Aqua Paola Fountain and Pope’s power. In the 16th and 17th centuries, Popes exploited their position to build monuments that would display their own nobility. Until the end of the 16th century there was only one working source of clean drinking water in Rome. In 1585 Pope Sixtus V requested to restore the aqueduct in the Quirinale District of Rome, the previous Aqua Alexandriana, which he then renamed Fontana dell’Acqua Felice (Aqua Felice) after himself, Felice Perretti. The main theme of the fountain was religion, beside the intention of honouring the Pope. In 1612 Pope Paul V in respond of Pope Sixtus V’s Aqua Felice fountain, restored the aqueduct in the Janiculum hill. Pope Paul V felt the need to compete with his predecessors, who realized …show more content…
In order to gather money for the project Pope Paul V imposed tax on wine to buy the right to use a spring close to Lake Bracciano as a primary source of water. The water wasn’t that clean, the wine was still more drinkable and safer and when the source of the fountain became the Lake Bracciano itself in 1672, the water’s quality decreased even more. In fact the fountain wasn’t then used as a source of drinking water but rather used for other purposes like irrigation, industry and fountain use. So the real intention behind the realization of the fountain was clearly, for Pope Paul V, to valorise himself and his lineage, the Borghese’s family. Architect Giovanni Fontana designed the fountain in 1612, while his brother, Domenico Fontana, designed Aqua Felice fountain in 1585-1888. Aqua Paola fountain is constructed of five arches for the arrival of the water in fact its main theme is water. In order to praise the Borghese family and the Pope, Fontana built statues of a papal tiara, keys and angels, on the top of the fountain, and eagles and dragons that are the symbols of Borghese family. Moreover the inscription, written in Latin, that stands out right away to the observer, praise the Pope for bringing water to the citizens of the Janiculum hill. Years later in 1690 the fountain was redesigned, and a semi-circular pool for the water was added in front of fountain, but …show more content…
Pope Sixtus V followed the example of his predecessor in the construction of work of arts, including Aqua Felice fountain, and then even for other purposes, Pope Paul V did the same. By the end of 16th century the Popes’ power increased by becoming secular rulers as the formation of the Papal State turned into a centralized power. So the Pope became one of Italy’s most important secular rulers, which could be considered a hegemonic power. According to Italian Marxist theoretician and politician, Antonio Gramsci, the control of ideas is as powerful as the use of physical force. The ability to regulate beliefs within a society is what hegemony is about, and it reinforce inequality and “short-circuit attempts at critical thinking” (Smith, 39). He made an important reinterpretation to the concept of ideology, with the ‘hegemony’. He made a distinction between coercion and consent power, which are alternative mechanism for social power. Coercion is the State capacity for violence, the way to control people who don’t collaborate by force. Consent instead, refers to a form of social power in which people behave according to voluntarism and participation, which is the hegemonic power. As sociologist Mark Stoddart described in his
While feudalism and the class system of the European middle ages seemed to guarantee that families would remain in their social strata for eternity, the philosophers of the Renaissance challenged that status quo. They suggested that people could—and should—question authority. For instance, in Erasmus of Rotterdam’s The Education of a Christian Prince, he urged people to, “judge all things on their own merits as ‘good’ or ‘bad.’” Like many of his time who considered themselves humanists, Erasmus believed the study of the liberal arts could help people dramatically change their lives.
Just one year after the great fire of Rome, (64 AD) Nero began construction on the Domus Aurea (Golden House). The Golden House is estimated to have been more than 1.2 km2 (300 acres). Many historians suggest that Nero decided to take the opportunity to build a huge new palace after the fire and other historians say Nero purposefully lit Rome a blaze to make room for this giant palace. Along with the giant palace, Nero helped himself and decided to build a giant “artificial lake”.
They made a pipe system for clean drinking water to supply
In the 608, the Pantheon was converted to a Christian church when Byzantine Emperor Phocas offered it to the Pope as a gift. While it is now officially Saint Mary of the Martyrs, the Pantheon will always be the Pantheon. Inside are the tombs of several worthy Italians, including Raphael and Italian King Vittorio Emanuele II, great unifier of Italy, and his son Umberto I. The structure was sacked relatively little with respect to the rest of the city, although ironically, in 1628, Pope Urban allowed Bernini to strip the bronze from the Portico and melt it down for his Baldacchio above the alter of Saint Peter 's.
