INTRODUCTION - ABOUT THE ARCHITECT Kengo Kuma is certainly one of the most influential architects today. He stands out along with Shigeru Ban, Kazuyo Sejima and Toyo Ito as a significant figure of contemporary Japanese architecture. Nevertheless, he is also a highly regarded professor at the University of Tokyo and a founder of Kuma Lab based at the Department of Architecture, where he conducts research focused on architecture, urbanism, landscape, materials, or sustainability. With his colleagues he published several books like Patterns and Layering, Japanese Spatial Culture, or Nature and Architecture. He was born in Yokohama in 1954. Afterwards, he studied architecture at the University of Tokyo and continued at Columbia University in …show more content…
In the middle, there is created an artificial square or a foyer under the skylight that connects all the pathways that cut through from the street. This enables fluent movement through the Centre and thanks to the natural lighting creates an impression of a real square. This space gives an access to other rooms of various functions. In the building, there are located: a children’s playground and nursery, exhibition space, kitchen studio, information office, and a couple of other multipurpose rooms. The playground became sort of the symbol of the project for its unmistakable dynamic interior shaped as a hilly terrain. "As children grow up, their experience will change because of the various heights of hills," the architect added, explaining that the area is also designed to be used as an informal reading room for older infants. The main material used in the interior as well as on the facade is cedar wood that creates a very warm and friendly …show more content…
What I found interesting is the purpose of the building and the way Kuma applies his theory in practice. He succeeded in creating a harmonious, warm, and welcoming atmosphere, moreover, he designed the community centre to meet the needs of all inhabitants, no matter their age or social background. Such an ideal environment can certainly reflect well on the social development of the neighbourhood. I believe that the people of Towada will undoubtedly make use of this new element right in the centre of their city and gather here with zest for many occasions and
The bigger playground has a bike track and multiple riding tykes for the children. Along the fence are several different sensor activities and a picnic table on the porch. The director has removed monkey bars from previous inspection. Photographs: none were taken at inspection.
Both the log houses and the kitchen house is made of wood, plastic, and bricks. The original house of Polk’s family was made of wood, red clay, and bricks. Red clay was packed between wood planks and used to help insulate the house during the winter and to keep it cool during the
He was a talented architect and landscape designer, dedicated to experimentation and innovation architect in
Beyond the idea of communicating knowledge and narrative, another approach is to shift attention from theory to practice to see how structural or landscape elements could be seen as ‘performative’ in a spatial sense of Dicky White Lane. The landscape element is defined and treated in a new way as a tactic to perform the spatial and the integration within the space. In interval or ‘folly’ in the exposed brickworks of heritage city of Launceston and people’s working life, the intervention is to propose a landscape to cover some part of this hidden laneway. The sprouted geometric furnishings and the narrow laneway create the ambience in Dicky White Lane and where it encouraging the passer-by to freely participate with the space to lunch, chat, or picnic on this ‘pocket’ park. The impression is about
Japan’s rich history of power, wealth, and influence had many remarkable eras. One of the more notable periods in Japanese history was that of the Tokugawa Period (1600-1868). The Tokugawa Period was talked about in Musui’s Story, an autobiographical book, written by Kokichi Katsu. (Katsu ix) Katsu wrote Musui’s Story for three main reasons: to share how he had transformed from a low-ranking samurai to a well-known hero, to show his sense of self, and to serve as a cautionary tale for his descendants.
It’s made up of underground dwellings. The walls are made of sand-stone slabs, while the roof is made of sewn-together animal skins. On average, the houses measure 40 square meters in size. The dwellings each hold stone-built pieces of furniture. You enter each dwelling through a low doorway, with a stone-slab door.
When the author describes the house on page twenty to twenty-one, he states “They started up a wide marble staircase. . . . Lights outlined the white wall of a vast house above, with pillars and statues and doorways going who knew where. The maids opened a door to reveal the most beautiful room . . . . It had beautiful wooden beams on the ceiling and wallpaper decorated with hundreds of birds. [Matt] saw a couch upholstered with flowers that shaded from lavender to rose. . . .
The Warriors of Ancient Japan The warriors of ancient Japan are very widely discussed both in popular culture and by historians. The mysterious ninja and the noble samurai are commonly misconceived to be supernatural beings while the ashigaru, are basically forgotten. They all had similarities to one another as well as major differences .This
The floor upstairs is where the children 's service takes place, while the base downstairs is for the adults. Entering the first floor, there are two fired stairs to climb to go into the church supported by steel handles. The two fired stairs are made of bricks, attached together and in a pale grey color. The brick has threads that are about 6-inch high, 4-inch wide, 8-inch long that are designed to be laid horizontally on the ground. Going into the church, are two white doors in a very small building attached to the main church with the handles made with steel.
"It is a big, airy room, the whole floor nearly, with windows that look all ways, and air and sunshine galore. It was nursery first and then playroom and gymnasium, I should judge; for the windows are barred for little children, and there are rings and things in the walls" (Gilman 648). The first description of the room helps us get a feel of how big and barren the room would be to be forced to live there on your own. " No wonder the children hated it! I should hate it myself if I had to live inthis room long" (Gilman 649).
The building follows intimacy gradient eg homes. Thus having a balance between both. For example, the rosa park elementary school is designed with the participation of the
Bernard Maybeck Bernard Maybeck was an eclectic American architect of the late 19th and early 20th century. He was known for his ability to fuse and experiment with many different styles of architecture, creating a blend of modern and historicism in his buildings. First serving as a teacher and then as an architect he influenced and shaped the Bay Area as it grew. To begin with, Bernard Maybeck was born in the outskirts of New York to German immigrant parents. His father, being a carpenter wanted young Maybeck to draw and work with his hands.
New designs have been adopted since the onset of architecture, and thus, with the concentration of a history of architecture, new phenomenon and innovations are realized that would help in further explanation and address of other necessities in the same sector. A concentration in the History of architecture and landscape architecture as a course incorporates more than one element of
The implicit message would allow for varying personal interpretation, the acquisition of meaning or symbolism over time, as well as the possibility of that meaning changing with time. Tectonic expression is therefore concerned with the relation between the idea of construction and the construction itself. This goes to show that architectonics is the basis for careful consideration of materials and as such, inevitably leads to a design outcome with more significance. Since the exploration of materiality is part of such an important process, it comes as no surprise as to why certain architects use tectonics for the materialisation of their design strategies. Japanese architecture
II. LITERATURE REVIEW The literature review will be reviewed the relevant literature and internet sources, the conceptual of public spaces and community spaces as well as the report of public space and social interaction in order to make a theoretical frameworks for knowledge and understand the problems of social interaction in modern world, especially in the high-rise building, the most common construction in urban area. 1. Public space – the conceptual delimitations and introduction