Living “just an ordinary girl’s” life was no longer the lifestyle for a girl named Connie. Once a man told her that she was gonna be his, her life turned. Connie was no longer able to forget about reality instead she was forced into adulthood by a man named Arnold Friend. Connie is the main character in the short story, “Where Are You Going, Where Have You Been?”, by Joyce Carol Oates. The story is mainly about how Arnold Friend, a sort of stalker of Connie’s, comes to her house. He demands her to come with him, but she declines until he actually forces her to get into his car. In this story, Joyce Carol writes about a very harsh and rough topic to talk about. However, Joyce Carol Oates mainly uses symbolism in “Where Are You Going, Where …show more content…
Arnold Friend is a character full of mystic, and he is very diabolical. Oates even describes that “He was standing in a strange way, leaning back against the car as if he were balancing himself” (Oates 125). Arnold can be depicted as maybe having magical powers since it is as if he is balancing himself while standing in a strange way. Along with how Arnold stands, Joyce Carol Oates also hints out important symbols on Arnold’s car. “The story even implies that Arnold has killed, or at least raped, before. "[The numbers 33, 19, 17" painted on the car may be "a secret code" (825), as the miscreant himself boasts, but they are not demonic numerology. The numbers most likely are the ages of Arnold Friend's previous victims, suggested to Oates by the ages—seventeen, fifteen, and thirteen—of the girls killed by Charles Schmid” (Coulthard 2). The critic believes that there is an allusion to a murderer by the name of Charles Schmid in the story. When Arnold has the three numbers written on the car, the critic believes that those may be associated with the murder of three girls killed by Charles. In this example, Arnold may not be depicted as the devil as clearly as in other examples, but it definitely shows that he is related to death and mischief like the
At the beginning of Joyce Carol Oates’ short story, “Where Are You Going, Where Have You Been” (1938) introduces Connie a fifteen-year-old girl that is merely in adulthood. Always concerned with her physical appearance and sappy love songs Connie has trouble bonding with her parents. Connie’s mother is on a constant scolding with her. Connie’s father travels for his work and rarely around. When he is home, he rarely comments anything to Connie or her sister, June who is the opposite of Connie.
Home is where the heart is, but what if home is no longer safe? Joyce Carol Oates explores this concept in her 1966 short story, “Where Are You Going, Where Have You Been”. On surface level, this story appears to discuss a rebellious young girl named Connie and her confrontation with Arnold Friend, a stalker. The ending leaves the reader to assume that Arnold Friend plans to sexually assault the young girl.
In the coming of age story “Where Are You Going Where Have You Been?” Joyce Carol Oates uses symbolism, conflict, and the third person to foreshadow fifteen-year-old Connie’s unfortunate, yet untimely fate. While one may think that the conflict stems from Connie’s promiscuity, it is clear to see her promiscuity is only a result to a much bigger conflict, her mother’s constant nagging and disapproval, alongside the lack of attention from her father. the author paints a vivid picture of what happens when a fifteen-year-old girl such as Connie goes elsewhere to find to find the love, attention, and approval that she lacks at home. All which is vital for her growth and wellbeing as a person.
Fantasy V.S. Reality In some cases an individual can perceive something as the complete opposite of what it truly is. People create the illusion or the fantasy on what they believe something to be.
Arnold Friend’s Biblical Allusions In “Where Are You Going, Where Have You Been?”, Joyce Carol Oates tells a story of a young, innocent teenage girl, Connie who enjoys listening to music and begins exploring her sexuality and being with boys “the way it was in the movies and promised in songs” (Oates 198). In fact she catches the attention of Arnold Friend one night while at the mall meeting up with a boy. Not knowing he would appear in her life, Arnold strangely shows up at her house assuming they made plans to get together. His character is seen as the devil.
Myles Hypse February 3rd, 2017 English 1B 3:30-4:40pm Two Psychopaths Both of these stories give the reader a good look into the eyes of two psychopaths, who both refuse to take no for an answer. One of them, Arnold Friend although at first appearing friendly, is nothing more than a malicious predator, similar in kind to The Misfit, who greets his victims in a much more sinister way. The two characters, when stood side by side, almost seemed as they become one, yet are polar opposites. When one compares the character Arnold Friend to that of The Misfit, more similarities come forward than differences.
