The Issue of Appropriation and Authorship in Relation to Elaine Sturtevant
Appropriation art has frequently occurred alleged to favor the understanding that authorship in art is an old-fashioned or erroneous notion. Throughout a supposed experimentation associating appropriation art to a distinctive example of creative imitation, I scrutinize and discard a sum of applicants for the division that forges artists the creators of their work whilst imitators are not. The fundamental divergence is perceived to lie in the circumstance that artists assume definitive liability for whatever ideas they decide to follow within their work, while the forger’s main purposes are decided by the attributes of the action of forgery. Appropriation artists, by
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Of which rules the distinctive connection of authorship, to the extent that the work must be understood in relation of the artist’s significances (or at least in relation of significances the artist might have had) is constituted of? Notoriously, the concept of the author fell into inquiry in the 20th century with theorists like Roland Barthes, who finishes his tribute of the author with the idea that the origin of the reader should be at the price of the demise of the Author. Michel Foucault approves, claiming that the notion of the author is an oppressive one that does no more than inhibit the spontaneous opinion of the …show more content…
Using the artwork of other artists developed as an habitual practice significantly through much of art history: painters, for example, have frequently repainted the artworks of others to be able to investigate the function of their own style to an acquainted composition and topic. Sturtevant, conversely, lifted the appropriation technique to a new level. Just to paint an exact duplicate of another artist’s work and declaring it as one’s personal artwork, whilst responsively admitting that it is an imitation, carries an evident type of inquiry to the notion of authorship that had certainly not beforehand been presented. Also when Marcel Duchamp took ready-made objects into the gallery space and Andy Warhol appropriated from common and mass culture, they made the choice to choose to handle those items as art. But Sturtevant disdains completely this kind of evaluation: the resolve of what is commendable to be evaluated as art is made by the colleagues whose artwork she duplicates, and certainly not by Sturtevant
According to Lethem, artists should not demand any compensation for when others use their work as inspiration, but they should encourage others so that the world can become a more cultured and larger place. Moreover, Lethem presents the hypocrisy in huge corporations, such as the Walt Disney Company, that once used previous works of art as inspiration, but would now sue anyone who tries to make any images that are like those of Disney’s. In Disney’s case, it is important that they know that “to live outside the law, you must be honest” (Lethem, 220). Today, Disney is prepared to sue anyone that tries to use Disney’s plagiarized work as inspiration. However, when Disney was first created, they would have most likely defended themselves by saying they simply used other works, such as Shakespeare, for inspiration, but this is simply not fair.
The Auteur Theory, a theory formulated by François Truffaut states the idea that the true author of a film is the director. The Auteur Theory revolves around how the director leaves an implicit mark on the film and because of this cinematic, literary, or thematic signature or motif, they are credited as the author of the film. While there are numerous people involved in the production of a film, with some directors it is truly prominent who can be described as the author of the film such as with Mel Brooks. Mel Brooks, renown comical director and screenwriter is one instance of the undeniability of the Auteur Theory. Despite Mel Brook’s complete involvement in his films, writing, co-writing, directing, and even starring in many of his films,
In the world of art, many artists are known for being vocal about their cultural identity and heritage and things they strongly believe in. They use their work as a means of expressing their views on society,politics,emotion and more. Curator Brenda Croft argues that some artists are "cultural warriors" who defend their territory through their art. In this essay, I will explore the works of two artists, Gordon Bennett and Emily Kame Kngwarreye, and analyze how their roles as artists can be interpreted to reflect Croft's view. Gordon Bennett was an Australian artist of a Aboriginal and Anglo-Celtic background.
He was surprised to find out that there are many occasions where “One artist was simply replicating the work of another.” (Gladwell 235) Many artists simply change the baseline of their song and then they call it their own. Artists get their inspiration simply by viewing or listening to another artist’s work. In the beginning of the essay, he leads us to believe that plagiarism is a problem.
In the article, Three Cheers for Cultural Appropriation, published August 30, 2017, author Bari Weiss defends the "charges" of cultural appropriation as simple syncretism, the root of his argument being the accusation of "cultural appropriation" is overwhelmingly being used to define the most natural process in our melting-pot country - the mixing of different ethnicities, cultures, and religions. Weiss claims that America's culture is at risk of being extinct introducing a new existence where we are all forced to remain in the "ethnic and racial lanes" assigned to us at birth. Weiss' argument is clearly structured but does not provide a clear definition of "cultural appropriation" therefore it makes Weiss' argument invalid because he did not
Modern society adapts to the views its people holds, which can explain why it seems so divided nowadays. It is as if no one can ever agree on anything. As a country, we are struggling to differ from right or wrong, keeping us on opposite sides. We have different views on everything, from how much gun control there should be to whether immigrants should be allowed and even what classifies as racism. Regarding culture and race, there are many instances which are offensive to some but brushed off by others.
