Argumentative Essay On Werewolves
Werewolves, for as long as we have known about them, are monsters who shape-shift from humans to monsters, making them unable to detect. It’s almost as if werewolves have two identities, its human and wolf counterparts. In Cohen’s thesis, he states that monsters express culture and cultural differences. Monsters embody the fears, anxieties, and desires of a culture. The monster represents something else, and is more metaphorical. “The minster is born only at this metaphoric crossroads, as an embodiment of a certain cultural moment-of a time, a culture, and a place. The monster’s body quite literally incorporates fear, desire, anxiety, and fantasy (ataractic or incendiary), giving them life and an uncanny independence. The monstrous body is pure culture.” Monsters also signify the things that are abnormal in a specific culture or an identity that isn’t well-represented or accepted (Cohen). Werewolves are monsters that have been linked to the study of psychology. Similar to Cohen, I believe that werewolves are monsters, that are actually just regular people that have mental issues and …show more content…
There are the cases of two men, who are thought to be werewolves before they come clean about their acts. One known story is the story of Gilles Garnier, who is a renown serial killer. Garner was a recluse or hermit, but he had a wife. According to the records from his trial, it is known that he suffered from a few mental illnesses, one of which being lycanthropy, but he was still deemed sane enough to stand trial. According to Garnier, he met a man in the woods one day who was able to give him an ointment that allowed him to change into a wolf so he could support his family. He also believed that he made a deal with the devil, which is a common belief among werewolf legends. Garnier strangled, disfigured, and ate his victims, all of whom were children. Garnier’s indictment
Monster Culture In Frankenstein
1370 Words | 6 PagesIn Jeffrey Jerome Cohen’s Monster Culture (Seven Thesis), Cohen analyzes the psychology behind monsters and how, rather than being a monstrous beast for the protagonist of the story to play against, “the monster signifies something other than itself”. Cohen makes the claim that by analyzing monsters in mythology and stories, you can learn much about the culture that gave rise to them. In Thesis 1 of Monster Culture, Cohen proposes that “the monster’s body literally incorporates fear, desire, anxiety, and fantasy”, specifically the fear, desire and anxiety of the cultures that gave rise to it; for example, vampires, undead, represent a fear of death. Monsters are born of an intense fear, desire, or internal conflict, “at this metaphorical
Stephen Asma Monsters And The Moral Imagination Summary
1017 Words | 5 PagesRhetorical Analysis of “Monsters and the Moral Imagination” Many people believe monsters are imaginary creatures that are seen in movies or even for others, it could be a serial killer that was heard about on the news. Stephen T. Asma wrote “Monsters and the Moral Imagination” which “first appeared in the Chronicle of Higher Education in October 2009” (Hoffman 61). Asma, who is a professor of philosophy, examines how different individual’s perceptions of a monster can be different depending on the era or even events happening around them. In “Monsters and the Moral Imagination,” Stephen T. Asma wrote a nonfiction, persuasive article for an educated and possibly specialized audience to examine how the idea of monsters have changed over time, what could be the motivation to create them, or even how life experiences could change an individual’s perceptions.
Jeffrey Jerome Cohen's Monster Culture
834 Words | 4 PagesThe essays within analyzes and studies certain aspects of culture. Cohen breaks down popular and earlier modes of cultural studies by suggesting knowledge is not local and creates seven theses to help the reader to understand the cultures the monsters have created. The monsters that are mentioned are Aliens, Werewolves, Vampires, Frankenstein, Grendel, and the Boogeyman. The theses show off unique concepts. Such as: Monsters and their significance in society beyond the literal and imaginary and the cultural use of these monsters in literature and our media.
Victor The Monster In Frankenstein
764 Words | 4 PagesThough the being has the physical characteristics of a monster, it is only after he is repeatedly rejected by society that he adopts the personality and behavior of a monster. With that being said, society plays a large role in shaping
Creature's Fall From Grace In Frankenstein
397 Words | 2 PagesIn his attempt to assimilate, the Creature begins to learn language and admire the concept of a family and forms the same human desires that people possess: a family, a companion, a home, and an identity. However, as he tries to interact with people, he learns that his ugly appearance prevents him from integrating into society. The elements of the Gothic are present here, as the Creature's isolation is a principal trope of Gothic fiction. According to Ashley Craig Lancaster’s text, “From Frankenstein's Monster to Lester Ballard: The Evolving Gothic Monster,” “…the Monster drifts away from society as a creature driven first by kindness, then by hatred, and finally by desperation, only to continue to live alone” (Lancaster 139).