Arnold Friend: Inside the Mind of a Psychopath Joyce Carol Oates’ short story, “Where Are You Going, Where Have You Been?” is based on the year-long reign of the 1960s serial killer, the “Pied Piper of Tuscon,” Charles Howard Schmid. Oates’ story tells the horrid tale of an egocentric fifteen-year-old, Connie, who is mentally manipulated and later killed by charismatic Arnold Friend. Oates was inspired to write the short story after reading an article about Schmid’s killings in Life magazine (Borsun). Charles Schmid and Arnold Friend share eerily similar characteristics, including a drive to alter their appearance and play mind games with their victims.
In Joyce Carol Oates fictional short story “Where Are You Going, Where Have You Been?” the majority of the story lies beneath the surface. More specifically than just the story, you realize that there is more to the character Arnold Friend than what may appear. The author has always remained silent and ambiguous about the real meaning of Arnold Friend’s true nature and she leaves room for the readers to make their own interpretation of him. Readers can analyze Arnold Friend and see him as the devil, he could just be the personification of popular music imagined by Connie in a dream, but Arnold Friend could also be the result of drug use.
In her short story "Where Are You Going, Where Have You Been?", Joyce Carol Oates utilizes a variety of literary devices to strengthen the story in its entirety. This short story is essentially about a 16-year-old girl named Connie and the conflict between her desire to be mature and her desire to remain an adolescent. Throughout the story, the audience sees this conflict through her words in addition to through her behavior. The audience is also introduced to Arnold Friend, a rather peculiar man, who essentially kidnaps her. This short story by Joyce Carol Oates functions and is additionally meaningful because of her usage of literary devices.
The main character in the story “Where Are You Going, Where Have You Been?” written by Joyce Carol Oates, is a fifteen-year-old girl named Connie. This character appears to be a typical teenager who feels misunderstood by her family. The relationship with her family causes her to live two different lives “Everything about her had two sides to it, one for home and one for anywhere that was not home.” (86) Connie’s dual lifestyle and inability to communicate with her family will eventually lead to her demise.
The short story “Where Are You Going, Where Have You Been?” by Joyce Carol Oates can be interpreted in a multitude of ways due to its ambiguity. A psychological lens, however, provides the most accurate viewpoint for analyzing the story as it clarifies certain obscure scenes and actions of Connie. One psychological issue of Connie that is easily inferred from the beginning of the story is her insecurity about her looks. Connie constantly worries about the way that she looks and takes any opportunity to do so, “craning her neck to glance into mirrors or checking other people's faces to make sure her own was all right” (1).
“Where Are You Going, Where Have You Been,” is about a teenager named Connie who is trying to come to terms with her transformation from childhood to adulthood. Through this process, Connie attempts to act older than she is an tries to gain the attention of boys. In “Where Are You Going, Where Have You Been,” Joyce Oates portrays Connie as obsessed with men to symbolize how one’s obsession and narcissistic attitude can cause danger to seem surreal. In the short story, Carol Oates describes Connie as having two different personalities, one being a narcissistic attitude.
Smooth Talk is slightly based on Joyce Carol Oates’ story titled “Where Are You Going, Where Have You Been?” but isn’t as straightforward and frankly gruesome. The story focuses on the 1960’s suburbia from a teenagers perspective. “Where Are You Going, Where Have You Been?” focuses on topics relevant in the 1960’s including the Sexual Revolution. Oates’ focuses on major issues and topics such as feminism, sexual freedom, and adolescent sexuality.
“At its most basic, every story is an attempt to answer the question What happened?” (Norton 85) One of the most significant elements in a short story is plot. Plot is construct by authors and they rearrange the character’s action in a consequential way to shape our response and interpretation (Norton 85). In "Where Are You Going, Where Have You Been?" by Joyce Carol Oates and "Sonny's Blues" by James Baldwin, they use similar plot styles that contributes to the process of maturation for characters in the stories.
In “The Yellow Wallpaper” by Charlotte Perkins Gilman and “Where Are You Going, Where Have You Been” by Joyce Carol Oates, both female protagonists are faced with opposing male forces that seek to control, undermine and take advantage of them. However, in the midst of the challenges and subordination they face from these dominant male figures, each protagonists independence is tested as they both strive to overcome these forces. Connie, the protagonist in “Where Are You Going, Where Have You Been” is a 15 year old, narcissistic teenage girl, searching for independence through her sexuality as she enters into the realm of adulthood. “Everything about her had two sides to it, one for home and one for anywhere that was not home,” (Oates, 1).