Even if, their poetic techniques are distinctive, but they go the similar path of expressing themselves, after all. With their poetry, they constructed a kind of visual image of the everyday life. How was noticed above both poets have a big role in this literary movement who created the frame of the modern poetry which is at the same time a significant innovation of the distinctive and subjective outlook of feelings and emotions put into the number of rhymes in a complex visual
In fact, the author manages not only to portray a very intricate character by means of a range of verbs we will discuss later, but also focuse on the complexity of the actions one has to take under difficlut circumstances. Also, it stresses the regret we have once we choose one way since we may have no other chance to explore the possibilities of other options. Having studied Robert Frost’s biography and literary criticism on the poem we may assert that major themes combined in the poem include: 1. Isolation and limiting the individual in his or her natural and social environment, and the existence as a part of one’s lifetime dilemma, 2. The ambiguous nature as the foundation of human intelligence.
Modernism was a period in the early twentieth century that often dates back to the publication of T. S. Eliot’s “The Love Song of J. Alfred Prufrock.” This movement broke the traditional ways of form, concepts, and style found in poetry and allowed poets to freely express their ideas and beliefs through various ways such as free verse, fragmentation, allusions, imagery etc. T.S. Eliot is known for modernizing himself on his own by using fragments that incorporate multiple voices into his work. Eliot’s use of fragmentation and allusions in “The Love Song of J. Alfred Prufrock” and The Waste Land demonstrates his belief that modern society is disordered and chaotic and his realization that reality is too disjointed to understand. Fragmentation
As Milazim Krasniqi explains "lyrics of partisan songs written by Andrea Varfi, Fatmir Gjata, Kole Jakova, Qamil Buxheli, Shefqet Musaraj, and even Mehmet Shehu and Shefqet Peci, began the process of changing the function of the aesthetic text and promoted that as an exclusively ideological function" (Krasniqi, 2005, p. 164). This feature propaganda function spread through poetry prevailed in a powerful way,
"To think or speak poetically is to adopt a distorted stance toward the ordinary world..." and to do so is with the use of figurative language (Gibbs 1). Figurative language is the point at which you utilize a word or expression that does not make use of its literal meaning. Authors who utilize figurative language, use this to make their work more fascinating or more emotional than the exact language which essentially states simple facts. Authors frequently use figurative language to make unfamiliar things, settings and circumstances more relatable for the reader. Poems, specifically, depend intensely on figurative language.
Several common attributes can be found in selected poetry along with the common theme of love. While many people think that in order for writing to qualify as poetry, it must simply rhyme, they do not realize that most poetry is much more complex. Poetry does typically rhyme, but it can also follow a certain format or be a specific type of poem that holds other standards such as meter and foot as well. Along with these terms, in selected poetry, the poets use several literary works such as anaphora, simile, and hyperbole to better enhance their writings and paint a clearer picture for the reader of their versions of what love looks like. However, though the poets use similar terms and works to explain their point of view, they each tell a different story and reveal a different idea about how they believe love should look.
The Ego refers to I, the realistic part of mind and Superego as something above , integrates learned morals and social rules in human mind, it is a conscious part. (McLEOD) Psyche functions as expression of individual, the thoughts and ideas of a mind of writer. This approach surfaced during the era of romantic writing as it is connected with expressions, individuality and inner dialogues. To discover the hidden meaning in the poem so reader can interpret it properly , he is able to unveil the nature of poet itself through his poetry. This assumption is based on idea, that a literary work is connected with author´s mental and emotional traits.
A Different people react differently to poetry. Such comprehension to poetry depends on the audience taste, experience and imaginary, and before that on the poet’s creativity. In this research the researcher will study a number of poetic works by the great Arabic poet, Nizar Qabbani (21 March 1923 – 30 April 1998). Nizar Qabbani brought changes in Arabic poetry. Qabbani’s poetry is filled with new images that show the woman as she is.
The subject “The Redress of Poetry” selected by this great Irish poet, Heaney is not new. His approach towards poetry is akin to the approaches of the ancient and the middle age philosophers and intellectuals such as Aristotle and Sir Philip Sidney. Numerous writers and poets have already propounded their respective theories and have given their vent on this topic. Heaney has speculated this topic logically and tactfully. “The Redress of Poetry” is Seamus Heaney’s thesis statement that is proved by him with logical reasoning and apt critical references.
An Essay on Literature as A Mirror of Society In every part of the world, literature has been more or less, mirror of society. At the earliest stage, literature invariably took the form of poetry, while prose was a much later creation, because prose developed with matured age. Poetry is out and out a product of imagination, while prose is the fruit of intellect. The earlier from of poetry, is the epic. In Italian, Greek, German, English or Indian epic we can find a clear reflection of the ancient social history of the countries.