Frankenstein And The Monster Likeable Analysis
1290 Words | 6 PagesThe monster is also capable of wanton destruction when he burns down the DeLaceys’ house and dances “with fury around the devoted cottage”(123) like a savage. Finally, the monster seems to enjoy the pain he causes Frankenstein: “your sufferings will satisfy my everlasting hatred” (181) he writes to Victor. Were these pieces of evidence taken out of context, the reader would surely side with Frankenstein. But Shelley prevents such one-sidedness by letting the monster tell his version of the story. The monster’s first-person narrative draws the reader in and one learns that the creature is not abomination
Frankenstein Monster Essay
1179 Words | 5 PagesMonsters are often classified based upon their appearance and inhumane characteristics. In the book Frankenstein, by Mary Shelley, Victor Frankenstein tears apart graveyards for the formation of a new being, which is brought to life with electricity. Frankenstein was fascinated with life itself and wanted to create this being through the dead with the use of science. After multiple years of suturing this new being together Victor succeeded in bringing this creature to life. Although realizing what he had just created Victor is repulsed by this new being and calls him a Monster.
Analysis Of Jeffrey Jerome Cohen's Monster Culture
1088 Words | 5 PagesIn Jeffrey Jerome Cohen’s Monster Culture (Seven Thesis), Cohen analyzes the psychology behind monsters and how, rather than being a monstrous beast for the protagonist of the story to play against, “the monster signifies something other than itself”. Cohen makes the claim that by analyzing monsters in mythology and stories, you can learn much about the culture that gave rise to them. In Thesis 1 of Monster Culture, Cohen proposes that “the monster’s body literally incorporates fear, desire, anxiety, and fantasy”, specifically the fear, desire and anxiety of the cultures that gave rise to it;; fFor example, vVampires, undead, represent a fear of death. Monsters are born of an intense fear, desire, or internal conflict, “at this metaphorical
Monster Culture Seven Theses Analysis
737 Words | 3 PagesExploring the unknown can be dangerous and being curious is more often punished than rewarded, and “that one is better off safely contained within one’s own domestic sphere.” Cohen suggests that the monsters keep us from stepping outside boundaries. Cohen continues to note that the monster prevents geographical, sexual and intellectual mobility, and that by challenging the limits you risking being attacked by monsters, or even becoming a monster yourself. These words seem to act as symbols against the limits of society and culture.
The Monster Archetypes In Literature
1703 Words | 7 PagesThe monster archetype has been one of the most riveting archetypes that surrounds the concept of ‘evil’. It has been portrayed as a supernatural creature with grotesque features that normally brings disruption to the city and needs to be tamed or controlled to bring once again peace to the story. Due to this, it is most commonly depicted with a negative connotation, and with the idea of horror and fear. The monster has been present since the bible, which was written approximately 3,400 years ago, with the anecdote of Goliath. It has remained with its primary role of converting the protagonist into a hero and providing fear to the storyline.
Analysis Of The Monster In 'Grendel' By John Gardner
1809 Words | 8 PagesMonsters are described as big, ugly, no-feelings creatures. They are also described as creatures of hell or creatures that are not acceptable in the society. This is disagreeable, not all monsters are ugly, and some monsters do have some feelings. The monster Grendel, in the book Grendel by the author John Gardner, shows that he is sensitive and has human's feeling traits even though he is a monster. Different events in the book, prove that the monster is impressionable and afraid.
Argumentative Essay: Is Frankenstein A Hero?
665 Words | 3 PagesIs Frankenstein a Hero? (An Analysis of the Story Frankenstein) The story Frankenstein can be interpreted differently by many people. Some people may view Frankenstein as a hero.
Acceptance In Frankenstein
1165 Words | 5 PagesOnly then did he become the name he was given. Ultimately, acceptance and understanding from society were all that the monster sought, and being denied of this was the cause of his downfall, his heart transforming from pure to tainted (taint) with
Outline For Frankenstein Research Paper
516 Words | 3 PagesFrankenstein’s Monster is not categorized as evil by his malicious behavior and is sympathized with due to his creator abandoning him and the role of nature versus nurture taken place II. Monster’s Nature and alienation A. Monster originally had an inquisitive nature yet gentle nature a. Information on the German family was “each interesting and wonderful to one so utterly inexperienced as [he] was” (105) B. With the rejection and alienation from society, the only interactions the monster experiences, he becomes full of hatred a. Rejected by De Lacey family by his looks and labeled a monster b. Tries to save a child but is shot by child’s father C. Reader may feel sympathy towards the Monster’s actions because the readers know that his true nature was not evil and he was misjudged III.
Oriental Exoticism In Frankenstein
1113 Words | 5 Pagesthat the creature possesses which they can resonate with. It is enough that he is objectively different from the identifying criteria. To be fair, Malchow qualifies his argument by stating Shelley did not specifically create Frankenstein’s creature in the fashion of a “Negro monster [...], but rather [...] she dredged up a bogyman which had been constructed out of a cultural tradition of the threatening ‘Other’” (103). Shelley knows that groups do not need an explicit identity to discriminate against an individual; conjuring up an exotic canvas, in which they can impress their own biases and discrimination, serves Shelley’s narrative immensely. Thus, in a sense, Lew is right in identifying that the root of how Shelley incorporates the discrimination of others in her text is by using the imagination associated with oriental exoticism.
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