along that line that René Descartes wrote his Meditations on First Philosophy. Over 350 years after Descartes published his famous discourse, the American science fiction film, The Matrix, premiered, and pondered a similar question of the difference between appearance and reality. The purpose of this essay is twofold: firstly to evaluate and analyze the concepts of appearance and reality as presented in both the Meditations and The Matrix, and secondly to convince …show more content…
In the film, characters are imprisoned in a supercomputer, called the Matrix, from birth. Those imprisoned in the Matrix know no other reality, while their bodies are held in stasis in the outside world, connected into the apparatus of the Matrix. The story focuses on a computer hacker called Neo (Keanu Reeves), whose mind is freed from the grasp of the Matrix by Morpheus (Laurence Fishburne), and joins Morpheus’ group of freed humans. That group regularly enters the Matrix to free people and conduct surveillance. Those whose minds have been freed are able to tell the difference between appearance and reality. The mind is freed when, within the Matrix, it consumes the “red pill,” awaking its body from stasis in the physical apparatus of the Matrix and making the person aware of the outside …show more content…
Aside from the previously mentioned “red pill,” which frees the mind from the grasp of the Matrix’s delusion, Morpheus offers Neo, and every other person he frees, the alternate choice of the “blue pill.” A person choosing the “blue pill,” would forget they were ever offered the choice and forget any mention of an outside reality, and would carry on, as if nothing happened, in the fabricated world of the Matrix. While Morpheus and most of his crew of rebels prefer living in the real world over being enslaved, mind and body, in the Matrix, one rebel, Cypher (Joe Pantoliano), has become disillusioned with the grim reality and regrets choosing the “red pill.” His desire to return to the comfort of the Matrix’s delusion leads him to betray and kill several of his fellow crewmates in hopes of completing a deal with the machines to have his body reinserted into the physical apparatus of the Matrix. I can partly sympathize with Cypher’s motivation, though not nearly to the extent to which he is disillusioned, and I have no sympathy for his action. I have occasionally had dreams in which I attained a lifelong goal, or otherwise had some stroke of good fortune, only to wake and be disappointed at the reality. I believe many other people have, at some point or another, experienced a disappointing return to the waking world, and, even if just for a short time, wished they could go back to sleep and reenter their
Personal thoughts, backgrounds and appearances make one individual differ from each other. Under the circumstances and stress suffered, people tend to adjust their identities to match with their societies. The DBS surgery, as mentioned in “Who Holds the Clicker?” by Lauren Slater, conveys a way of mind controlling for psychiatric patients by neural implants. Compared to the protagonist Equality in Ayn Rand’s dystopian novelette Anthem, he fathoms the significance of individuality after his discovery of light. His inherent intelligence encourages him to become unconquered, and thus is capable of control his spirit.
Accordingly, Mike O’Neal pointed out that the entire society is made up of followers (Glettler 4). Despite the lack of leaders, no individual appears capable of performing independent actions. Furthermore, the society has laws that require perfect conformity with the subjects being reminded to follow the motto of “performance perfect is perfect performance” (Glettler 4). Additionally, severe drugs that alter the mind are used to keep every character under intense sedation. Yet, none of the characters can question their use of the drugs because body implants and constant surveillance prevents such inquiries.
In The Puzzle of Experience, J. J. Valberg argues that, concerning the content of our visual experience, there is contention between the answer derived from reasoning and that found when 'open to experience '. The former leads to the conviction that a physical object can never be “the object of experience,” while with the latter “all we find is the world” (18). After first clarifying what is meant by 'object of experience ', the 'problematic reasoning ' will then be detailed. Afterwards, it will be explained how being 'open to experience ' opposes the reasoning, as well as why the resulting “puzzle” cannot be easily resolved. Lastly, a defence of Valberg 's argument will be offered on the grounds that it relevantly captures how we understand our visual
Descartes, in his Meditations on First Philosophy, used a method of doubt; he doubted everything in order to find something conclusive, which he thought, would be certain knowledge. He found that he could doubt everything, expect that he was thinking, as doubting is a type of thinking. Since thinking requires a thinker, he knew he must exist. According to Descartes if you are able to doubt your existence, then it must mean that you exist, hence his famous statement cogito ergo sum which is translated into ‘I think, therefore I am.’ Descartes said he was able to doubt the existence of his body and all physical things, but he could not doubt that his mind exists.