How has African American culture impacted cultural appropriation in society? For years, African Americans and African American culture have influenced many areas of American culture. According to the article titled Word! The African American Oral Tradition and its Rhetorical Impact on American Popular Culture, “African American cultural expressions have been a way of resisting racial oppression by articulating experiences of resistance and struggle and articulating oppositional identities in highly creative and dynamic ways, beginning with the oral tradition from which all other cultural forms originated (Hamlet 2011).”
Both racism and classism contribute to the cultural appropriation of black culture because culture is not always portrayed in the right context, often viewed as a negative or stereotype for the group in which the cultural component belongs to and white groups tend to capitalize on the appropriation of other cultures. The appropriation of black culture is nothing new, nor is black culture a trend or recent fad. The usage of elements of black culture through appropriation contributes to the marginalization of the people and some of the major forms of oppression, in particular racism and classism. Racism being a primary factor; it is a form of discrimination towards an individual or group of people based on their race. Classism playing less of
Being black in America has become a curse and a blessing for those who identify within the black community. Most mainstream artists that are successful are black, there is biracial president who identifies himself black, and black culture has become the popular culture. Ironically, there in lies the problem with black culture becoming the dominating culture. Everyone wants to be black until police brutality, racism, and a historical prejudice are brought into the mix. In my group our topic was the title of my paper, “Shades of Grey”: Narratives of Black Experience.
Throughout American history, the population of the country has become more and more diverse, and with this growth in diversity comes the growth of the diversity of cultures in this society. However, cultural appropriation has become a problem as the American society became more and more diverse throughout the course of the years. Cultural appropriation is the theft of one culture’s intellectual property or key beliefs, generally by a larger culture, and then this larger culture using what is taken from a minority culture incorrectly or inappropriately. Cultural appropriation perpetuates many of the stereotypes found within American society, and it also is a main contributor to the misinterpretations of minority cultures within the country.
Throughout mankind, the concept of art has developed and changed. We have observed a variety of artistic forms and styles through paintings and sculptures. Numerous amount of cultures and time periods we 're established in history from art. Some include the Greek, Roman, Early Christian, Gothic, Renaissance, and Baroque time periods of art. During each of those time periods, new artistic styles were created and transformed.
From the content of books to the songs on the radio, art serves to provide a reflection of the world. Behind every design, there are great chains connecting the art to the artist to the artist 's inspirations and so on as far as the eye can see. In Jonathan Lethem 's The Ecstasy of Influence: A Plagiarism, he emphasizes these unseen connections. "My search had led me from a movie, to a book, to a play, to a website, and back to a book." (Lethem 212).
Cultural appropriation has been used throughout history to imply messages in both art and design. Often used in political art, satire and contempary art, this type of insinuation uses popular symbols of a culture or sub-culture (these symbols often stem from stereotypes so that they can be understood by the masses) to further layer an artwork or imply a deeper meaning by hinting towards a characteristic of said culture. The key to identifying appropriation is whether these symbols and signs are being used out of their original context. It is therefore important to understand the meaning of cultural appropriation and how it is used, to completely comprehend these works of art. This essay considers three works and how cultural appropriation was
Cultural Appropriation and Resulting Problems in Social Media and the Music Industry Recently, cultural appropriation has been a greatly discussed topic, especially in social media. The main reason for the popularity of the topic recently is because of the many celebrities accused of cultural appropriation, and the very few praised for appreciating rather than appropriating. Many argue that there is no such thing as cultural appropriation, and that the term is being misused for what is actually cultural appreciation. Additionally, many argue that cultures were all meant to blend as a learning experience.
It provides a condensed history of the evolution of critical theories and discriminates between them with the aid of a simple diagram. The essay begins with the definition of modern criticism which is to exhibit “the relation of art to the artist, rather than to external nature, or to the audience, or to the internal requirements of the work itself”. This one and a half century old theory of art competed against innumerable theories such as the mimetic theory, the pragmatic theory, etc., all of which have been thoroughly discussed in the essay. Abrams quotes theorists such as Santayana and D.W. Prall to show the unreal and chaotic nature of these alternate theories.