On September 16th, 1560, a man named Arnaud du Tilh was executed for adultery and fraud. This execution does not appear to be too unusual a crime for 16th century France until one notes the extraordinary events that preceded it. The common literature on this unusual event maintained that Tilh managed to trick an entire village that he was the peasant Martin Guerre, even the wife (Bertrande) of the man he was imitating. Historian Natalie Zemon Davis sought to analyze the social and cultural conditions that could yield such an apparently strange and fraudulent act. Through her research, she surmised that Bertrande was not simply duped by Arnaud, as previous writers have assumed, but rather, she was a willing collaborator in the marriage deception. …show more content…
Whereas older histories in the past focused on states and elites, recent social historians and cultural historians studied the lower classes, borrowing practices from sociology and psychology to present that history. One can see that historical leaning by seeing how Davis concentrated her work on the lives of peasants, a group usually ignored by traditional historians. This new form of historgraphy made Davis willing to go beyond traditional source material, hence her reliance on legal and financial records, but she is also willing to push past the dependence on sources by highlighting the complex possibilities of representing the past through psychological exploration and literary interpretation. An example of this new historical framework is through her analysis of Protestant influence on Bertrande and Arnaud’s willingness to continue their fraudulent marriage. First, Davis found evidence that Bertrande’s family, the Rols, became Protestant through church attendance records and that Arnaud’s diocese had Protestant sympathizers. She then attempted to interpret Arnaud’s possible conversion and his mindset behind the conversion when she wrote, “I think he became open to the new ideas in Artigaat,” because his plan to imitate Martin Guerre “was operating like a conversion experience, wiping away the young man “of bad life”” (Davis, 49). Davis goes outside the historical record and constructs
One of the first killers was Giles de Rais who was born sometime around September 1404 and executed October 26th, 1440 (8). Today, his achievements can be described as a “shadow of [his] secret life” as he rampaged across France which made him arguably the first serial killer in recorded history (8). In his early life, he was the Marshal of France, in Joan of Arc’s Special Guard, and a Solider in Dutch of Brittany (9). He served a long military service fighting battles and collecting a fortune along the way, until many noticed (after his recent change of religion to satanism) the odd numbers of children missing near Rais castles (8). When convicted, he confessed to abducting, torturing, and killing more than 140 children in the period of 1435 (3). Many historians believed Giles de Rais could have been innocent because of how generous he was before being accused and that they might have tortured him into confessing that he did it.
Another penalty to Arnauds crimes was a formal apology to the Artigat (Davis 1983, 91). Public penalties of death throughout history have often been the town’s entertainment, which drew crowds from the surrounding areas to watch. 5. Describe the relationship between the real Martin Guerre and Bertrande after the
Bertrande expresses her true thoughts and decisions internally, but is unable to openly share them with society due to the feudal and patriarchal society being a barrier for women like her. Bertrande has a strong link to Catholicism and when Arnuad du Tilh is faced in court, they have no option but to give him a death sentence. However, Bertrande completely opposes this case in “not demanding [Arnaud 's] death.” Regardless of Bertrande’s choice, no one listens to her as they believe it is the for the best that Arnuad du Tilh should not live anymore due to the sins he has committed. This signifies that although Bertrande has voiced her opinions there is no possibility that she is going to have a significant impact on society that deters women from their choices and decisions.
One after another victim-to-victim fell to the unjust and unlawful acts of the justice system of the time without any help from the surrounding society. Justine was the first to fall because of how no one stood up for her in the society that lived all around her therefore she took the fall for everything. Second to feel the heat was Mr. De Lacy who consequently dragged the whole family down the government did not want Mr. De Lacy poking around anymore so they framed him. No one tried to appeal the trial or even tried to find evidence to help his case. Finally Victor, the one who sat there and did not speak up for Justine, felt the cold shoulder from society too when he was accused of murder.
In these trials, Father Louis Gaufridi was accused of engaging in sexual perversions with and sending demons into Ursuline nuns located in Aix. Of course Gaufridi did no such thing, but was accused of this based on the emotional and mental instability of a young nun named Madeleine. Madeleine and Father Gaufridi were lovers around the year of 1609, until others found out about the relationship and she was sent to a convent far from him. It seemed that the situation between the two was solved and had dissipated until two years later when news of Madeleine being possessed by demons reached Father Gaufridi. Madeleine accused him of being a devil worshipper who had been sleeping with her since she was 17 years old.
Historical criticism strives to cognize a literary work by examining the social, cultural, and intellectual context that essentially includes the artist’s biography and milieu. Historical critics are more concerned with guiding readers through the use of identical connotation rather than analyzing the work’s literary significance. (Brizee and Tompkins). The journey of a historical reading begins with the assessment of how the meaning of a text has altered over time. In many cases, when the historical context of a text is not fully comprehended, the work literature cannot be accurately interpreted.