Dreaming was never a part of me. I always thought a dream was something you wish for. However, setting goals are only my objective because a goal means something you will achieve, unlike a dream, it isn’t something you wish. When you realize, that in life you don’t get what you deserve, you have to start hustling for your own good. Succeeding is one way to define who I am.
Although Ray Bradbury’s Fahrenheit 451 preceded The Wachowskis’ The Matrix by almost half a century, they share many themes -- both overt, and covert. In Fahrenheit 451, the protagonist Montag goes through three phases of life: being oblivious to the dystopia, being in conflict about it, and resolving to be liberated from it. Montag’s ‘awakening’ was caused by his own curiosity and internal dissatisfaction with his life and the world he lived in. However, the actions that he took seemed to be completely subconscious, and not planned. In comparison, in the Wachowskis’ The Matrix, the protagonist Neo made the conscious decision to take the red pill, which represented his desire to learn the truth about the world.
To dream is to desire an achievement which seems unobtainable. Most everyone has trouble convincing themselves that their dreams are within reach. Jim Carrey once said, “So many of us choose our path out of fear disguised as practicality.” This is a result of allowing dreams to remain dreams and, instead, opting to take a more reliable path. In doing so, a sense of emptiness that never completely dies out is often developed.
Appearance can be misleading, the obvious things we see are not always how things are in real. In Oedipus the King, Sophocle exposes the trick of nature which is "what we see is not what is intended to be" and which turned to be a situational irony in the play, Oedipus the king. Blindness is not only apply to people who are blind.
Throughout the novel, hypnopaedia and the use of soma are shown to be the main components to the society’s lack of individual identity. Soma, a drug sponsored by the government, is used by the citizens of the World State in order to suppress any emotions which make them feel somewhat uncomfortable. The use of soma leads to a society which lacks any understanding of real emotion, an important piece to the formation of an identity. While soma by itself is destructive, the effects of hypnopaedia are comparable to a “...liquid sealing wax, drops that adhere, incrust, incorporate themselves with what they fall on, till finally the rock is one scarlet blob” (Huxley 28). Hypnopaedia is a process which is used throughout childhood to result in adults that have the exact views the World Controllers want the citizens of particular castes to have.
Our experience and perception are limited to the three-dimensional space just as the prisoners are
Dreaming is a huge part of people’s lives. Dreams happen to everybody and are different to everybody. They tell a lot about a person’s life. Dreams are viewed differently by so many people. People have opinions on what makes dreams happen, what dreams are, and what they mean.
Everyone has a dream. Although these dreams aren’t the ones you have while sleeping, they are the ones that drive you, challenge you and keep you fighting for the reality that they will become true. They are the dreams that you will work hard for. Martin Luther King Jr. even died while fighting for his dream to become a reality. They are the ones you hope will one day become a reality.
The 1971 film, A Clockwork Orange, consists of many psychological concepts. Two concepts in particular seem to have the biggest impact and role throughout this film. These concepts being, classical conditioning and the idea that our environment and our experiences of nurture are what shapes us. A Clockwork Orange is the story of a group of young men who take pleasure in committing crimes and causing others to feel pain, they call themselves the “Droogs”. Alex, the group leader, suffers from Antisocial Personality Disorder, a disorder also known as “psychopath”.
A Clockwork Orange is set in a dystopian society, controlled by a restrictive, tyrannical government and denotes a substantial disaccord between the citizens and the state. The novel is narrated by fifteen-year-old Alex, who speaks in a fictitious argot known as Nadsat. Alex and his ‘droogs’ (5) – Dim, Pete, and Georgie – venture the streets in ‘ultra-violence’ (5), attacking, robbing, and raping whoever they please. One night, Alex is arrested amidst another criminal act, putting his ‘ultraviolence’ to an end. In prison, Alex is offered to take part in an experimental behaviour modification treatment, known as the Ludovico’s Technique (91) – an aversion therapy believed to eradicate his violent tendencies – in return for a reduced sentence.
In his book How to Read a Film, James Monaco introduces a discourse through the section “Expressionism and Realism: Arnheim and Kracauer”, explaining two opposing stances towards film-making, mainly by addressing Arnheim and Kracauer’s prescriptive theories on Expressionism and Realism. By contrasting the two stances on where the esthetics of film should lie on, Monaco concludes with a suggestion of a goal films should reach for. Monaco starts by giving a simple definition of Realism and Expressionism, whereas Realism underlines the actual reality that is filmed, Expressionism focuses more on the capability of the filmmaker in addressing and remodeling the reality. He continues by giving a brief history on reasons why Expressionism was more