James Baldwin once said that “the purpose of art is to lay bare the questions which have been hidden by the answers.” Arlene Goldberg highlights this statement by posing three questions: who are we as people, what do we stand for, and how do we want to be remembered. In order to find these answers, one can simply turn to the boundless subjectivity of art. Often overlooked, Georgia O’Keeffe was crucial to the growth of American Modernism. Her techniques display perfection through her pristine utilization of rhythm, movement, and unity. Most often centered around the natural world, her pieces incorporate cropped sections aimed to display beauty through immense detail. Other compositions focus less on the detail and more on the shape and color …show more content…
While the painting displays something so pure, the colors expose something much darker. To answer Goldberg’s first question, “who are we,” one can not simply look at the botanical subject matter. Everything is flawed, even nature’s most precious gifts. When dissecting the fundamental characteristics of The Black Iris III, the dark color scheme represents us as a whole. Naturally, we are inclined to be imperfect individuals. But when we go beyond the surface, factoring in the singularity of each person, we are valued and bright. Our decisions and actions do not solely determine our worth, even if it may guide each individual …show more content…
While what determine’s “who we are” can vary, what we represent and aim to reflect is far more intuitive. Self-fulfillment leads us to yearn to be viewed as good, to be part of a whole, and to belong. As Americans, we pride ourselves on equality and acceptance. O’Keeffe’s work displays an advanced sense of unity and harmony through the positioning of the iris and the fluidity of the shading, clearly representing our goals as a nation. Which transitions us to the third question: how do we want to be remembered? We want to be remembered for what we stand for. Living up to our principles and aspirations re-affirms our values demonstrating consistency and strength, illustrating another innate goal for us as human
Art has been around for centuries, expressed in various ways through different mediums; painting, drawing, photography, music, and so many more. Each having smaller categories within them. One can create a portrait with different types of paint, chalk, pens and pencils, the lens of a camera. A musician can convey a feeling within lyrics, or notes of a song. Separate forms of art, yet if you look closely enough, you can see similarities as well.
In the representation, illumination of facial features are created by all the symbols and images that the person is made up of because it exemplifies the morals and characteristics of the person, but when the drawings and symbols are peeled away, the face is all saliently white, showing how there is no character or depth behind those drawings. This represents how people are now just made of the themes consumerism and materialism because they have no personality and morals anymore and that they are dehumanised and unidentified as a person. This shows the ideas portrayed in the poem as the family that it focuses on always wants more than what they have and how their main goal isn’t their care for their child, but to win money and spend it. The
The Into the Light exhibit, located in the Thomas Center, displays a wide array of Virginia Louise Leak’s artwork. Although Leak was diagnosed with a mental illness, she was still able to produce a lifetime of art. I believe her illness is what makes her art so extraordinary and relays a deeper message than what it appears to be on the surface. To me, if you truly desire to understand a work of art you first have to learn about the artist; therefore, before I even began observing the paintings and etchings I carefully read all of the plaques that gave detailed information about Leak’s life, history, and her works of art. Not all of Leak’s painting and etchings are on display for the public, but the artwork that is available to the public is truly astonishing.
In other words, McCloskey drew pictures of nature in such a way as to allow viewers see its beauty. For instance, the shadows created by the clouds seem so authentic that it allows the reader to appreciate them. This natural image is also viewed in McCloskey’s pictures
“A people without the knowledge of their past history, origin and culture is like a tree without roots” - Marcus Garvey. The Harlem Renaissance was a period of time in which racial pride and culture were thrust away in favor of a more traditional style of art. However, during this time, racial pride was best expressed through folk art via the means of relatable structure, understandable word choice and everyday subject matter. Common poets of the time chose not to imitate the formal and restrictive style of the European influenced “high art” and instead believed in a more down-to-earth, conversational style of writing. In these choices, poets began to shape a new form of art called “folk art” that gave readers content inspired by daily life
Contrast is found in some pieces, though most of her artwork follows a color system that consists of many shades of many colors, with a few pops of “surprising” colors. Briefly, her choices in color and texture create a balanced landscape art
Pathos and ethos combined to provide the audience with a sense of respect and reverence towards not only Mrs. Obama but themselves. She alluded to the idea of the American dream in her speech as well and used this allusion to strengthen her plea for students in the audience to make societal changes by feeling obliged to reach back and share what they’ve gained from their own successes and opportunities. Mrs. Obama placed an emphasis on the power of diversity and reinforced the part everyone can play in the ideal of the American dream when she said “So, graduates, while I think it’s fair to say that our Founding Fathers never could have imagined this day, all of you are very much the fruits of their vision.” (CITATION NEEDED) She had led up to this quote by speaking of notable individuals with familial backgrounds of immigration like Jonas Salk and Colin Powell.
Georgia O’Keeffe often painted close up pictures of flowers showing tiny details. She used bright colors. "Most people in the city rush around so, they have no time to look at a flower," O 'Keeffe said. "l want them to see it whether they want to or not." This challenged the everyday life of Americans.
Walker’s essay shows the dehumanization and abuse that black women have endured for years. She talks about how their creativity was stifled due to slavery. She also tells how black women were treated more like objects than human beings. They entered loveless marriages and became prostitutes because of the injustice upon them. Walker uses her mother’s garden to express freedom, not only for her but for all the black women who had been wronged.
How others see you is influenced by material, social, and physical constraints. This causes a tension between how much control you have in constructing your own identity and how much control or constraint is exercised over you. How we see ourselves and how others see us differ in many ways, but is an important factor of our identity. “A Lesson Before Dying”,
“We, the people, have remained faithful to the ideals of our forebears and true to our founding documents” (Obama par. 3). He used this in order to explain how we will always pride our ideals of the forebears. This view of patriotism from soon-to-be President Barack Obama made his audience appeal to his
Kahlo was able to have so much depth in her work with the use of essential art elements, mostly implied lines and repetition. Kahlo had personal strategies both physically and psychologically that allowed her to create such emotionally raw images. Her artistic output was dominated by self-portraits that often show how she
By the power of photography, the natural image of a world that we neither know nor can know, nature at last does more than imitate art: she imitates the
Her artworks often take the ordinary and make it into an almost dreamlike
This helps to create a close up look at the view outside the window suggesting the intimacy between the artist and the habitat outside. This is because the focus is almost wholly given to the view outside the window. The view, which is embellished by the presence of flowers sitting on the windowsill, and creepers climbing on the railing, is located in the center of the composition. Despite the lack of a line of symmetry and any logic or geometric order, Matisse has been able to draw the attention of the viewer’s eye through the use of bright colours, almost fluorescent, which were used to portray the calm sea with its floating blue boats, and the sky tinted with the colours of the sunset. The calm sea at the horizon is painted with unreal tones of pink, sky blue, and violet whereas the boat, painted with tones of indigo, orange and green, seem to move along with the light breeze.