The inscription in the front of Pantheon reads; M Agrippa L F Cos Terium Fecit”or“Marcus Agrippa built this when he was consul, the building was burnt down except its façade and Emperor Hadrian rebuilt it at same site in 126 AD. The building was later given to Pope Poniface IV in 609 AD and converted to a Christian church which saved it from destruction and looting. It was later used as a tomb in the Renaissance and is the location of some royal
There was only a small fee to pay to use them. 200 million gallons of water was given in Rome each day. There was also clean water fountains running all around Rome. When it came to food, the government gave free wheat to male citizens on a regular basis. Also, the emperor
When you look closely at the columns you can see the different size bases. Moreover as the tour continued outside our next sculpture to mention was The turtle fountain originally from Rome sculptured by Giacomo Della Porta in 1658.The men sculpture holding up the turtles to the fountain was very unique along with the solid base. Another fountain to mention during the sixteenth century is the fountain of oceanus by Giovanni da Bologna. The three men sculptures give this fountain a classic Renaissance look spilling down to the fountain base. Lastly, outside before going in to the
Just nine years later, the Roman Empire and Renaissance periods, rather than seen as fallen and inefficient, are viewed as “brilliant phases of its history” (PGI 1952 5). The first is referenced as a period characterized by the birth of Christianity, engineering, and architecture: all things that would have been fascinating to the soldiers that such a country could start such a movement. The Renaissance is characterized as the period in which “Italy attained a kind of supremacy that owed…everything to the brilliance and achievements of its explorers, scientists, painters, writers, sculptors, architects, and others” (PGI 1952 6). Again, the blame is passed from the Fascist party to Mussolini himself who was killed in 1945. Words describing Italian history begin to change from negative to positive including words like “brilliant”, “enriched”, and
Within the pantheon almost all lines draw the viewers eyes to the Oculus. Another key element of the pantheon aside from the Oculus are the coffers, in addition to providing weight reduction within the dome the concentric rings created by the coffers radiate out from the Oculus carrying the ring down to meet the wall mimicking the Oculus (see fig. 1). Also present within the coffers are vertical line that converge at the Oculus. Both elements that bring attention to the focal point of the building. This trend continues onto the walls where the rectangular window like recesses in the walls are adorned with a pediment pointing upwards, likewise on the floor where rounded pillars are again capped with a pediment.
The Medici will later use the Old Sacristy as a tomb for their family. This building was significant because it help set the tone for a new style of architecture. It was built around proportions and classical orders. Which become popular in the Italian Renaissance Era. It was completed around the year 1440, but
James Lull defines the term hegemony by stating that it “implies a willing agreement by people to be governed by principles, rules, and laws they believe operate in their best interest, even though in actual practice they may not.” The portrayal of hegemony is achieved through the use of mass communication tools, such as magazines, television, and internet. For example, in the movie Mean Girls, teenage girls are portrayed as dramatic and unintelligent individuals who strongly care about their physical appearance and enjoy to gossip and backstab other girls. The film points out the importance of physical appearance by showing the concern of Regina George, one of the members of “The Plastics,” about her body weight as she strictly monitors
Now residing in a different area in St. Peter’s Basilica, it has completely lost all its context and meaning to viewers who come to see the piece. The statue was not made as an altarpiece by the artist, and so it should not be presented to the audience as such. The grave memorial should be moved to a more proper location where it can both be viewed at eye level, as it was intended, and regain its historical significance. The famous piece is nothing more than a devotional image at the present, and that should be changed. The Rome Pietà is a stunning piece and would hold even deeper meaning if presented in the proper
The Pantheon and Brunelleschi 's Dome in Florence both share a common idea of the dome in ancient history. They were built and different times, the Pantheon and Brunelleschi 's Dome differ in both design and architecture. This paper is going to analyze the Pantheon in Rome and Brunelleschi 's Dome in terms of their constructional and design techniques, and their historical circumstances of the construction of them both. The Pantheon is one of the remaining and properly maintained buildings of the first century.
Amidst the gondolas and waterways of Venice, Italy lies an iconic and historic center of worship. Saint Mark’s Basilica, built over a thirty- one year span from 1063 to 1094, has been used for Roman Catholic mass services for almost 1,000 years. Home to extensive mosaics and stunning architecture, Saint Mark’s Basilica stands as a testament to the splendor and religious importance of the eleventh century. The complex architecture of Saint Mark’s Basilica blends techniques from three different cultures/ eras. One can identify elements of both Byzantine, Gothic, and Italian architecture in Saint Mark’s Basilica (San Marco Basilica).
In this piece of work, it is essential to compare the two buildings while systematically considering their similarities and differences that have memorialized their existence until now. Similarities between Parthenon and Pantheon The Parthenon building in Athens was built and dedicated to the goddess Athena while the Pantheon was also built and similarly dedicated to all the gods of the Romans; hence they are referred to as temples. Furthermore, both buildings were used for public events when such need arises. The Parthenon and Pantheon are both ancient buildings and have strong big columns holding the building as well as serving as decorative pillars.