Her article will provide evidence to the actions of a French peasant girl that led to her death and the preceding vindication of her many years later. It exposes possible reasons for King Charles VII sudden change of heart, although, he refused to pay her ransom. It also permits a look into the churches delay in making it right. The
Since the beginning of time there’s always been some form of struggle to break away from the grasp of someone powerful and someone who strives for power between those of mankind. This is evident all throughout history in society, even during the 1940s when this novel, A Lesson Before Dying takes place. Grant Wiggins and Sheriff Sam Guidry are prime examples of two characters that struggle to separate themselves from power and strive for power and are determined to keep themselves in power respectively. Grant is the main character of the novel with quite the cynical and depressing outlook on the South, which is the place he was born and raised. He gained this attitude of cynicism from his mentor Matthew Antoine, who felt very intense feelings
In the short story “The Storm” by Kate Chopin that was written at the end of the nineteenth century, the protagonist, Calixta is described to be as an noble, attractive housewife who is married to Bobinot, but still has intense feelings with her former lover Alcee Laballiere. She committed adultery with Alcee, and she does not feel any guilt toward her actions. If anything, when her husband and son, Bibi, came home, she was even more cheerful than the beginning of the story. In the 19th century, when people committed adultery, they usually get punished for it, such as being condemned.
Literary Analysis of Incantation Alice Hoffman 's powerful story takes place during such a hard time; the Spanish Inquisition in which our protagonist, Estrella de Madrigal faces an arduous decision between her best friend and the Spaniards. “Estrella de Madrigal thought she knew herself: daughter, granddaughter, dearest friend. But the truth is rare in this cruel, unforgiving century in Spain.” In the novel “Incantation,” Alice Hoffman has developed a meaningful yet a ubiquitous theme of how the infamous jealousy can destroy a person in many forms uses the literary devices such as simile and personification. Hoffman 's use of simile develops the theme that jealousy can destroy a person in many forms.
In The Return of Martin Guerre, Natalie Zemon Davis uses her sources through Jean de Coras to recreate and analyze the trials of Arnaud du Tilh, Martin Guerre, and his wife, Bertrande as a microhistory to gain a perspective and a glimpse of life for the average peasant during this time period. Natalie Zemon Davis’ sources are of diverse bases. Her main source, however is from Jean de Coras. Coras was a judge in part of the case in Toulouse. He was present, and his credibility enables him.
In 18th-Century Paris, St. Andre des Art was a neighborhood situated between Rue St. Jacques and “les rues du petit Pont,” its eastern borders, and Rue Dauphine, its western border. To the south, “les rues nerve des losses S. Germain des Pres, des bosses de M. le Prince, des Franc-Bourgeois, la Place Saint Michel, [and] rue S. Hyacinthe” enclose the neighborhood (218). As religious organizations played a predominate role in shaping the culture of this neighborhood in the medieval times, its legacy has lived on and continued to influence the common people in this area in the 18th Century. Churches and convents — les Chanoines Réguliers Premontres, l’Eglise des Corderliers, couvent des Grands Augustins, la chapelle de S. Sevrein— distribute across the neighborhood and were frequented by politicians, the kings, and artists. Some churches also actively engaged in the life of the locals.
This essay will examine the historical accuracy of the film Les Miserables in terms of the social, economic and political conditions in French society post French Revolution. The film Les Miserables depicts an extremely interesting time in French history (from about 1815-1832.) Even though the story line does not depict every detail and event that occurred during the time period as well as the fact that some aspects are dramatized for entertainment purposes, the film effectively spans thirty years of economic, political and social aspects of French Society. However it also manages to bring in references to the past, the French Revolution (1789-1799) and the impact it had on the society portrayed in the film.
Final Assignment of English Literature Reading BY YANG ZONGYOU, D01 “The False Gems”by the great writer Guy de Maupassant is a miracle that draws a delicate and precise image of France in the late 19th century. Written in an objective view, woven with sarcasm, this little piece of art reflects the truth of the society and humanity in its era without any obvious rhetoric, like a real old gem that shimmers constantly and gorgeously, leaving an ample space of ambiguity for readers to ponder over and over again. “The False Gems” seems to be objective, however, on the contrary, the plot of the story itself is a barrel of irony, in which the author 's opinion and emotion lies deeply — the genuine ones are found fake, while the false ones turn out to be real; knowing everything is not always good. Mrs. Lantin 's before-and-after contrary is ironic. At the very beginning of the story, everyone is convinced that Mrs. Lantin was a virtuous woman.
Such hypocrisy was rampant within the clergy in the historical context of Le Rouge et Noir. The post-Napoleonic era described in the book approximated the period of overwhelming power of the Catholic Church in most aspects of society. Stendhal 's realism in writing exposed the clergy for its hypocrisy despite his audience being conformist to the status quo of romanticized ideals of the church at the time. Julien, the protagonist of Le Rouge et Noir, manifested the hypocrisy that the cassock allowed him to perpetrate in his lustful and adulterous exploits to climb the social ladder. Both Madame de Rênal and Mathilde de la Mole fell for Julien 's sexual escapades that they deemed to be love.